In 1968, Josef Koudelka was a 30-year-old acclaimed theater photographer who had never made pictures of a news event. That all changed on the night of August 21, when Warsaw Pact tanks invaded the city of Prague, ending the short-lived political liberalization in Czechoslovakia that came to be known as the Prague Spring. Koudelka had returned home the day before from photographing gypsies in Romania. In the midst of the turmoil of the Soviet-led invasion, he took a series of photographs which were miraculously smuggled out of the country. A year after they reached New York, Magnum Photos distributed the images credited to an unknown Czech photographer to avoid reprisals. The intensity and significance of the images earned the still-anonymous photographer the Robert Capa Award. Sixteen years would pass before Koudelka could safely acknowledge authorship. Forty years after the invasion, this impressive monograph features nearly 250 of these searing images — most of them published here for the first time — personally selected by Koudelka from his extensive archive. Interspersed with the images are press and propaganda quotations from the time, also selected by Koudelka, alongside a text by three Czech historians. Though the images gathered in this remarkable publication document a specific historical event, their transformative quality still resonates.

This book gathers the most beautiful pictures of the legendary Mick Jagger, taken by some of the greatest photographers in the world. His extremely distinctive face has made him the archetypal rock star: Mick Jagger is universal. His physique and the way he moves have helped fashion the myth of the uber-sexy male celebrity. His mouth has become the emblem of his band The Rolling Stones. His face alone narrates fifty years of portrait photography practice, our relationship with celebrities, evolving dress and hair codes, and the creation of the rock aesthetic. Doing more than just recording this character of high dramatic intensity is the real challenge that portraitists, it seems, have been tackling for the past fifty years.

Love Me explores the insidious power of the global beauty industry and our collective insecurity, vanity, and fear of aging. In a series of compelling images, it reflects a world we have created in which there are enormous social, psychological, and economic rewards and penalties attached to the way we look. We meet cosmetic surgeons, anorexics, child beauty queens, bodybuilders, housewives, porn stars, businessmen, and soldiers signing up for breast implants.

In this ultimate volume, Mario Giacomelli’s most appreciated collection of landscapes, street scenes, still life, and portraits of everyday Italian life are combined with a unique and unseen new series. Mario Giacomelli (1925–2000) is one of the most well-known photographers. His work has won many international prizes and has been exposed all over the world. This book is a survey of Giacomelli’s work, showcasing more than 150 photographs. It is an astonishing collection of his masterpieces.

«The ongoing relevance of Belgian painter Rene Magritte may lie in the semiotic character of his work and its ability to create chasms between the world, its surfaces and the signs we use to occupy it. Magritte's paintings offer a space for the viewer to contemplate the emptiness of signs and to locate that emptiness in a world we recognize--indeed, the artist relies on the props of normalcy in order to upend, invert and collapse them into the terra incognita where life leaves off and art begins. «The mind loves the unknown» he avowed, «it loves images whose meaning is unknown, since the meaning of the mind itself is unknown.» In Attempting the Impossible we have a new definitive Magritte monograph, replacing David Sylvester's volume of the early 1990s. Featuring more than 300 works, it contains much unpublished material and includes chapters covering Magritte's photography, drawings and influence on German and American contemporary art. Each chapter opens with a close reading of a key work--such as «The Treachery of Images» («This is not a pipe») of 1928-29--and a reconstruction of its intellectual and historical contexts. Art historian Siegfried Gohr examines Magritte's marriage and friendships, the phases of his work (from his sunlit Renoir period and his «periode vache» to his bright and visually arresting postwar work, which had such an influence on the advertising industry), the Belgian roots of his wit and sensibility and his word paintings and investigations into the paradoxes of representation.»

With a kindness and a disarming simplicity, Salgado rebuilds its path, exposes his beliefs, makes us sharers of his emotions. It turns out that his talent as a storyteller and the authenticity of a man who knows how to combine activism and professionalism, talent and generosity. In the book the photographer tells us the story of his most famous reportages.