The artistic revolutions in glasswork over the last 150 years — from the Arts and Crafts Movement to Art Nouveau and Art Deco — are illuminated and analysed in this compendium of art glass. Historically innovative methods of working in the glass medium are noted, as are the artists who created them. Among the artists given particularly detailed treatment are John La Farge, Louis Comfort Tiffany, Henri Matisse, and Marc Chagall.

Michelangelo and Raphael each brought technical mastery to a new heights. The Ashmolean has one of the finest groups of Raphael drawings in the world and an important collection by Michelangelo.

Annibale (1560-1609) and Agostino Carricci (1557-1602), together with their cousin, Ludovico (1555-1619), were famous in the 17th and 18th centuries as the saviours of art. Critical opinion held that the three painters had changed the course of art history with their insistence on the study of nature and their embracing of the values seen in the art of Raphael and Corregio. In the 35 years since the exhibition of drawings by the Carracci from British collections held at Newcastle in 1961, much scholarly work has been done on the Carracci, and on their drawings in particular. The majority of the literature is concerned with the nature of the Carracci academy and with the critical fortunes of the three artists. The book aims to provide a critical study of the drawings which should be of interest to scholars and the general public. Questions of attribution, and trends in critical debates are explored. The overall focus is on major issues: the complex question of collaboration, and the cross-fertilization of ideas between the three artists; the central importance of life drawings; the inventiveness of Annibale in particular; and the creative graphic explorations of all three Carracci in drawings and prints, and the wit and playfulness which runs through so many sheets. The book also includes an essay by Dr Catherine Whistler on the taste for Carracci drawings in Britain.

20 Years of Dolce & Gabbana is a collection of memories and iconic images that mark each step of their evolution. The book features images from photographers such as Steven Meisel, among others and models of the likes of Gisele, Linda Evangelista, and others.

The authors bring fresh clarity to the many myths that have arisen around the Kashmiri shawl on the South Asian trade circuit. They also interpret most of the complexities in the Kashmiri shawl lexicon.

Covers a wide range of office types, including high-rise, purpose built, rennovations, retrofits.

This is the first biography of Marie Spartali Stillman and is based on full access to her family's archives. As much of her work can only be found in private collections, many of the works illustrated here have not been seen by the public since 1908.

Following the success of Ken Tate's first volume is this book of more beautiful homes. Tate's designs spring from an intensive study of his clients and locales in which they have chosen to build. They demonstrate his obvious love of traditions of architecture which is evident in each home, which is beautifully illustrated through colour photographs. The character and the preferences of his patrons have led him to create residences in a wide variety of styles. The common language is decidedly Classical and all are impeccably researched and executed. All owe their grace and coherence to Tate's knowledge of this tradition but Tate's personal interpretation and intellectual rigors allow each building to stand apart as an individual work of art: beautiful, livable and utterly engaging.

This lavishly illustrated and beautifully produced book is intended for those interested in fashion and graphic design of the 60's and 70's from a creative and historical standpoint, plus the huge number of people who remember Biba from the period with much affection.

Interiors Now is a collection of the world's most up-to-date and inspiring interiors. Including the luxurious and the practical, corporate and residential, the work of the best and most influential architects and interior designers from Europe, North America, Asia and Australia, is showcased in this comprehensive, single-volume book. Divided into four categories, Corporate, Hospitality and Public, Retail and Residential, each project is accompanied by a 200-word text, a brief biography of the firm, and contact information. Firms featured include Claudio Silvestrin, Fox and Fowle, Dominique Perault, OMA, Karim Rashid, EEA, Attilio Stocchi, SCDA, Studio Daniel Libeskind, VOX, Valerio Olgati, SARC, Behnisch, Diller and Scofido, Pugh + Scarpa, Renzo Piano Building Workshop, Gehry and Partners, and Ron Arad.

CA 1 continues The Images Publishing Group's commitment to an annual showcase of contemporary architecture. Previously published as the International Architecture Yearbook, this annual series presents a snapshot of current architectural trends. The projects collected in this book are outstanding examples of ingenuity, innovation, cultural sensitivity and ecological preservation. Ranging from the playful to the sombre, from high-tech to historic, from cultural to commercial and all in between, they are among the finest contemporary examples of architecture's unfailing ability to improvise, surprise and delight. More than 50 architectural practices are featured. Many are multi-award-winning household names and some are rising stars in world architecture. Together they present a fascinating view of contemporary architecture.

The Master Architect Series is a valuable information source and reference to some of the greatest architecture of our time, reflecting each master architect's unique designs.

The Social Spaces series has proved itself to be an invaluable resource for anyone designing a space in which people gather. Projects are represented in full colour and biographical information is given on featured firms.

School buildings are constantly evolving to meet the needs of the next generation of teachers and students. This book presents more than 40 projects from the USA, showcasing leading elementary and secondary school design. Featred projects factor in important design elements including security and safety, new technology, resource centres and energy conservation. They must also accomodate flexible learning environments for a range of student groups. Full-colour photos, plans, drawings and descriptive text accompany the projects.

This stunning new book presents an extraordinary panorama of eighteenth century ornamental bronzes and objets montes. Each piece is illustrated in colour and accompanied by a detailed caption and a current valuation, given in US dollar, pound Sterling and Euro. Historical surveys of ornamental bronzes and objets montes, mercury-gilt ormulu, porcelain and lacquer are provided. Text in English, French and Italian.

The nineteenth century produced dozens of independent designers, particularly towards the end of the period. As the furniture trade developed, so manufacturers and retailing split. Catalogues began to be used in retail shops as they are today. Competition between retailers and the use of the new design books resulted in a large number of designs, not only new ones but also a constant looking backwards to earlier centuries for inspiration. This change in the structure of the industry made full use of highly individual interpretations of Gothic, Renaissance, Elizabethan, Naturalistic styles, Egyptian, Old French, Louis XIV, Louis XV and Italian decorations, all applied to a wide variety of furniture. The complexity of the subject is best explained by a very large number of illustrations and this is the reason why some 6,000 appear within this book. The Dictionary is made up from forty-nine contemporary design and pattern books issued by manufacturers such as Heal s, Smith, Tatham, King, Pugin, Morris and Liberty s. Each piece of furniture has been sorted into its physical characteristics (e.g. table with three legs) so that it is only necessary to glance down the list of contents to identify into which category any particular piece belongs. Within each category the pieces are arranged in chronological order so that the evolution of each type is clearly seen. This Pictorial Dictionary, the first major study on the wide range of furniture produced in this century, is the standard work of reference on the subject.

When This You See... is a series of 31 artworks in the medium of embroidery, made between 1996 and 1999, by the American artist Elaine Reichek. All of these beautiful images are reproduced here in full colour and three appear in spectacular gatefolds. traditional samplers dating from the mid- seventeeth to the early-eighteenth century. Created by girls and women as an educational exercise and as a pastime, samplers generally framed truisms, homilies, amd lessons within decorative patterns and motifs. In When This You See..., Reichek replaces these familiar sayings with quotations from mythology, literature, science, art history, and popular culture, to witty and pointed effect. Most of the quotations relate to the arts of weaving, knitting, or embroidery, but the astonishing results range far more widely, operating as social critique, as commentary on the relations between the sexes, and as a challenge. Extending and clarifying that challenge, Reichek punctuates the sequence of the samplers with a number of embroideries derived from works by well-known contemporary artists. Humourous and sophisticated, her art is also visually gorgeous.

Wth Edward VII on the throne and the dawn of a new century, Britain embraced the technology of the future. Motor transport began to replace the horse, and by the end of the Edwardian era, the possibilities of the aeroplane could be seen. While the telephone was for business communication, the popular craze was to send picture postcards, especially from the seaside. In the home, vacuum cleaners were the latest innovation, while in the streets women protested for their rights. Ping Pong was the fashionable parlour game for adults, whilst the teddy bear quickly became the cuddly companion for children. Like the other vibrant titles in the series, The Edwardian Scrapbook offers a glimpse at what used to be drawing upon Robert Opie's unrivalled collection of ephemera and packaging. It adds to our knowledge of the recent past and is packed full of information and nostalgia; an evocative, vivid and vibrant look at British history. Since the 1970s, Robert Opie has amassed an unrivalled collection of packaging. He is the author of numerous publications and has given many talks to schools, as well as on radio and television.

The Sixties will be remembered for mini skirts and mini cars, The Beatles and The Rolling Stones, boutiques and discotheques, and England winning the World Cup. But The 1960s Scrapbook also covers much more with its 1400 colourful items. Television gripped the nation with Coronation Street and The Likely Lads, while children were entertained by the Darlecks, Thunderbirds and The Man from Uncle. Twiggy became the fashion icon and the E-type jaguar the motoring aspiration for men. James Bond was the spy to emulate and the space race caught everyones imagination, including a vast range of space toys. There are now ten Scrapbooks in this series covering the Victorian era up to the 1970s plus the Royal Scrapbook. Together they form an invaluable resource of popular culture and lifestyle.

The Rookwood Pottery was probably the most famous company making art pottery in the United States in the late nineteenth century into the twentieth century, achieving an international reputation and consistently promoting artistic innovation. Proud that the pottery was an artist's studio, not a factory, Rookwood Pottery is known for achieving exceptionally fine glazes and successful experimental designs. By assimilating the strengths of myriad aesthetic movements from the American Art Pottery Movement to Art Nouveau and Art Deco, Rookwood Pottery encouraged decorators to try unusual subjects and to explore new techniques. Gerald and Virginia Gordon have created a magnificent collection fully representing all aspects of Rookwood pottery production, which they have generously given to the Philadelphia Museum of Art. The Philadelphia Museum of Art now has one of the finest and most comprehensive collections of Rookwood pottery in existence. Each piece is gloriously reproduced in colour. This collection has never before been published. The story of the creation of Rookwood Pottery and its quest for artistic creativity is told in the main essay by noted Rookwood scholar Nancy Owen. Author of Rookwood and the Industry of Art (2001), Nancy Owen is a lecturer in American art and gender studies at Northwestern University in Evanston, Illinois. A full checklist documenting all the objects, a selected bibliography, and an index of makers and decorators complete the presentation of this volume.