The 'north and south' of the title are the Satanic mills of the industrial north and the leisured life of London society and rural Hampshire. When her father leaves the Church, Margaret Hale is uprooted from her comfortable home in Hampshire to move with her family to the North of England. Initially repulsed by the ugliness of her new surroundings in the industrial town of Milton, Margaret becomes aware of the poverty and suffering of local mill workers and develops a passionate sense of social justice and a turbulent relationship with mill-owner John Thornton. North and South depicts a young woman discovering herself, in a nuanced portrayal of what divides people, and what brings them together.

Elizabeth Gaskell's first novel depicts nothing less than the great clashes between capital and labour, which arose from rapid industrialisation and problems of trade in the mid-nineteenth century. But these clashes are dramatized through personal struggles. John Barton has to reconcile his personal conscience with his socialist duty, risking his life and liberty in the process. His daughter Mary is caught between two lovers, from opposing classes — worker and manufacturer. And at the heart of the narrative lies a murder which implicates them all. Mary Barton was published in 1848, at a time of great social ferment in Europe, and it reflects its revolutionary moment through an English lens. Elizabeth Gaskell wrote her first novel about the world in which she lived — Manchester at the height of the industrial revolution. As the wife of a Unitarian minister she was solidly middle-class; but she also had close contact with the working classes around her, sympathised with them, and represented their extreme distresses in her fiction. She is radical in taking on their dialect, imagining the realities of their lives, and placing a working woman at the centre of her fiction. If to our eyes her vision remains limited, it was an honest vision, for which she was much criticised in her own time, by her own class.

HarperCollins is proud to present its new range of best-loved, essential classics. We're their slaves as long as we can work; we pile up their fortunes with the sweat of our brows, and yet we are to live as separate as if we were in two worlds! Set in the industrial unrest of 1840s Manchester, Mary Barton is a factory-worker's daughter living a working-class life in Victorian England. She soon attracts the attentions of the mill-owner's son, Harry Carson, and in the hope that marrying him will improve her prospects and help her to transcend class boundaries, she rejects her former lover Jem Wilson. However, when Harry is shot the main suspect is Jem and Mary finds herself torn between the two men. At the same time, she discovers that her father, John Barton, who has been active in fighting for the rights of his fellow workers is implicated in the murder. Gaskell's exploration of the class division and the oppression of the working-class is demonstrated effectively through the character of Mary, highlighting how lack of communication and mistrust can arise through such vast differences in lifestyle and wealth.