From Ben Elton, author of the hugely successful Past Mortem, a gut-wrenching historical drama which forces us to handle the truth. Flanders, June 1917: a British officer and celebrated poet is shot dead, killed not by German fire, but while he was recuperating from shell shock well behind the lines. A young English soldier is arrested and, although he protests his innocence, is charged with his murder. Douglas Konig is a conscientious objector, previously a detective with the London police, now imprisoned for his beliefs. He is released and sent to France in order to secure a conviction in the case. Forced to conduct his investigations amid the hell of the third Battle of Ypres, Konig soon discovers that both the evidence and the witnesses he needs are quite literally disappearing into the mud that surrounds him. Ben Elton's tenth novel is a gut-wrenching historical drama that explores some fundamental questions. What is murder? What is justice in the face of unimaginable daily slaughter? And where is the honour in saving a man from the gallows if he is only to be returned to die in a suicidal battle? As the gap between legally sanctioned and illegal murder becomes ever more blurred, Konig quickly learns that the first casualty of war is Truth.

Bruce Delamitri makes cool films about killers. Films in which people die to rock and roll sound-tracks. Meanwhile, psychotic, unbalanced Wayne and Scout are actual killers. On Oscar night, as Bruce becomes King of Hollywood, Wayne and Scout go on a murderous rampage and fact is about to confront fiction.

«From a celebrity performer, bestselling author of «Popcorn» and «Inconceivable», a stunning satire on the modern obsession with fame. One house. Ten contestants. Thirty cameras. Forty microphones. Yet again the public gorges its voyeuristic appetite as another group of unknown and unremarkable people submit themselves to the brutal exposure of the televised real-life soap opera, House Arrest. Everybody knows the rules: total strangers are forced to live together while the rest of the country watches them do it. Who will crack first? Who will have sex with whom? Who will the public love and who will they hate? All the usual questions. And then suddenly, there are some new ones. Who is the murderer? How did he or she manage to kill under the constant gaze of the thirty cameras? Why did they do it? And who will be next?»