One of Cather's earliest novels — written in 1918 — is the story of Antonia Shimerda, who arrives on the Nebraska frontier as part of a family of Bohemian emigrants. In quiet, probing depth, the story commemorates the spirit and courage of the immigrant pioneers whose persistence and strength helped build America.

The daughter of a Swedish minister, growing up in Colorado, Thea Kronborg's adolescent ability on the piano is encouraged by her eccentric German music teacher, Professor Wuncsch and by the kindly but unhappily married Dr Howard Archie. Set apart from the townspeople by her talents, Thea's friends are far from conventional. At 17 she leaves them and her mother's influence to go to Chicago where she studies with the pianist Andor Harsanyi. Overhearing her singing in a church he is the mentor who discovers the potential of her singing voice and sends her to study with the chill and selfish Madison Bowers, whom she dislikes. Her story moves to Arizona when she and a wealthy young brewer, Fred Ottenburg fall in love. A tension between her relationship with him and the driving artistic impulse that has always ruled her develops and becomes the novel's compelling central theme. Cather's lyrical, atmospheric and moving novel is a thinly veiled autobiography of a female artist in America at the turn of the century. A mature work filled with memorable characters all of whom influence Thea in different ways, The Song of the Lark deserves to be read alongside O Pioneers! and My Antonia and fully justifies Cather's status as one of America's greatest twentieth-century writers.

For the first time, perhaps, since that land emerged from the waters of geologic ages, a human face was set toward it with love and yearning. It seemed beautiful to her, rich and strong and glorious. Willa Cather's second novel, O Pioneers! (1913) tells the story of Alexandra Bergson and her determination to save her immigrant family's Nebraska farm. Clear-headed and fiercely independent, Alexandra's passionate faith in the prairie makes her a wealthy landowner. By placing a strong, self-reliant woman at the centre of her tale, Cather gives the quintessentially American novel of the soil a radical cast. Yet, although influenced by the democratic utopianism of Walt Whitman and the serene regionalism of Sarah Orne Jewett, O Pioneers! is more than merely an elegy for the lost glories of America's pioneer past. In its rage for order and efficiency, the novel testifies to the cultural politics of the Progressive Era, the period of massive social and economic transformations that helped to modernize the United States in the years between the Civil War and World War.