Post-Impressionism is a movement in France that represented both an extension of Impressionism and a rejection of that styles inherent limitations. The term Post-Impressionism was coined by the English art critic Roger Fry for the work of such late 19th-century painters as Paul Cezanne, Georges Seurat, Paul Gauguin, Vincent van Gogh, Henri de Toulouse-Lautrec, and others. Most of these painters began as Impressionists; each of them abandoned the style, however, to form his own highly personal art. Impressionism was based, in its strictest sense, on the objective recording of nature in terms of the fugitive effects of colour and light.The Post-Impressionists rejected this limited aim in favour of more ambitious expression, admitting their debt, however, to the pure, brilliant colours of Impressionism, its freedom from traditional subject matter, and its technique of defining form with short brushstrokes of broken colour. The work of these painters formed a basis for several contemporary trends and for early 20th-century modernism.

When Paddington starts to make a list of all the nice things he can think of about being a bear and living with the Browns he is sure to include 'the garden'. Paddington feels very lucky to have such a nice garden, especially as he has his own little patch in it, to keep him out of mischief! But when Paddington is around things are rarely simple and he soon finds that gardening is not as easy as he had first thought. He sets out, with a jar of marmalade of course, to look for ideas and ends up in a building site behind the Browns' garden. He is sure that if he climbs up a nearby ladder he will get an excellent view of his own little garden and that will help him with his design. Unfortunately, bears, building sites and marmalade don't really mix. But, as usual, Paddington is able to turn circumstances to his advantage and come out on top after all!

Faberge, Tiffany, Lalique — these great designers came together only once to display their goods in what was probably the most opulent exhibition ever mounted. At the 1900 Exposition Universelle in Paris, the three strove to position themselves ahead of their many competitors in the luxury market, each presenting his jewelry and home adornments as high art. Their success is explored in this splendidly illustrated catalogue, which elucidates the prewar pinnacle of European culture. The array of displayed objects was mesmerizing: Tiffany glass, Easter eggs to dazzle the Czars, realistic insects created in precious materials as sinister decorations. Many of these bore influences of the advanced art of the time, such as Art Nouveau, Viennese modernism, and symbolism, and of styles from around the world. Four essays discuss the works in the context of their times, illuminate the high societies served by the three masters, and trace the cultural trends behind their extraordinary creations. A treasure of accompanying photographs shows the individual exhibits, scenes from the World's Fair, and the glitterati who wore the jewelry.

First came One Red Dot, next Blue 2, 600 Black Spots... now Yellow Square, the fourth installment of David A. Carter's acclaimed color series Modern and elegant paper engineering and text are certain to awe children of all ages Readers will search beatiful, modern pop-ups to discover the hidden yellow square on each spread in this follow up to David A. Carter's New York Times award winning, 600 Black Spots.

In the fabulous new installment in the best-selling adventures of Isabel Dalhousie, Isabel is asked to help a doctor who has been disgraced by allegations of scientific fraud concerning a newly marketed drug. Our ever-curious moral philosopher finds her interest piqued. Would a doctor with a stellar reputation make such a simple but grave mistake? If not, what explains the tragic accident that resulted in the death of a patient? Clearly, an investigation is in order, especially since a man's reputation is in jeopardy. Could he be the victim of someone else's mistake? Or perhaps he has been willfully deceived by a pharmaceutical company with a great deal to gain. Not every problem prompts an investigation (take, for example, her ongoing struggle with her housekeeper, Grace, over the care of Isabel's infant son, Charlie), but, as we've seen, whatever the case, whatever the solution, Isabel's combination of spirit, smarts, empathy, and unabashed nosiness guarantees a delightful adventure.

In life, it feels like we are literally overrun with paper: receipts, newspapers, magazines, sales reports, fast-food wrappers, report cards, paper towels — the paper trail never ends. In this quirky and imaginative new title, renowned paper engineer James Diaz explores what would happen if ordinary paper magically transformed itself into origami creatures. Imagine newspaper doves and gum-wrapper cranes.

When I was young I could draw like Raphael, but it has taken me my whole life to learn to draw like a child. Now you can learn from the master himself. Step by step, line by line we show you how to recreate some of Picasso's most famous motifs. Through copying and then improvising for yourself, this book will help you to see and appreciate Picasso's drawings and inspire you to try out many more of your own.

Here is the history of the buildings that have shaped the world in which we live, ranging from Stonehenge and the Step Pyramid, to the high-rises that dominate our city skylines today. Each page features one building and looks at its history, its builders and the impact the style had on its contemporaries. Along the bottom is a timeline showing what other buildings were being constructed at that time in other parts of the world and how they reflect the growth of the societies in which they were designed and built.

Opening with scenes from E.T.A. Hoffmann's Nutcracker, Willa Cather's My Ántonia, and Kenneth Grahame's Wind in the Willows, this sumptuous treasury celebrates the anticipation, the customs, the memories, and the spirit of Christmas in an oversized, large-type edition with gilt-edged pages and a ribbon marker. Here are 31 short pieces, poems, and excerpts by writers like Louisa May Alcott, L. Frank Baum, Pearl S. Buck, Samuel Coleridge, Charles Dickens, Washington Irving, Clement Clarke Moore, Robert Louis Stevenson, and Dylan Thomas. Equally charming are scores of luminous color plates by Currier & Ives, Gustave Doré, Paul Gauguin, Childe Hassam, Grandma Moses, Thomas Nast, Arthur Rackham, Diego Rivera, Norman Rockwell, Andy Warhol, N.C. Wyeth, and numerous anonymous illustrators and engravers.

Homicide is the ultimate crime and unraveling a murder mystery is one of reading’s great pleasures. This Anglo-American collection of 24 classic mystery and murder stories brings together the best of the genre featuring stories by such celebrated authors as Agatha Christie, A. Conan Doyle, Dorothy Sayers, Ruth Rendell, Ellery Queen, Roald Dahl, John Updike, Donald E. Westlake, C. S. Forester, and many others. Some of the stories focus on the intricate plotting that leads to murder while others deal more with the aftermath of the crime. The motives are varied—hate, jealousy, revenge, money, greed, or even the thrill of the act. In Roald Dahl’s classic “Lamb to the Slaughter,” a jealous wife kills her unfaithful husband with a leg of lamb and then cooks him up for dinner before the dectectives arrive. Readers will revel in all the twists and turns and imaginative and surprising endings.

This is one of Dickens' earliest collections of stories. Intended for the holiday season, A Round of Stories by the Christmas Fire offers tales of romance, theft, justice and heart-warming family reunions. Continuing the tradition of ghost stories for Christmas, some of the haunting tales are inspiring while others are chilling. The voices of this round include servants and employers alike — host and charwoman, mother and nursemaid — and some surprising ruminations on topics as diverse as disability and interracial love.

This series is each devoted to a decade of British life and contains around 300 photographs which were hand-picked by PA Photos' own archivists. Most have lain unseen since they were first used as news pictures and each image has been scanned especially, many from glass plates, to ensure the best possible quality of reproduction. These photos tell a fascinating story: alongside the major events that constitute formal history are found the smaller things that had significance for ordinary people at the time. These cameras have recorded for posterity everything in their view and each picture tells an eloquent tale, of occurrences big and small, which have shaped the people and the face of Britain today. PA Photos is the photography arm of the PA Group, which also owns the The Press Association, the UK's national news agency. Established in the late 19th Century, the PA has been capturing editorial photography for 140 years, resulting in an extraordinary archive of over 15 million images recording British life over more than a century.

This series is each devoted to a decade of British life and contains around 300 photographs which were hand-picked by PA Photos' own archivists. Most have lain unseen since they were first used as news pictures and each image has been scanned especially, many from glass plates, to ensure the best possible quality of reproduction. These photos tell a fascinating story: alongside the major events that constitute formal history are found the smaller things that had significance for ordinary people at the time. These cameras have recorded for posterity everything in their view and each picture tells an eloquent tale, of occurrences big and small, which have shaped the people and the face of Britain today.PA Photos is the photography arm of the PA Group, which also owns the The Press Association, the UK's national news agency. Established in the late 19th Century, the PA has been capturing editorial photography for 140 years, resulting in an extraordinary archive of over 15 million images recording British life over more than a century.

This series is each devoted to a decade of British life and contains around 300 photographs which were hand-picked by PA Photos' own archivists. Most have lain unseen since they were first used as news pictures and each image has been scanned especially, many from glass plates, to ensure the best possible quality of reproduction. These photos tell a fascinating story: alongside the major events that constitute formal history are found the smaller things that had significance for ordinary people at the time. These cameras have recorded for posterity everything in their view and each picture tells an eloquent tale, of occurrences big and small, which have shaped the people and the face of Britain today. PA Photos is the photography arm of the PA Group, which also owns the The Press Association, the UK's national news agency. Established in the late 19th Century, the PA has been capturing editorial photography for 140 years, resulting in an extraordinary archive of over 15 million images recording British life over more than a century.

«Rita Mae Brown and her literary feline sidekick Sneaky Pie Brown are back with a third omnibus of clever sleuthing by postmistress Mary Minor «Harry» Haristeen and her feline sidekick Mrs. Murphy. For the first time all in one volume, here are CAT ON TH.»

Imagine a sparkling quilt of snow or a frosted window pane, listen out for carol singers or the sound of Santa's sleigh, and follow a star to find a baby in a stable. Here is a festive collection of poetry for children, with poems from Charles Causley, Eleanor Farjeon, Berlie Doherty, A.A. Milne, and many more. Beautifully illustrated by Mark Marshall, Joanne Partis and Melanie Williamson, these are poems to enjoy again and again: from opening the first window on an advent calender to putting away the Christmas decorations on twelfth night. A must for every bookshelf, whether at home or at school.

In 1941, Irene Nemirovsky sat down to write a book that would convey the magnitude of what she was living through, not in terms of battles and politicians, but by evoking the domestic lives and personal trials of the ordinary citizens of France. She did not live to see her ambition fulfilled, or to know that sixty-five years later, Suite Francaise would be published for the first time, and hailed as a masterpiece. Set during a year that begins with France's fall to the Nazis in June 1940 and ends with Germany turning its attention to Russia, Suite Francaise falls into two parts. The first is a brilliant depiction of a group of Parisians as they flee the Nazi invasion and make their way through the chaos of France; the second follows the inhabitants of a small rural community under occupation who find themselves thrown together in ways they never expected. Nemirovsky's brilliance as a writer lay in her portrayal of people, and this is a novel that teems with wonderful characters, each more vivid than the next. Haughty aristocrats, bourgeois bankers and snobbish aesthetes rub shoulders with uncouth workers and bolshy farmers. Women variously resist or succumb to the charms of German soldiers. However, amidst the mess of defeat, and all the hypocrisy and compromise, there is hope. True nobility and love exist, but often in surprising places. Irene Nemirovsky conceived of Suite Francaise as a four or five-part novel. It was to be a symphony — her War and Peace. Although only two sections were finished before her tragic death, they form a book that is beautifully complete in itself, and awe-inspiring in its understanding of humanity.

«In «Depths» Mankell confirms his status as a writer deserving acclaim beyond the crime genre. By delving deep into the male psyche, he has produced a novel at once tense and compelling, but also powerful, moving, and ultimately tragic.»

Buried beneath the crumbling gray walls of England's majestic castles lie some of the most colourful stories in history — tales of triumph and disaster, courage and cowardice, loyalty and betrayal, ingenuity — and stupidity. Enemies at the Gates takes an entertaining look at English castles under siege, from the tunnels and trebuchets of the early Middle Ages to the Civil War when many fortifications, left undisturbed for centuries, were suddenly propelled into the forefront of national events. Telling the stories of both attackers and besieged, Julian Humphrys takes us on a journey through the human stories of triumph and catastrophe that accompanied each campaign.