Superman, Dracula, The Avengers, Treasure Island... when you're ten years old, you can fall in love with any story so long as it's a good one. But what if you're growing up in a house without books? Christopher Fowler's memoir captures life in suburban London as it has rarely been seen: through the eyes of a lonely boy who spends his days between the library and the cinema, devouring novels, comics, cereal packets — anything that might reveal a story. But it's 1960, and after fifteen years of post-war belt-tightening, his family is not ready to indulge a child cursed with too much imagination... Caught between an ever-sensible but exhausted mother and a DIY-obsessed father fighting his own demons, Christopher takes refuge in words. His parents try to understand their son's peculiar obsessions, but fast lose patience with him — and each other. The war of nerves escalates to include every member of the Fowler family, and something has to give, but does it mean that a boy must always give up his dreams for the tough lessons of real life? Beautifully written, this rich and astute evocation of a time and a place recalls a childhood at once eccentric and endearingly ordinary.

The unthinkable has happened at London’s Peculiar Crimes Unit. In the bitter depths of winter, a member of the team has been murdered, and everyone who works there is a suspect. With the exception of Arthur Bryant and John May that is, for the eccentric detectives who run London’s strangest crime division are stranded on a desolate snowbound road somewhere in the West Country on their way to a spiritualists' convention. As the snows worsen, Bryant & May attempt to solve the crime long distance. And their situation is about to get much. much worse. Unknown to the elderly detectives, an obsessed killer has travelled from the Riviera to Dartmoor, and is stalking the stranded vehicles, searching for one particular victim and edging ever closer with each passing minute… Two murderers, two incapacitated detectives, just six hours to solve two crimes and save the unit. Armed only with their wits, woolly coats, a mobile phone with a fading battery and some dubious veal and ham pies, Bryant & May are bracing themselves for a strange and very dangerous day...

Murder doesn't get more peculiar than this. A lonely hearts killer is targeting middle-aged women at some of England's most well-known pubs. What's even more peculiar, Arthur Bryant happened to see the latest victim only moments before her death — at a pub torn down eighty years ago! It's only the beginning of a case littered with clues that defy everything the veteran detectives know about the profiles of serial killers and the methodology of crime. What do the Knights Templars, the secret history of English pubs, and the discovery of an astounding religious relic have to do with this recent crime spree? More important, do the Peculiar Crimes Units two living legends have enough life left in them to stop a murderous conspiracy...and a deadly cupid targeting one of their own?

A controversial artist is found dead in her own art installation inside a riverside gallery with locked doors and windows — the only witness is a small boy who insists the murderer was a masked man on a horse. A television presenter is struck by lightning while indoors… Two seemingly impossible crimes that only Arthur Bryant and John May of the Met's Peculiar Crimes Unit might be able to solve. But Bryant has lost his nerve following a disastrous public appearance, and May is fighting to keep the unit from closure. Worse still, the case of the Leicester Square Vampire, an unsolved mystery from the past that changed both their lives, has returned to haunt them. With a sinister modern-day highwayman bringing terror to the London streets in a series of crimes each more puzzling than the last, the elderly detectives track their suspect to an exclusive private school and a deprived housing estate. But just when they need all the help they can get to uncover a new breed of criminal, the highwayman is hailed a national hero, and the public turns against them… Bryant & May are back on the case in an adventure that explores the dark side of celebrity, the conflicts of youth, age and class, and the peculiar myths of old London.

‘The newspapers referred to it as the case of the seventy-seven clocks. There was quite a fuss at the time. We got into terrible trouble. Dear fellow, it was one of our most truly peculiar cases. I remember as if it was yesterday’. In fact, Arthur Bryant remembers very little about yesterday, but he does remember the oddest investigation of his career… It was late in 1973. As strikes and blackouts ravaged the country during Edward Heath’s ‘Winter of Discontent’, sundry members of a wealthy, aristocratic family were being disposed of in a variety of grotesque ways – by reptile, by bomb, by haircut. As the hours of daylight diminish towards Christmas, Bryant & May, the irascible detectives of London’s controversial Peculiar Crimes Unit, know that time is the key – and time is running out for both the family and the police. Their investigations lead them into a hidden world of class conflict, craftsmanship and the secret loyalties of big business. But what have seventy seven ticking clocks to do with it? Now the full story can at last be revealed, in this most eerie of adventures that features Arthur Bryant at his rudest, John May at his most exasperated and a gallery of colourful, bizarre characters who could only make their home in a city like London…

Originally built to house the workers of Victorian London, Balaklava Street is now an oasis in the heart of Kentish Town and ripe for gentrification. But then the body of an elderly woman is found at Number 5. Her death would appear to have been peaceful but for the fact that her throat is full of river water. It falls to the Met’s Peculiar Crimes Unit, led by London’s longest-serving detectives, Arthur Bryant and John May, to search for something resembling a logical solution. Their initial investigations draw a blank and Bryant’s attention is diverted into strange and arcane new territory, while May finds himself in hot water when he attempts to save the reputation of an academic whose knowledge of the city’s forgotten underground rivers looks set to ruin his career. In the meantime, the new owner of Number 5 is increasingly unsettled by the damp in the basement of her home, the particularly resilient spiders and the ghostly sound of rushing water... Pooling their information to investigate hitherto undiscovered secrets of the city, Bryant and May make some sinister connections and realize that, in a London filled with the rich, the poor and the dispossessed, there’s still something a desperate individual is willing to kill for – and kill again to protect. With the PCU facing an uncertain future, the death toll mounts and two of British fiction’s most enigmatic detectives must face madness, greed and revenge, armed only with their wits, their own idiosyncratic practices and a plentiful supply of boiled sweets, in a wickedly sinuous mystery that goes to the heart of every London home.

When a bomb devastates the office of London's most unusual police unit and claims the life of its oldest detective, Arthur Bryant, his surviving partner John May searches for clues to the bomber's identity. His search takes him back to the day the detectives first met as young men in 1940. In Blitz-ravaged London, a beautiful dancer rehearsing for a sexy, sinister production of 'Orpheus In The Underworld' is found without her feet. Bryant & May's investigation plunges them into a bizarre gothic mystery, where a faceless man stalks terrified actors and death strikes in darkness. Tracking their quarry through the blackout, searching for a murderer who'll stop at nothing to be free of a nightmare, the duo unwittingly follow the same path Orpheus took when leading Euridyce from the shadows of Hell. Back in the present day, John May starts to wonder if their oldest adversary might be the killer who took his partner's life. He must work alone to solve a puzzle that began over half a century earlier... In a war-shaken city of myths, rumours and fear, Bryant & May discover that a house is not always a home, nothing is as it appears, the most cunning criminals hide in plain sight, and the devil has all the best tunes. Dark drama and black comedy combine as Bryant & May take centre stage in their first great case.