HarperCollins is proud to present its new range of best-loved, essential classics. 'There was one place in the world that stood solid and did not melt into unreality: the place where his mother was. Everybody else could grow shadowy, almost non-existent to him, but she could not.' In his quest to find his emotional and independent self, Paul Morel is torn between the strong, Oedipal bond he has with his mother and the relationships he forges as a young adult, with chaste Miriam and the provocative Clara. As Paul matures and struggles with his own and his mother's feelings towards the other women in his life, Lawrence expertly crafts a timeless and universal story of family, love and the relationships that define us.

'New eyes were opened in her soul. She saw a strange creature from another world, in him. It was as if she were enchanted, and everything were metamorphosed.' In Women in Love (1920), Ursula and Gudrun Brangwen, who first appeared in Lawrence's earlier novel, The Rainbow, take centre stage as Lawrence explores their growth and development in their relationships with two powerful men, Rupert Birkin and his friend Gerald Crich. A novel of regeneration and dark, destructive human passion, Women in Love reflects the impact on Lawrence of the First World War in the potential both for annihilation and salvation of the self. Quintessentially modernist, Women is Love is one of Lawrence's most extraordinary, innovative and unsettling works.

This moving story follows the emotional development of Paul Morel. Paul is torn between his passionate love for his mother and his romantic friendships with Miriam and Clara.

Lawrence's reputation as a novelist has often meant that his achievements in poetry have failed to receive the recognition they deserve. This edition brings together, in a form he himself sanctioned, his Collected Poems of 1928, the unexpurgated version of Pansies, and Nettles, adding to these volumes the contents of the two notebooks in which he was still writing poetry when he died in 1930. It therefore allows the reader to trace the development of Lawrence as a poet and appreciate the remarkable originality and distinctiveness of his achievement. Not all the poems reprinted here are masterpieces but there is more than enough quality to confirm Lawrence's status as one of the greatest English writers of the twentieth century.

These stories paint colourful pictures of life in Britain and America in the past. We meet some unusual people. There’s the dreamy boy who wakes up one day to find a bird making a nest in his hair! And there’s the man who tries to catch a ghost.

Four stories written by one of the greatest writers of twentieth-century English literature.

Four stories written by one of the greatest writers of twentieth-century English literature.

«This selection of Lawrence's work underlines the intensity and innovation that made him one of the most distinctive and important of twentieth-century writers. «Sons and Lovers» — semi-autobiographical, is a powerful exploration of family, class, sexuality and the suffocating relationships of a man with a demanding mother and two very different lovers. «Women in Love» — perhaps Lawrence's most mature novel, was met with disgust by the critics, seeing only a sorry tale of sexual depravity in the love of the sisters, Ursula and Gudrun, for Rupert and Gerald. «Lady Chatterley's Lover» — Lawrence's novel, written in poetic and sexually explicit language, deals with the passionate relationship between Lady Constance Chatterley and Oliver Mellors, her emotionally and physically crippled husband's forthright and powerfully masculine gamekeeper. A watershed in twentieth-century literary fiction, its sensational content has earned the novel an enduring readership and notoriety. Other stories featured in this volume include «The Captain's Dol»l, «The Fox», «The Ladybird», «St Mawr», «The Princess», «The Virgin and the Gypsy» and «The Escaped Cock».»

With its four-letter words and its explicit descriptions of sexual intercourse, Lady Chatterley’s Lover is the novel with which D.H. Lawrence is most often associated. First published privately in Florence in 1928, it only became a world-wide best-seller after Penguin Books had successfully resisted an attempt by the British Director of Public Prosecutions to prevent them offering an unexpurgated edition to the general public. The famous ‘trial of Lady Chatterley’ heralded the sexual revolution of the coming decades and signalled the defeat of Establishment prudery. Yet Lawrence himself was hardly a liberationist and the conservativism of many aspects of his novel would later lay it open to attacks from the political avant-garde and from feminists. The story of how the wife of Sir Clifford Chatterley responds when her husband returns from the war paralysed from the waist down, and of the tender love which then develops between her and her husband’s gamekeeper, is a complex one open to a variety of conflicting interpretations. This edition of the novel offers an occasion for a new generation of readers to discover what all the fuss was about; to appraise Lawrence’s bitter indictment of modern industrial society, and to ask themselves what lessons there might be for the 21st century in his intense exploration of the complicated relations between love and sex.

«These stories of myth and resurrection, of uncanny events and violent impulse, were with one exception written and published in the latter half of the 1920s, coinciding with the composition of Lawrence's controversial masterpiece «Lady Chatterley's Lover». At this time Lawrence declared himself to be 'really awful sick of writing'; yet here we find some of his most beautiful, hauntingly melancholy fictions. In struggling to escape from their thwarted lives and to achieve human 'tenderness', the characters embody and continue the major preoccupations of Lawrence's work as a whole. «Love Among the Haystacks» provides an early illustration of the intensity and innovation which made Lawrence one of the most distinctive and important of twentieth-century writers.»

In this novel, symptomatic of Lawrence's later work, Kate Leslie, an Irish widow visiting Mexico, finds herself equally repelled and fascinated by what she sees as the primitive cruelty of the country. As she becomes involved with Don Ramon and General Cipriano, her perceptions change. Caught up in the plans of these two men to revive the old Aztec religion and political order, she submits to the 'blood-consciousness' and phallic power that they represent.

This novel chronicles the lives of three generations of the Brangwen family of Nottinghamshire. It is a metaphysical enquiry into the possibilities that human relationships hold amid the uncompromizing circumstances of industrial culture, which Lawrence continued in Women in Love.

Lawrence's first major novel was also the first in the English language to explore ordinary working-class life from the inside. No writer before or since has written so well about the intimacies enforced by a tightly-knit mining community and by a family where feelings are never hidden forlong. Paul Morel is caught between his need for family and community and his efforts to define himself sexually and emotionally. Lawrence's powerful description of Paul's relationships makes this a novel as much for the beginning of the twenty-first century as it was for the beginning of thetwentieth.

«Lyric and sensual, D.H. Lawrence's last novel is one of the major works of fiction of the twentieth century. Filled with scenes of intimate beauty, explores the emotions of a lonely woman trapped in a sterile marriage and her growing love for the robust gamekeeper of her husband's estate. The most controversial of Lawrence's books, «Lady Chatterly's Lover» joyously affirms the author's vision of individual regeneration through sexual love. The book's power, complexity, and psychological intricacy make this a completely original work — a triumph of passion, an erotic celebration of life.»

Mrs Morel is a strong, intelligent, domineering woman. Her marriage to a miner is not a happy one. She is antagonistic to her husband and gives all her love to her sons. The Morels’ younger son Paul grows up close to his mother. As an adolescent and a young man, he is torn between a passionate love for his mother and his lovers Miriam and then Clara.