James Wines is a larger-than-life character whose work cuts a swathe through modern architecture. Since 1970, when he founded SITE, the highly regarded architecture and environmental arts organisation based in New York, he and his practice have led the way in progressing a more socially and environmentally responsive architecture. Early work from the office includes iconic structures such as the Notch Project (1977), Sacramento, California. Nowadays, SITE offers a wide range of design services such as buildings, landscapes, public spaces, interiors, graphics and industrial products. This new addition to IMAGES' Master Architect Series offers a valuable insight into SITE's creative approach and teamwork, as it documents some of the studio's most outstanding projects.

«Visionäre Entwürfe von Architekten und Künstlern sorgten im Österreich der wilden sechziger Jahre für internationale Aufmerksamkeit. Diese als „Austrian Phenomenon» bezeichneten Projekte und Installationen enthielten die geballte Kreativität der österreichischen Neoavantgarde der Architektur zwischen 1956–1973. Zu Symbolen dieser avantgardistischen Träume wurden z.B. in Wien Hans Holleins Kerzengeschäft „Retti» und die vielen, bis heute erfolgreichen Lokale von Hermann Czech, wie das Kleine Café, Wunderbar oder Salzamt. Zu den bekanntesten Protagonisten dieser Szene zählen Hans Hollein, Walter Pichler, Raimund Abraham, Coop Himmelblau, Haus-Rucker-Co, Missing Link u.a. Das durchgehend farbig illustrierte Buch besteht aus zwei Teilen: Der „Dokumentation» wesentlicher Publikationen aus den Jahren 1958–1973 in internationalen Fachzeitschriften wie Archigram, Domus, Architectural Record, Casabella, in denen die jungen Architekten ihren Programmen internationale Aufmerksamkeit verschafften. Sowie der „Rekonstruktion», einem Querschnitt von Bildern und Texten aus Publikationen, die sich dem dem «Austrian Phenomenon» widmeten und von Autoren wie Friedrich Achleitner, Bart Lootsma, Stanislaus von Moos, Joseph Rykwert, Anthony Vidler u.a. erläutert und im architekturhistorischen internationalen Kontext verortet werden.»

Architectural work on existing structures has become enormously important in recent years. For the majority of architects, this is where future market opportunities will lie. This book provides a comprehensive introduction to the field and is thus addressed to all practitioners, students, and building sponsors whose interest goes beyond an initial encounter with this wideranging field of activity. Contradicting the conventional view that creative design work is the exclusive province of new building design, the authors offer a nuanced account of active and creative strategies for planning, design, and execution. Subjects considered range from town planning issues through the overall project cycle and its individual phases all the way to building management. Special focuses are the «grammar of design» as well as the issues arising through collaboration of different experts. In order to illuminate this broad and complex spectrum of topics, the book incorporates thirty examples of projects from Europe and North America, in which buildings from a huge variety of periods from the Middle Ages to the 1960 s are transferred into the present

«In «Unfolded—Paper in Design, Art, Architecture and Industry» paper conquers the third dimension and demonstrates the undreamed-of possibilities it holds today for lightweight construction, product design, fashion and art. From «Paper», the collection of bags by Stefan Diez, to Konstantin Grcic’s paper models and the scented paper garments of Issey Miyake, this book presents paper as a high-quality contemporary and ecological material. An enormous selection of projects, the lavish design and numerous illustrations provide designers with invaluable inspiration for their work. The content core of the book is a comprehensive list of state-of-the-art paper products and innovative paper technologies, supporting designers in their everyday work with detailed information on the «high-tech» material paper. From Japanese washi paper and paper foam, to ceramic paper and carbon fiber paper, «Unfolded» presents the latest in research and development, as well as the most important methods and technologies in handcrafts and industry.»

Celebrates time, an element in the work of Andy Goldsworthy both as a medium and as a metaphor. This book features an introduction by the artist and a sequence of works made around his home. It includes Goldsworthy`s diaries of visits to five locations in North America and Europe. It is intended as a reference on Andy Goldsworthy and his work.

In reading Chinese cities, as this volume attempts to do, the focus is not primarily on well-known cities like Beijing, Shanghai and Xi'an but rather on what it is that is essentially Chinese about the Chinese city — the features and hallmarks that all Chinese cities have more or less in common, their spatial grammar, their syntax, in short: their code. It is only by deciphering their commonalities that we become able to form a clear picture of the Chinese city's internal structure and to intelligently evaluate and organize our diverse impressions. Moreover, deciphering the code of the Chinese city enables the author to «„read“» cities newly designed by Western architects. He thus also helps the reader to arrive at valuable new insights into China's booming process of urbanization and urban development.

Gebraucht -- Wie neu ungelesen, sehr guter Zustand; Rechnung mit MwSt.; unused/unread, very good condition; — «Urbanity Twenty Years Later» ist ein langfristiges Forschungsprojekt, bei dem es darum geht, die mitteleuropäischen urbanen Werte wiederzuentdecken. Das Projekt zielt darauf, regionale Antworten für die Zukunft unserer Städte zu finden. Die erste Publikation des Urbanity-Projekts stellt die Überlegungen junger Architekten über die Stadt und ihre Potentiale vor. Ein Team von Architekten, Fotografen, Soziologen, Architekturstudenten, Nichtregierungsorganisationen u.a. begleitete mehr als 150 Teilnehmer dabei, wie sie an ihren Visionen für Berlin, Bratislava, Budapest, Ljubljana, Prag, Wien und Warschau arbeiteten. Der eingeladene Kritiker Elia Zenghelis wies darauf hin, dass «Urbanity Twenty Years Later» über die offizielle Erziehung hinausgeht, in der politisches Bewusstsein wie eine heiße Kartoffel behandelt wird.

A fascinating architectural study in museum design and urban planning. Designed by the internationally renowned Swiss firm of Herzog & de Meuron, winners of the 2001 Pritzker Prize, the new de Young Museum in San Francisco's Golden Gate Park is a stunning architectural tour de force. This book documents the complex five-year process that resulted in an outstanding contribution to contemporary museum architecture. Founded by San Francisco Chronicle publisher Michael de Young, the museum originated in the Midwinter International Exposition of 1894 and grew to become the city's largest art museum. Its superb permanent collection includes the arts of Africa, Oceania, and traditional cultures of the Americas; American painting and sculpture from the colonial period to the present; and both Western and non-Western textiles. After the de Young was damaged in the 1989 Loma Prieta earthquake, the museum's fate—and the decision to replace the old building with a new museum on the same site—became the focus of intense public debate. How Herzog & de Meuron, in cooperation with the San Francisco firm of Fong & Chan Architects and Oakland-based landscape designer Walter Hood, responded to the challenge of creating a building in harmony with its park setting is an important theme of the story. Lavishly illustrated with color photographs as well as plans, drawings, and models, the book traces the architects' creative process in striking detail. The new de Young is significant as Herzog & de Meuron's first major building in North America and as the first museum the architects have designed from the ground up. Reflecting its surroundings, the building is clad entirely in a skin of dimpled and perforated, naturally oxidized copper panels, whose abstract pattern was distilled from manipulated photographs of the park's tree canopy. With its elegant, twisting tower rising above the tree line, providing visitors with dramatic views, the de Young is a superlative work of architecture and a handsome tribute to the city of San Francisco. 250 illustrations, 200 in color.

Living Systems surveys a wide array of innovative approaches to material technologies within the field of landscape architecture. The selected projects and materials exhibit a contemporary demand for technological landscapes and the collaboration between designers, engineers, scientists and ecologists. The book proposes a synthesis between technology and theory, focusing on growth, flow, metabolism, climate, and atmospheric phenomena. Projects and materials are cross-referenced according to performance criteria, processes, and properties. Each of the 36 international projects and 23 material technologies is presented with drawing details and construction photographs. Descriptions of key processes and adaptive qualities provide an analysis of the various complex systems featured, such as vertical growth structures, flood prevention, stormwater infiltration and erosion control. Projects featured include works by West8, GROSS.MAX, Weiss-Manfredi Architects, Field Operations, Kathryn Gustafson, and Vogt Landschaftarchitekten.

In today’s fast-moving world everyone welcomes a place to relax, feel good, to recharge their batteries. Wellness and body care are gaining importance, and not only among the rich and famous. A huge number of wellness facilities have opened in recent years. Some are outstanding examples of superb interior design. Relax showcases the hottest 32 designs. It covers Spas and Thermal Baths, Massage, Hair and Beauty Salons, Health Farms and Gyms. Each project has been selected for its beauty and for the innovative concept behind its creation. In addition to works by well-known names such as Karim Rashid, Steven Holl and Jun Aoki, Relax includes interiors by promising young designers. All projects feature quality photography, in-depth essays, floor plans, project details and contact information. They are organized in four typological chapters, each of which concludes with an attractively designed yet unrealized project, illustrated with renderings.

Small Scale, Big Change focuses on designing and building in underserved communities around the globe. Rooted in the traditions of early Modernism, the work of the architects shown in this book expresses a desire for social change and a belief in the social responsibility of architecture. The projects – often schools, parks, housing projects and infrastructural interventions – are typically the result of close collaboration with members of the community and future users. They are located in impoverished urban and rural communities and reveal an exciting change in the longstanding dialogue between architecture and ethics, wherein the architect’s roles, methods, approaches and responsibilities are all dramatically reconsidered. These architects address community needs with innovative, low-budget and adaptable designs without sacrificing aesthetics. In these works, one also sees an expanded definition of sustainability encompassing larger social and economic issues. The architects featured include Alejandro Aravena, Anna Herringer, Francis Kere, Jorge Maria Jauregui, Lacaton Vassal, Michael Maltzan, Noero Wolff Architects, Rural Studio, Teddy Cruz, Urban Think Tank.

«Long regarded in Japan as a master architect, Kengo Kuma first entered the European limelight two years ago when he won the «Spirit of Nature Wood Architecture Award», being the second architect to win this prize after Renzo Piano. Timber construction, however, is merely one field in which this declared environmentally sensitive architect has specialised. This monograph presents 14 selected projects from 1992-2003, including the Museum of Hiroshige Ando and Stone Museum (Toshigi Prefecture, Japan), the Water/Glass-Villa (Atami, Japan), the Plastic House in Tokyo and the Bamboo House near the Great Wall of China. All projects are portrayed in exact technical drawings full of details and material specifications.»

Nanotechnology is widely regarded as one of the twenty-first century's key technologies, and its economic importance is sharply on the rise. In architecture and the construction industry it has potentials that are already usable today, especially the coating of surfaces to lend them functional characteristics such as increased tensile strength, self-cleaning capacity, fire resistance, and others. Additives based on nanomaterials make common materials lighter, more permeable, and more resistant to wear. Nanomaterials are not only extremely useful for roofs and facades; they also expand design possibilities for interior and exterior rooms and spaces. Nano-insulating materials open up new possibilities for ecologically oriented architects.

The new Scale series provides practical tools for architects and students of architecture. Each volume analyses the construction process from the first design idea to the call for bids, covering the fundamental design principles and concrete details. The series title, Scale, signifies that the perfect detail is the result of a process through various levels of conception and design, from the abstract to the particular. Although the focus is on communicating hands-on constructional know-how, Scale’s innovative presentation does not just simply show solutions, but demonstrates how to develop them. Each volume presents essential information for design and implementation, from the first sketches to details of connectors in a scale of 1:10. Consistency in the plans and drawings, clear hierarchies in the headings and structure, and a clear, easily readable layout with helpful captions simplify the search for specific information, and make Scale volumes ideal for quick, targeted consultation. Scale is conceived as a series of practical textbooks which can be used independently of each other, but also supplement and build on each other to constitute a reference work on construction design. Designing and Constructing openingsThe first volume of the SCALE series – Open | close – examines a simple but effective building element, the Opening, illuminating the path from idea to realization in its various facets. The concept of Open | Close includes not only elements such as windows, doors, gates, loggias and skylights, which communicate between exterior and interior space, but also the structure of the building itself. Because Openings define and determine the relationship of the building to public space, they also determine the character of the site. The analysis of conception, form and construction of opening elements is supplemented and illustrated by international examples of best applications. Written for:Architects, interior designers, studentsKeywords:aluminium window balcony construction construction design design door dormer entrance gate glazing lighting loggia roof window shutter sliding shutter steel window sunshading timber window window.

Since the earliest people lived as nomads, their buildings were portable, constructed in a way that allowed them to be rebuilt as they moved to new locations for better living conditions as the seasons changed. This book discusses the forerunners, present context, and technology of portable architecture. It documents numerous international examples, organized by areas of application, and offers a broad array of suggestions for practical design. In the Arts and Culture section, Shigeru Ban’s Nomadic Museum, made of shipping containers in the USA and Japan is examined, as is Mark Fisher’s event architecture for concert tours by the Rolling Stones and U2. Suggestions for flexible living include Richard Horden’s micro compact home and the Container Home Kit from LOT/EK. The design of mobile structures used in extreme situations, such as the Antarctic or in the aftermath of natural catastrophes, is explored. Exhibition and entertainment facilities are other typical areas of application for light, mobile structures. Demountable, temporary structures allow for exciting architectural experimentation which can then be prototyped for regular use.

Raghu Rai is India's most famous and most lauded photographer. Here, he lends his creative genius to capturing the changing face of Delhi, the place of his birth and India's capital city, over the last forty years. William Dalrymple says in his introduction to the book that [this is] the work of a sympathetic insider and has a tender and knowing intimacy that no outsider like myself can come close to. That quality is displayed to stunning effect in this spectacular, large format book, which will be prized by anyone with an interest in modern India or photography.

The opening of the Sensation exhibition at the Royal Academy in the late 1990s caused a public furore and a media frenzy, with both broadsheet and tabloid journalists falling over themselves to comment on the shows controversial images, and unprecedented crowds queuing up to see for themselves what all the fuss was about. This catalogue of that seminal exhibition features the work of over forty artists including Turner prize winners Damien Hirst, Gillian Wearing and Rachel Whiteread, as well as penetrating essays by Norman Rosenthal, Lisa Jardine, critics Richard Shone and Brook Adams and painter and critic Martin Maloney, who survey a decade of creative explosion. This special edition of the book that rocked the art world, features a new jacket created by Mark Wallinger.

«Graphic designers love music. This is attested not least by the tremendous enthusiasm that readers of the typography magazine Slanted bring to its «Typo Lyrics» column, in which designers interpret music in entirely new ways with the help of fonts. For this publication of the same name, celebrated graphic designers like Fons Hickmann as well as talented young designers from all over the world have taken song lyrics and used them as the inspiration for innovative font designs. The result is a collection of fascinating visuals – «typographic images» that present contemporary fonts a little bit differently. The extraordinary interplay of type design and music brings the fonts to life and practically sets them dancing. In contrast to classical pattern books and font fans, this volume provides a special, more emotional experience of typography and illustrates the great expressive potential of typefaces. On analogy with the traditional classification of fonts, the book is organized into eleven chapters, each of which treats a particular font family and song lyrics from a particular musical style.»

Although best known for his large-format color photographs made with vintage Kodak Brownie cameras, William Christenberry has also consistently produced work with 35 mm Kodachrome slide film since he took up photography. William Christenberry: Kodachromes is the first publication to showcase this stunning and previously unknown body of work, spanning from 1964 to 2007, of which only a small number of images have ever been published or exhibited. As in all of Christenberry's photographs, the subject matter is the rural Deep South: the twisting back roads, open landscapes, rusted signage and ramshackle vernacular architecture found in Hale County, Alabama. Though many of the sites pictured in this rare collection are new, other subjects have grown iconic in Christenberry's oeuvre as he has returned to photograph them over the decades--the red building in the forest, Sprott Church, the Palmist Sign and the Bar-B-Q Inn, among others. The photographs in William Christenberry: Kodachromes were made with a camera that allowed for greater mobility, revealing new ways of considering Christenberry's perennial subjects and offering further insight into the working method of this venerable artist. William Christenberry (born 1936) has been a professor at the Corcoran College of Art and Design, Washington, D.C., since 1968. His work has been the subject of dozens of solo shows and exhibitions over the last 40 years, and can be found in numerous permanent collections, including those of the Smithsonian American Art Museum, Washington, D.C.; The Museum of Modern Art and Whitney Museum of American Art, both in New York; Stedelijk Museum, Amsterdam; San Francisco Museum of Modern Art; and Center for Creative Photography, Tucson. His work was the subject of a major year-long solo exhibition at the Smithsonian American Art Museum in 2006.