Did she know and if she knew would she speak? The story of an unsolved literary mystery that explores what James referred to as troubled artistic consciousness. Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Henry James (1843-1916). James' works available in Penguin Classics are The Portrait of a Lady, The Europeans, What Maisie Knew, The Awkward Age, The Figure in the Carpet and Other Stories, The Turn of The Screw, The Aspern Papers and Other Tales, The Wings of The Dove, Washington Square, The Tragic Muse, Daisy Miller, The Ambassadors, The Golden Bowl, Selected Tales, Roderick Hudson, The Princess Casamassima and The American.

Six of the very best Henry James classics. This classic collection includes the British author's most influential works, from The Portrait of a Lady to the Aspern Papers. Part of a beautiful series of classic fiction, this title brings Henry James back to life and reminds the world just what a wonderful writer he was. Featuring Daisy Miller, Washington Square and The Bostonians, this is a brilliant bind up not to be missed.

HarperCollins is proud to present its incredible range of best-loved, essential classics. Christopher Newman is an American expatriate in Paris; his fortune made, he has moved to the Old World to enjoy his wealth and find a wife. Newman soon falls for a young widow, the aristocratic Claire de Bellegarde, but his brash New World sensibility horrifies her haughty family. Though the family oppose the idea of the couple's marriage, reversals of fortune cause them to reconsider. When another suitor arrives on the scene all appears lost, until Newman befriends Claire's younger brother Valentin and finds himself in possession of a dark family secret. As the novel unfolds, James's unmistakable stylistic grace combines with his less well-known sense of melodramatic romance, resulting in a finale that combines duels, death, betrayal and blackmail.

A young woman comes to a big house to teach two young children. It's her first job and she wants to do it well. But she begins to see strange things – the ghosts of dead people. Do the ghosts want the children?

I'm a fearful, frightful flirt! Did you ever hear of a nice girl that was not? This edition contains two of Henry James's most popular short works. Travelling in Europe with her family, Daisy Miller, an exquisitely beautiful young American woman, presents her fellow-countryman Winterbourne with a dilemma he cannot resolve. Is she deliberately flouting social convention in the outspoken way she talks and acts, or is she simply ignorant of those conventions? In Daisy Miller Henry James created his first great portrait of the enigmatic and dangerously independent American woman, a figure who would come to dominate his later masterpieces. Oscar Wilde called James's chilling The Turn of the Screw 'a most wonderful, lurid poisonous little tale'. It tells of a young governess sent to a country house to take charge of two orphans, Miles and Flora. Unsettled by a sense of intense evil within the houses, she soon becomes obsessed with the belief that malevolent forces are stalking the children in her care. The Penguin English Library — 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

She knew of no wrong that he had done; he was not violent, he was not cruel; she simply believed that he hated her. When Isabel Archer, a beautiful, spirited American, is brought to Europe by her wealthy aunt Touchett, it is expected that she will soon marry. But Isabel, resolved to enjoy her freedom, does not hesitate to turn down two eligible suitors. Then she finds herself irresistibly drawn to Gilbert Osmond. Charming and cultivated, Osmond sees Isabel as a rich prize waiting to be taken. In this portrait of a young woman affronting her destiny, Henry James created one of his most magnificent heroines, and a story of intense poignancy. The Penguin English Library — 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

After her parents' bitter divorce, young Maisie Farange finds herself shuttled between her selfish mother and vain father, who value her only as a means for provoking each other. Maisie — solitary, observant and wise beyond her years — is drawn into an increasingly entangled adult world of intrigue and sexual betrayal, until she is finally compelled to choose her own future. What Maisie Knew is a subtle yet devastating portrayal of an innocent adrift in a corrupt society. It is part of a relaunch of three James titles.

A young woman arrives at a large country house. Her job is to look after the two children who live there, but she soon discovers that there is something very strange about both the house and the children. The longer she stays, the more she feels that the two children are in danger — or is it that the children are the danger, and the person in danger is herself?

The Wings of the Dove is a tale of desire and possession, of love and death. It is in essence a simple story, but one that opens up the great subject of art: life itself. To tackle this, James moves between fairytale storylines and the startlingly modern techniques of his testing late style. An unspeakable subtext lies beneath the silence. Distinct points of view and different centres of consciousness betray the dislocation of the social facade from the desolation beneath. For all the familiar signs, there is a gulf between glamour and the underlying threat of loss. The eternal triangle of romance is played out here like a game on an international stage for the very highest stakes. It centres on 'the dying girl who wants to live — to live and love.' But those closest to her are in competition for what she can leave behind. Milly Theale, 'the heiress of all the ages', is imaged as a dove, a princess, a Renaissance beauty, but these symbols come at a dreadful cost. By the end of the novel we know, 'We shall never be again as we were!

The tale of Daisy's irruption into staid European society enjoyed, as did Daisy herself, a success de scandale; and it has remained one of Jamess most popular short stories. Like the others collected here 'Pandora', 'The Patagonia', and 'Four Meetings' it describes a confrontation between different values in a changing world. Is the new independent American girl enchanting in her spontaneity, alarming in her unpredictability, or merely vulnerable in her ignorance of social codes? Hung about with make admirers who seek, uncertainly, to grasp the new phenomenon, Daisy marches on undiscourageable, to her triumphant-or tragic-destiny. This volume contains prefaces by Henry James, a chronology of his life, and editor's notes.

Eugenia, Baroness M nster, wife of a German princeling who wishes to be rid of her, crosses the ocean with her brother Felix to seek out their American relatives. Their voyage is prompted, apparently, by natural affection; but the Baroness has also come to seek her fortune. The advent of these visitors is viewed by the Wentworths, in the suburbs of Boston, with wonder and some apprehension. The brilliant Eugenia fascinates her impressionable cousins and their more worldly neighbour, but she is baffled by these people, to whom fibbing was not pleasing. Meanwhile Felix, painter of trifling sketches, eases them all in and out of various amorous complications, with no fear of not being, in the end, agreeable.

The Awkward Age (1899), written at a time when female emancipation and the double standard were subjects of fierce debate, is the most remarkable example of James's dramatic method. The novel traces the experiences of 18-year-old Nanda Brookenham, exposed to corruption in the salon of her youthful, modern mother, who, in maintaining a circle where talk is shockingly sophisticated, must sacrifice either her daughter or... her intellectual habits. Does Nanda reach maturity and self-knowledge in the lively company of handsome, genial Vanderbank, whom she loves, and of ugly, intelligent, parvenu Mitchy, who loves her? Or is she a symbol of sterile idealism, as she clings to old Mr Longdon, with his memories of Nanda's grandmother, and of an aristocracy once untouched by money-troubles and dubious French novels? A sense of suppressed violence lurks behind this powerful story of virginal innocence and its importance in the marriage market.

You you a nun; you with your beauty defaced and your nature wasted you behind locks and bars! Never, never, if I can prevent it! A wealthy American man of business descends on Europe in search of a wife to make his fortune complete. In Paris Christopher Newman is introduced to Claire de Cintre, daughter of the ancient House of Bellegarde, and to Valentin, her charming young brother. His bid for Claire's hand receives an icy welcome from the heads of the family, an elder brother and their formidable mother, the old Marquise. Can they stomach his manners for the sake of his dollars? Out of this classic collision between the old world and the new, James weaves a fable of thwarted desire that shifts between comedy, tragedy, romance and melodrama a fable which in the later version printed here takes on some of the subtleties associated with this greatest novels.

The plot of this novel revolves around the feminist movement in Boston in the 1870s. F.R. Leavis called it one of the two most brilliant novels in the language. The novel's many allusions to the historical and social background of Boston society are explained in the editorial material.

A rich American art-collector and his daughter Maggie buy in for themselves and to their greater glory a beautiful young wife and a noble husband. They do not know that Charlotte and Prince Amerigo were formerly lovers, nor that on the eve of the Prince's marriage they had discovered, in a Bloomsbury antique shop, a golden bowl with a secret flaw. When the golden bowl is broken, Maggie must leave the security of her childhood and try to reassemble the pieces of her shattered happiness. In this, the last of his three great poetic masterpieces, James combined with a dazzling virtuosity elements of social comedy, of mystery, terror, and myth. The Golden Bowl is the most controversial, ambiguous, and sophisticated of James's novels.

«Daisy Miller» is a fascinating portrait of a young woman from Schenectady, New York, who, traveling in Europe, runs afoul of the socially pretentious American expatriate community in Rome. First published in 1878, the novella brought American novelist Henry James (1843-1916), then living in London, his first international success. Like many of James`s early works, it portrays a venturesome American girl in the treacherous waters of European society — a theme that would culminate in his 1881 masterpiece, «The Portrait of a Lady». On the surface, «Daisy Miller» unfolds a simple story of a young American girl`s willful yet innocent flirtation with a young Italian, and it’s unfortunate consequences. But throughout the narrative, James contrasts American customs and values with European manners and morals in a tale rich in psychological and social insight. A vivid portrayal of Americans abroad and a telling encounter between the values of the Old and New Worlds, «Daisy Miller» is an ideal introduction to the work of one of America`s greatest writers of fiction.»

When Chadwick Newsome, a young American favoured with fortune and independence, becomes entangled in a liaison dangereux with a Parisian temptress, his overbearing mother deploys her future husband, the elderly, amiable Strether, as an ambassador to engineer his safe return. But seduced by the ambient charms of Paris and the bewitching comtesse de Vionnet, Strether soon deserts to Chadwick's side, initiating a sparkling tale of mistaken intentions, comic accident and false allegiances which culminates in the deployment of another, less fallible ambassador — the cold, glittering, ruthless Sarah Pocock.

A young, inexperienced governess is charged with the care of Miles and Flora, two small children abandoned by their uncles at his grand country house. She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead. Like the other tales collected here — Sir Edmund Orme, Owen Wingrave, and The Friends of the Friends — The Turn of the Screw is to all immediate appearances a ghost story. But are the appearances what they seem? Is what appears to the governess a ghost or a hallucination? Who else sees what she sees? The reader may wonder whether the children are victims of corruption from beyond the grave, or victims of the governess's infernal imagination, which torments but also entrals her? The Turn of the Screw is probably the most famous, certainly the most eerily equivocal, of all ghostly tales. Is it a subtle, self-conscious exploration of the haunted house of Victorian culture, filled with echoes of sexual and social unease? Or is it simply, the most hopelessly evil story that we have ever read? The texts are those of the New York Edition, with a new Introduction and Notes.

Helbling Readers Blue Series is designed for teenagers and young adults. Readers can choose from sensitively adapted teen-relevant classics and a gripping selection of original fiction.