ENDURING LITERATURE ILLUMINATED BY PRACTICAL SCHOLARSHIP A young woman challenges the conventions of her time in this classic novel about nineteenth-century English society. THIS ENRICHED CLASSIC EDITION INCLUDES: A concise introduction that gives readers important background information A chronology of the author's life and work A timeline of significant events that provides the book's historical context An outline of key themes and plot points to help readers form their own interpretations Detailed explanatory notes Critical analysis, including contemporary and modern perspectives on the work Discussion questions to promote lively classroom and book group interaction A list of recommended related books and films to broaden the reader's experience Enriched Classics offer readers affordable editions of great works of literature enhanced by helpful notes and insightful commentary. The scholarship provided in Enriched Classics enables readers to appreciate, understand, and enjoy the world's finest books to their full potential.

'She was swayed into emotional opinions concerning the strange man before her; new impulses of thought... entered into her with a gnawing thrill.' Hardy's first published work, Desperate Remedies moves the sensation novel into new territory. The anti-hero, Aeneas Manston, as physically alluring as he is evil, even fascinates the innocent Cytherea, though she is in love with another man. When he cannot seduce her, Manston resorts to deception, blackmail, bigamy, murder, and rape. Yet this compelling story also raises the great questions underlying Hardy's major novels, which relate to the injustice of the class system, the treatment of women, probability and causality. This edition shows for the first time that the sensation novel was always Hardy's natural medium.

Although best remembered today for his novels, Thomas Hardy thought of himself as a poet forced by circumstance to write fiction for a living. This generous selection of nearly two hundred poems includes such familiar pieces as During Wind and Rain, Channel Firing, Afterwards, The Darkling Thrush, and The Oxen, but it will also acquaint readers with many less-celebrated works, among them To Lizbie Browne, After the Last Breath, My Spirit Will Not Haunt the Mound, The Haunter, Old Furniture, A Procession of Dead Days, The Harbour Bridge, At a Country Fair, Last Love-Word, Waiting Both, and Proud Songsters. With an introduction and annotations by Robert Mezey, this Penguin Classics edition will help readers to recognize Hardy as one of the greatest English poets of this century.

In this, his first collection of short stories, Hardy sought to record the legends, superstitions, local customs, and lore of a Wessex that was rapidly passing out of memory. But these tales also portray the social and economic stresses of 1880s Dorset, and reveal Hardy's growing scepticism about the possibility of achieving personal and sexual satisfaction in the modern world. By turns humorous, ironic, macabre, and elegiac, these seven stories show the range of Hardy's story-telling genius. The critically established text, the first to be based on detailed study of all revised texts, presents manuscript readings which have never before appeared in print. The stories include: The Three Strangers; A Tradition of Eighteen Hundred and Four; The Melancholy Hussar of the German Legion; The Withered Arm; Fellow-Townsmen; Interlopers at the Knap; The Distracted Preacher.

In this classically simple tale of the disastrous impact of outside life on a secluded community in Dorset, now in a new edition, Hardy narrates the rivalry for the hand of Grace Melbury between a simple and loyal woodlander and an exotic and sophisticated outsider. Betrayal, adultery, disillusion, and moral compromise are all worked out in a setting evoked as both beautiful and treacherous. The Woodlanders, with its thematic portrayal of the role of social class, gender, and evolutionary survival, as well as its insights into the capacities and limitations of language, exhibits Hardy's acute awareness of his era's most troubling dilemmas.

Anne Garland lives with her widowed mother in a mill, owned by Miller Loveday. She is wooed by three men: the stupid, coarse Festus Derriman; John Loveday, the quiet, thoughtful trumpet-major; and Bob, John's brother. Anne has to overcome many obstacles before she marries the man of her choice.

This popular series of readers has now been completely revised and updated, using a new syllabus and new word structure lists. Readability has been ensured by means of specially designed computer software. Words that are above level but essential to the story are explained within the text, illustrated, and then reused for maximum reinforcement.

This popular series of readers has now been completely revised and updated, using a new syllabus and new word structure lists. Readability has been ensured by means of specially designed computer software. Words that are above level but essential to the story are explained within the text, illustrated, and then reused for maximum reinforcement.

This popular series of readers has now been completely revised and updated, using a new syllabus and new word structure lists. Readability has been ensured by means of specially designed computer software. Words that are above level but essential to the story are explained within the text, illustrated, and then reused for maximum reinforcement.

Thomas Hardy is among the best-loved of the great English poets, perhaps drawing his great popularity from the elegaic tone of much of his finest verse and the universality of his subject matter: birth, childhood, love, marriage, age, and death. Those elegies inspired by the death of his first wife Emma are some of his best, and are well represented in this new selection of his verse. Prepared by Samuel Hynes, the editor of the definitive Oxford English Texts Complete Works of Thomas Hardy, this volume includes a selection of Hardy's poetry that spans his life, verses that influenced later poets as diverse as Robert Graves and Philip Larkin, Ezra Pound and W.H. Auden.