«Eugene Onegin» is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s imperial Russia, Pushkin's novel in verse follows the emotions and destiny of three men — Onegin the bored fop, Lensky the minor elegiast, and a stylized Pushkin himself — and the fates and affections of three women — Tatyana the provincial beauty, her sister Olga, and Pushkin's mercurial Muse. Engaging, full of suspense, and varied in tone, it also portrays a large cast of other characters and offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein. «Eugene Onegin» was Pushkin's own favourite work, and it shows him attempting to transform himself from a romantic poet into a realistic novelist. This new translation seeks to retain both the literal sense and the poetic music of the original, and capture the poem's spontaneity and wit. The introduction examines several ways of reading the novel, and text is richly annotated.»

«The Queen of Spades» has long been acknowledged as one of the world's greatest short stories. In this classic literary representation of gambling, Alexander Pushkin explores the nature of obsession. Hints of the occult and gothic alternate with scenes of St Petersburg high-society in the story of the passionate Hermann's quest to master chance and make his fortune at the card-table. Underlying the taut plot is an ironical treatment of the romantic dreamer and social outcast. This volume contains three other major works of Pushkin's fiction, moving from the witty parodies of sentimentalism and high melodrama in «The Tales of Belkin» to an early experiment with recreating the past in Peter the Great's Blackamoor. It concludes with the novel-length masterpiece «The Captain's Daughter», which combines historical fiction in the manner of Sir Walter Scott with the colour and devices of the Russian fairy-tale in a narrative of rebellion and romance. These new translations, as well as being meticulously faithful to the original, do full justice to the elegance and fluency of Pushkin's prose. The Introduction provides insightful readings of the stories and places them in their European literary context. A chronology of the Pugachov Uprising illuminates the events in «The Captain's Daughter».»

«First published anonymously in 1830, Alexander Pushkin's «The Tales of Belkin» contains his first prose works, comprised of an introductory note and five linked stories, ostensibly collected by the scholar Ivan Belkin. Centering variously around military figures, the wealthy, and businessmen; this beautiful novella gives a vivid portrait of nineteenth century Russian life. It has become, as well, one of the most beloved books in Russian literary history, and symbolic of the popularity of the novella form in Russia. In fact, it has become the namesake for Russia's most prestigious annual literary prize, the Belkin Prize, given each year to a book voted by judges to be the best novella of the year. It is presented here in a sparkling new translation by Josh Billings.»

''The people are silent'' So ends Pushkin's great historical drama Boris Godunov, in which Boris's reign as Tsar witnesses civil strife and intrigue, brutality and misery. Its legacy is an uncertain future for the new Tsar whose inauguration is met with devastating silence by the people. Pushkin's dramatic work displays a scintillating variety of forms, from the historical to the metaphysical and folkloric. After Boris Godunov, they evolved into Pushkin's own unique, condensed transformations of Western European themes and traditions. The fearful amorality of A Scene from Faust is followed by the four Little Tragedies which confront greed, envy, lust, and blasphemy, while Rusalka is a tragedy of a different kind — a lyric fairytale of despair and transformation. James E. Falen's verse translations of Pushkin's dramas are here accompanied by an Introduction by Caryl Emerson on Russia's Top page most cosmopolitan playwright.

«The Captain's Daughter» was the only work of Pushkin's that had a powerful influence on the next age — it contains all the essence of what Russian realism was to become — through it is still a story told in the orthodox manner, as a story should be.»

«Eugene Onegin» is the master work of the poet whom Russians regard as the fountain head of their literature. Set in 1820s Russia, Pushkin's verse novel follows the fates of three men and three women. Engaging, full of suspense, and varied in tone, it contains a large cast of characters and offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein. «Eugene Onegin» was Pushkin's own favorite work, and this new translation by Stanley Mutchell conveys the literal sense and the poetic music of the original.»

«Alexander Pushkin (1799-1837) is, for Russians, their greatest writer; «Eugene Onegin» is his greatest work. Yet it remains little known outside Russia. Attempts to render Pushkin's Russian stanzas into verse have tried in vain to imitate the most inimitable feature of the original, while masking many of its glories. This prose version, for the first time, gives us a «Eugene Onegin» that is easy and enjoyable to read.»

Eugene Onegin (1833) is a comedy of manners, written in exquisitely crafted verse, about two young members of the Russian gentry, the eponymous hero and the girl Tatyana, who don't quite connect. It is also the greatest masterpiece of Russian literature — the source of the human archetypes and the attitudes that define and govern the towering fictional creations of nineteenth century Russia and one of the most celebrated poems of the world. Before Alexander Pushkin (1799-1837) wrote Eugene Onegin, his nation's literature was a parochial one; after he wrote it, due in no small part to its power and influence, the Russian tradition became one of the central traditions of Western civilization.

Pushkin was the first Russian writer of European stature, and he is among the very few artists — such as Homer and Shakespeare — to have shaped the consciousness and history of an entire nation and its language, thereby affecting the world at large. Eugene Onegin is not merely the greatest poem in the Russian language by its most influential poet: it is a global culture, social and political icon of the highest order. The historical power of this work — a novel in verse — is made all the more extraordinary by the simplicity of its subject. Eugene Onegin is a story of disappointed love. Tatyana falls for the handsome Eugene to whom she daringly makes advances. He cooly rejects her, then flirts with her sister, Olga. When challenged by Olga's fiance, Lensky kills him in a duel, seemingly indifferrent to the grief he causes. (Ironically, Puskhin himself was to be killed in similar circumstances in 1937, some seven years after he completed the work). Onegin leaves the district. When he returns four years later, Tatyana has married another man and it is her turn to reject his advances. But it turns out that Onegin's hauteur is affected: he has always loved her passionately. She loves him too and both reflect painfully on what might have been.