Marion Foale and Sally Tuffin were two bolshy girls who just did it. After meeting at Walthamstow Art School in 1955 and then studying together at the Royal College of Art, they embarked on a trailblazing career in fashion lasting throughout the 1960s, until their partnership came to an end in 1972. Quirky, youthful creativity, acute sensitivity to the latest moods and trends, expert craftsmanship, and a little Swinging Sixties good fortune placed them at the hub of the cultural explosion in London that defined the era. Their boutique off Carnaby Street was at the epicentre of the new fashion scene. Suddenly, David Bailey was photographing their outfits for Vogue, Cathy MacGowan was wearing them on Ready, Steady, Go!, and they were jetting around America as part of the ground-breaking Youthquake tour. Through detailed interviews with Foale and Tuffin themselves, exclusive access to their personal archives, and contributions from an extraordinary array of figures from the fashion, art and cultural scenes of the 1960s, 70s and beyond, Iain R. Webb builds a fascinating picture of the time, throwing new light on how fashion and business underwent a period of unprecedented change. It was a period of cross-pollination in art, music and fashion, of entrepreneurial and cultural innovation. Contributors include Manolo Blahnik, Sir Terence Conran, Felicity Green, Barbara Hulanicki, Caterine Milinaire, Janet Street Porter, Mary Quant and Jean Shrimpton. The narrative of the Foale and Tuffin story perfectly traces the decade from its groovy, optimistic beginnings, when the two embryonic fashion designers blithely set up shop in 1961, to its crash-and-burn finale, as Sixties sanguinity melted away into a hangover of Seventies cynicism, masked as it was with the distraction of fancy-dress escapism.

Crowned ‘Designer of the Year’ by Vogue in 1970, Bill Gibb (1943–1988), barely out of college two years and yet to launch his eponymous line, was to become a major name in fashion history. Gibb’s career was prolific, and truly visionary at its finest, but sadly short-lived. His legacy, continued relevance and importance as a designer is apparent today in the work of designers from Giles Deacon to John Galliano. Famous for his love of romance, soaring flights of fancy and devil-may-care dynamic, Gibb’s wildly eccentric combinations of checks, tartans, stripes, floral prints and Fair Isle Knits had never been seen before. T his stunning book explores Gibb’s background, long-time fascination with historical imagery and the themes that inspired his designs. Award-winning fashion journalist Iain R Webb is a professor at Central Saint Martins; he writes for The Independent and New York Times magazine.

This, the first colouring book from VOGUE, has been created by award-winning writer, fashion editor, curator and Royal College of Art Professor, Iain R Webb. The hand-drawn artworks are inspired by iconic images from British VOGUE in the 1950s — an era of hats and matching gloves, haughty elegance and hourglass silhouettes (a period that continues to inspire contemporary designers including Miuccia Prada and Dolce & Gabbana). The book features a glamorous dream wardrobe of luxurious ballgowns and soigne cocktail dresses, smart suits and dramatic accessories by key designers including Christian Dior, Balenciaga, Givenchy and Chanel. The accompanying captions offer fashion and style tips (often highly amusing in hindsight) and are taken from the original pages of VOGUE. The c90 artworks can be coloured in in the spirit of the original images that inspired them or embellished with whatever colours and patterns take the reader's fancy. The colouring book is the perfect present for all those who love vintage fashion and will be published in time for VOGUE's centenary celebrations in 2016, which begin with a major exhibition at the National Portrait Gallery.