Enderby — poet, social critic, comrade and Catholic — is endlessly hounded by women. He may be found hiding in the lavatory where much of his best work is composed, or perhaps in Rome, brainwashed into respectability by a glamorous wife, aftershave and the dolce vita. But whether he is pursuing revenge and inspiration in Morocco, expounding on his notorious sex film on a TV chat show, or writing a hit musical based on the life and work of Shakespeare, Enderby emerges triumphant.

Fifteen-year-old Alex likes lashings of ultraviolence. He and his gang of friends rob, kill and rape their way through a nightmarish future, until the State puts a stop to his riotous excesses. But what will his re-education mean?

Byrne is Anthony Burgess' final work: an epic verse novel. Michael Byrne is a minor modern composer with greater talent in bed than in the concert hall. A bigamist, a charmer and a thug, Byrne sells his talents as a composer and painter, ending up in Hitler's Third Reich. He moves opportunistically from country to country and from bed to bed, leaving a small tribe of children across the globe. He then vanishes and the story passes to his children, including twin sons, one a doubting priest, the other sick of an incapacitating disease, who move across the troubled face of contemporary Europe before encountering their father in one final apocalyptic confrontation. Brilliantly readable, enormously funny and full of passion and energy, it is also Anthony Burgess' last powerful statement of life and art.

«'What we were after was lashings of ultraviolence'. In this nightmare vision of youth in revolt, fifteen-year-old Alex and his friends set out on a diabolical orgy of robbery, rape, torture and murder. Alex is jailed for his teenage delinquency and the State tries to reform him — but at what cost? Social prophecy? Black comedy? Study of freewill? «A Clockwork Orange» is all of these. It is also a dazzling experiment in language, as Burgess creates a new language — 'nadsat', the teenage slang of a not-too-distant future.»

Little Wilson and Big God, the first part of Anthony Burgess's two-volume autobiography, tells the story of a disaffected Manchester Catholic from his birth in 1917 up to the commencement, in 1959, of his career as a professional writer. Born Jack Wilson, the son of Catholic Irish and Lancashire parents, Burgess grew up in one of the toughest areas of Manchester, with a burgeoning awareness of an artistic talent which for a long time could not find its proper outlet. It deals also with an unending struggle to reconcile a Catholic conscience with the prematurely discovered pleasures of sex. It details his tempestuous first marriage, an army career more comic than heroic, and his years as an education officer in Malaya and Borneo. It was in the Far East, at the age of thirty-seven, his marriage in trouble, drinking heavily, that Burgess began to write the first of the novels that were to make his name.