On February 21st 2012, five members of an obscure feminist post-punk collective called Pussy Riot staged a performance in Moscow's Cathedral of Christ the Saviour. Dressed in their trademark brightly coloured dresses and balaclavas, the women performed their song 'Punk Prayer — Mother of God, Chase Putin Away!' in front of the altar. The performance lasted only 40 seconds but it resulted in two-year prison sentences for three of the performers — and has turned Pussy Riot into one of the most well-known and important protest movements of the last five years. This necessary and timely book is an account of the Pussy Riot protest, the ensuing global support movement, and the tangled and controversial trial of the band members. It explores the status of dissent in Russia, the roots of the group and their adoption — or appropriation — by wider collectives, feminist groups and music icons. Masha Gessen has unique access to the band and those closest to them. Her unrivalled understanding of the Russian protest movement makes her the ideal writer to document and explain the rage, the beauty and the phenomenon that is Pussy Riot.

Harry is a Richard Nixon scholar who leads a quiet, regular life; his brother George is a high-flying TV producer, with a murderous temper.They have been uneasy rivals since childhood.Then one day George loses control so extravagantly that he precipitates Harry into an entirely new life. In May We Be Forgiven, Homes gives us a darkly comic look at 21st century domestic life — at individual lives spiraling out of control, bound together by family and history.The cast of characters experience adultery, accidents, divorce, and death. But this is also a savage and dizzyingly inventive vision of contemporary America, whose dark heart Homes penetrates like no other writer — the strange jargons of its language, its passive aggressive institutions, its inhabitants' desperate craving for intimacy and their pushing it away with litigation, technology, paranoia. At the novel's heart are the spaces in between, where the modern family comes together to re-form itself. May We Be Forgiven explores contemporary orphans losing and finding themselves anew; and it speaks above all to the power of personal transformation — simultaneously terrifying and inspiring.

We have so much choice over what we eat today because rural communities all over the world have had their choices taken away. To understand how our supermarket shopping makes us complicit in a system that routinely denies freedom to the world's poorest, and how we ourselves are poisoned by these choices, we need to think about the way our food comes to us. Stuffed and Starved takes a long and wide view of food production, to show how we all suffer the consequences of a food system cooked to a corporate recipe. This is also the story of the fight against the unthinking commerce that brings it to us. In the wrecked paddy fields of India, in the soy deserts of Brazil, in the maize ejidos of Mexico, the supermarket aisles of California, French McDonald's and Italian kitchens, there's a worldwide resistance against unhealthy control of the food system.

Lyrical, dark, comic or iconoclastic, the Irish short story has always punched well above its weight. Anne Enright has brought together a dazzling collection of Irish stories by authors born in the twentieth century — from Mary Lavin and Frank O'Connor to Claire Keegan and Kevin Barry. With a pithy and passionate introduction by Enright, The Granta Book of the Irish Short Story traces this great tradition through decades of social change and shows the pleasure Irish writers continue to take in the short-story form. Deft and often devastating, the short story dodges the rolling mythologies of Irish life to produce truths that are delightful and real. Also includes stories by: Maeve Brennan, Roddy Doyle, Mary Lavin, Colum McCann, William Trevor, John McGahern, Colm Toibin, Claire Keegan and Kevin Barry.

Is your brain ready for a thorough philosophical health check? Really, it won't hurt a bit... Is what you believe coherent and consistent? Or is it a jumble of contradictions? If you could design yourself a God, what would He (or She, or It) be like? Can you spot the logical flaw in an argument (even if it's hiding from you)? And how will you fare on the tricky terrain of ethics when your taboos are under the spotlight? If all this causes your brain to overheat, there is a philosophy general knowledge quiz to round off with. Do You Think What You Think You Think? presents a dozen quizzes that will reveal what you really think and what it all adds up to (brace yourself: it might not add up to what you expected). Challenging, fun, infuriating — sometimes all at once — this book will enable you to discover the you you never knew you were. Think of it as an MOT for your mind.

Collected here are Gogol's finest tales — from the demon-haunted St John's Eve to the strange surrealism of The Nose, from the heart-rending trials of the copyist in The Overcoat to those of the delusional clerk in The Diary of a Madman — allowing readers to experience anew the unmistakable genius of a writer who paved the way for Dostoevsky and Kafka. To this superb new translation — the first in twenty-five years and destined to become the definitive edition of Gogol's short fiction — Richard Pevear and Larissa Volokhonsky bring the same clarity and fidelity to the original that they brought to their brilliant translation of Dostoevsky's works and to War and Peace.

Are you still the person who lived fifteen, ten or five years ago? Fifteen, ten or five minutes ago? Can you plan for your retirement if the you of thirty years hence is in some sense a different person? What and who is the real you? Does it remain constant over time and place, or is it something much more fragmented and fluid? Is it known to you, or are you as much a mystery to yourself as others are to you? With his usual wit, infectious curiosity and bracing scepticism, Julian Baggini sets out to answer these fundamental and unsettling questions. His fascinating quest draws on the history of philosophy, but also anthropology, sociology, psychology and neurology; he talks to theologians, priests, allegedly reincarnated Lamas, and delves into real-life cases of lost memory, personality disorders and personal transformation; and, candidly and engagingly, he describes his own experiences. After reading The Ego Trick, you will never see yourself in the same way again.

Oregon, 1851. Eli and Charlie Sisters, notorious professional killers, are on their way to California to kill a man named Hermann Kermit Warm. On the way, the brothers have a series of unsettling and violent experiences in the Darwinian landscape of Gold Rush America. Charlie makes money and kills anyone who stands in his way; Eli doubts his vocation and falls in love. And they bicker a lot. Then they get to California, and discover that Warm is an inventor who has come up with a magical formula, which could make all of them very rich. What happens next is utterly gripping, strange and sad. Told in deWitt's darkly comic and arresting style, THE SISTERS BROTHERS is the kind of Western the Coen Brothers might write — stark, unsettling and with a keen eye for the perversity of human motivation. Like his debut novel ABLUTIONS, THE SISTERS BROTHERS is a novel about the things you tell yourself in order to be able to continue to live the life you find yourself in, and what happens when those stories no longer work. It is an inventive and strange and beautifully controlled piece of fiction, which shows an exciting expansion of Dewitt's range.

When 7-year-old Mischka and her Russo-Jewish family flee the oppresive regime of the USSR for the freedom of Vienna, her world seems to divide neatly in two: there`s life as she knew it before, and life as she must re-learn it now. But even as she`s busy dressing her new Barbie doll, perfecting her German, and gorging on fresh fruit, Mischka is aware that there`s part of her that can never escape her homeland, with its terrifying folk tales, its insidious anti-Semitism, and its old family claims. As her parents` marriage splinters and her sister retreats into silence, Mischka has to find her own way of living.

Richard Ford, one of the finest American novelists and short story writers, introduced the first Granta Book of the American Short Story, which Granta published in 1992. It became the definitive anthology of American short fiction written in the last half of the twentieth century. In the fourteen years since, Ford has been reading new stories and re-reading old ones and selecting new favourites. This new collection, again of more than forty writers, expands Ford's original choice to include stories that he regretted overlooking first time around as well as many by a new generation of writers, among them Sherman Alexie, Junot Diaz, Deborah Eisenberg, Nell Freudenberg, Matt Klam, Jhumpa Lahiri, and Z.Z. Packer. None of the stories (though a few of the writers) was in the first volume. Published to critical acclaim in hardback in 2007, this book is an essential companion volume to the first collection. Ford's is the long view, seriously considered, full of nuance and detail and heritage — (The Times).

In a very near future a functionally illiterate America is about to collapse. But don't tell that to poor Lenny Abramov, proud author of what may well be the world's last diary. Despite his job at an outfit called 'Post-Human Services', which attempts to provide immortality for its super-rich clientele, death is clearly stalking this cholesterol-rich morsel of a man. And why shouldn't it? Lenny's from a different century. He TOTALLY loves books (or 'printed, bound media artifacts' as they're now known), even though most of his peers find them smelly and annoying. But even more than books, Lenny loves Eunice Park, an impossibly cute and impossibly cruel 24-year-old Korean-American woman who just graduated from Elderbird College with a major in 'Images' and a minor in 'Assertiveness'. When riots break out in New York's Central Park, the city's streets are lined with National Guard tanks, and patient Chinese creditors look ready to foreclose on the whole mess, Lenny vows to convince his fickle new love that in a time without standards or stability, there is still value in being a real human being.

Hermann Kermit Warm is going to die. Across 1000 miles of Oregon desert his assassins, the notorious Eli and Charlies Sisters, ride — fighting, shooting, and drinking their way to Sacramento. But their prey isn't an easy mark, the road is long and bloody, and somewhere along the path Eli begins to question what he does for a living — and whom he does it for. The Sisters Brothers pays homage to the classic Western, transforming it into an unforgettable ribald tour de force. Filled with a remarkable cast of losers, cheaters, and ne'er-do-wells from all stripes of life-and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West and two brothers bound by blood, violence, and love.

Czechoslovakia, 1968. The Soviet troops have just invaded the country and, for the young orphan Ilya, life is suddenly turned on its head. At first there is relief that the mean-spirited nuns who run the orphanage have been driven out by the Communists, but as the children are left to fend for themselves, order and routine quickly give way to brutality and chaos, and Ilya finds himself drawn into the violence, both committing murder in order to save his best friend and forced to witness the death of his disabled brother. When the troops return, the orphans are given military training and, with his first-hand knowledge of the local terrain, Ilya becomes a guide to a Soviet tank commander, leading him ever deeper into a macabre world of random cruelty, moral compromise, and lasting shame.

Meet Misha Vainberg, aka Snack Daddy, a 325-pound disaster of a human being, son of the 1,238th richest man in Russia and proud holder of a degree in multicultural studies from Accidental College, USA. Misha is an American impounded in a Russian's body and the only place he feels at home is New York; he just wants to live in the South Bronx with his Latina girlfriend, but after his gangster father murders an Oklahoma businessman in Russia, all hopes of a U.S. visa are lost. Salvation lies in the tiny, oil-rich nation of Absurdistan (a fictional former Soviet republic), where a crooked consular officer will sell Misha a Belgian passport. But after a civil war breaks out between two competing ethnic groups and a local warlord installs hapless Misha as minister of multicultural affairs, our hero soon finds himself covered in oil, fighting for his life, falling in love, and trying to figure out if a normal life is still possible in the twenty-first century.

What do the English think? Every country has a dominant set of beliefs and attitudes concerning everything from how to live a good life, how we should organize society, and the roles of the sexes. Yet despite many attempts to define our national character, what might be called the nation's philosophy has remained largely unexamined. Until now. Philosopher Julian Baggini pinpointed postcode S66 on the outskirts of Rotherham, as England in microcosm — an area which reflected most accurately the full range of the nation's inhabitants, its most typical mix of urban and rural, old and young, married and single.He then spent six months living there, immersing himself in this typical English Everytown, in order to get to know the mind of a people. It sees the world as full of patterns and order, a view manifest in its enjoyment of gambling. It has a functional, puritanical streak, evident in its notoriously bad cuisine. In the English mind, men should be men and women should be women (but it's not sure what children should be). Baggini's account of the English is both a portrait of its people and a personal story about being an alien in your own land. Sympathetic but critical, serious yet witty, Welcome to Everytown shows a country in which the familiar becomes strange, and the strange familiar.

9:04 a.m., 1 September, 2004: a boy is standing with his classmates in the playground of School No 1 in Beslan, in the Russian republic of North Ossetia. Looking around, he notices an oddly dressed man in combat fatigues and a mask. He feels he ought to tell his mother, but is reluctant to fall out of line...By the time the siege ended two days later, at least 330 parents and children would be killed in the massive explosions that tore through the gymnasium or caught in the crossfire of a three hour gun battle between the Russian forces and the terrorists. Tim Phillips book tells the human story of the siege — of the terrible toll that thirst, hunger and sleeplessness took on the hostages, of the bravery of those who dealt with the terrorists, such as the elderly headmistress of the school and the doctor who tried to relieve the suffering of the young children. Phillips also looks at the authorities' response to the siege and finds it severely wanting. He has spent time in Beslan researching the book, talking to those involved and those affected, listening to the conspiracy theories, and trying to set the events of September 2004 in their wider context of centuries of conflict and enmity in the Caucasus.

This work is short listed for the Richard & Judy Book Club 2007. It is an uplifting story set in Los Angeles about one man's effort to bring himself back to life. Richard is a modern day everyman; a middle-aged divorcee trading stocks out of his home. He has done such a good job getting his life under control that he needs no one. His life has slowed almost to a standstill, until two incidents conspire to hurl him back into the world. One day he wakes up with a knotty cramp in his back, which rapidly develops into an all-consuming pain. At the same time a wide sinkhole appears outside his living room window, threatening the foundations of his house. A vivid novel about compassion and transformation, This Book Will Save Your Life reveals what can happen if you are willing to open up to the world around you. Since her debut in 1989, A.M. Homes has been among the boldest and most original voices of her generation, acclaimed for the psychological accuracy and unnerving emotional intensity of her storytelling. Her keen ability to explore how extraordinary the ordinary can be is at the heart of her touching and funny new novel, her first in six years.

An extraordinary debut collection of stories, which reveal how the world looks when you're young, hip, wild, and deaf Louise Stern's stories are peopled with brave young girls, out to party, travel the world, go a little bit wild. The one thing that marks them out from their peers is that they have grown up deaf. They communicate with the outside world via a complicated mixture of sign language, lip–reading, note–scribbling, guesswork, and instinct. Yet they are full of daring, ready for adventures that take them into unfamiliar places and strange, cockeyed relationships with people whose actions they observe, but never wholly understand. It is this sense of dislocation from common experience that marks out Louise Stern's original voice. She is fully engaged in the world we recognize and share, but the way she observes it sets her apart. Her eyes are keen; she notices things we would never see. She is quick to judge, wary, suspicious, and vulnerable. She experiences the world like a voyeur, always watching, yet able to retreat to an interior silence that nobody from the outside can ever reach.

It is 1866, and Walter Moody has come to make his fortune upon the New Zealand goldfields. On arrival, he stumbles across a tense gathering of twelve local men, who have met in secret to discuss a series of unsolved crimes. A wealthy man has vanished, a whore has tried to end her life, and an enormous fortune has been discovered in the home of a luckless drunk. Moody is soon drawn into the mystery: a network of fates and fortunes that is as complex and exquisitely patterned as the night sky. The Luminaries is an extraordinary piece of fiction. It is full of narrative, linguistic and psychological pleasures, and has a fiendishly clever and original structuring device. Written in pitch-perfect historical register, richly evoking a mid-19th century world of shipping and banking and goldrush boom and bust, it is also a ghost story, and a gripping mystery. It is a thrilling achievement and will confirm for critics and readers that Catton is one of the brightest stars in the international writing firmament.

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