«Jonathan Coe’s previous novel, «The Rotters’ Club», was a novel of innocence: a nostalgic, humorous evocation of adolescent life in 1970s Britain. «The Closed Circle» is its mirror image: a novel of experience. On Millennium night, with Blair presiding over a superficially cool, sexed-up new version of the country, Benjamin Trotter finds himself watching the celebrations on his parents’ TV in the same Birmingham house in which he grew up. Watching, in fact, his younger brother, Paul, now a bright young New Labour MP who has bought wholeheartedly into the Blairite dream. Neither of them can know that their lives are about to implode. Set against the backdrop of Britain’s racial and social tensions and the country’s increasingly compromised role in America’s ‘war against terrorism’, «The Closed Circle» shuttles between London and Birmingham, taking in fat cats, media advisers and political protestors. As its characters struggle to make sense of the perennial problems of love, vocation and family in a changing world, it offers a bitter-sweet conclusion to the unfinished business of The Rotters’ Club.»

Robin, a postgrad student in Coventry, has spent four and a half years not writing his thesis. He and his academic colleagues, united by pallor, social ineptitude and sexual inexperience, once spent hours discussing their theories, but they somehow never made it into print.Now his unfinished thesis languishes in a drawer, and Robin hides in his room, increasingly frightened by a world he doesn't understand. His friends have failed him and romance eludes him. His only outlet is his short stories, scribbled in notebooks and expressing his secret obsessions and frustrations.Then, when an unfortunate and embarassing incident in a public park lands him in serious trouble, Robin's life finally spirals out of control ...

For Maria, nothing is certain. Her life is a chain of accidents. Friendship passes her by, and she's unimpressed by the devoted Ronny and his endless proposals of marriage. Maria lives in a world of her own — yet not of her own making. Stumbling through university, work, marriage and motherhood, she finds it hard to see what all the fuss is about. Will she ever be able to control the direction of her life? Or will it end, as it began, by accident? What does chance have in store for the accidental woman?

Music, murder...and Madeleine William has a lot on his mind. Firstly there's The Alaska Factory, the band he plays in. They're no good and they make his songs sound about as groovy as an unpressed record. In fact they're so bad he's seriously thinking of leaving to join a group called The Unfortunates. Secondly, there's Madeleine, his high-maintenance girlfriend whose idea of a night of passion is an Andrew Lloyd Webber musical followed by a doorstep peck on the cheek. Maybe they're not soulmates after all? Lastly, there's the bizarre murder he's just witnessed. The guiding force behind The Unfortunates lies bludgeoned to death at his feet and, unfortunately for William, there aren't too many other suspects standing nearby ...

Sarah is a narcoleptic who has dreams so vivid she mistakes them for real events; Robert has had his life changed for ever by the misunderstandings arising from her condition; Terry, the insomniac, spends his wakeful nights fuelling his obsession with movies; and the increasingly unstable Dr Gregory Dudden sees sleep as a life-shortening disease which must be eradicated. A group of students sharing a house. They fall in and out of love, they drift apart. Yet a decade later they are drawn back together by a series of coincidences involving their obsession with sleep — and each other...

'What I want you to have, Imogen, above all, is a sense of your own history; a sense of where you come from, and of the forces that made you'. Rosamund lies dying in her remote Shropshire home. But before she does so, she has one last task: to put on tape not just her own story but the story of the young blind girl, her cousin's granddaughter, who turned up mysteriously at her party all those years ago. This is a story of generations, of the relationships within a family — and of what goes to make a child. Called 'the best English novelist of his generation' by Nick Hornby, Jonathan Coe extends his range in this magnificent account of a Shropshire family in the last half of the twentieth century.