'The thing came abruptly and unannounced; a demon, rat-like, scurrying from pits remote and unimaginable, a hellish panting and stifled grunting, and then from that opening beneath the chimney a burst of multitudinous and leprous life — a loathsome night-spawned flood of organic corruption more devastatingly hideous than the blackest conjurations of mortal madness and morbidity'. Only the expansive imagination of H.P. Lovecraft could conceive the delicious and spine-tingling horrors you will find within the pages of this unique collection. In addition to such classics as The Picture in the House, The Music of Erich Zann and The Rats in the Walls, this volume contains some fascinating rarities: examples of Lovecraft's earliest weird fiction and material unpublished during his lifetime. H.P. Lovecraft's creation of the Cthulhu Mythos has influenced many modern authors, and still remains at the forefront of supernatural literature.

Loathsomeness waits and dreams in the deep, and decay spreads over the tottering cities of men. A time will come — but I must not and cannot think! H. P. Lovecraft (1890-1937) was a reclusive scribbler of horror stories for the American pulp magazines that specialized in Gothic and science fiction in the interwar years. He often published in Weird Tales and has since become the key figure in the slippery genre of weird fiction. Lovecraft developed an extraordinary vision of feeble men driven to the edge of sanity by glimpses of malign beings that have survived from human prehistory or by malevolent extra-terrestrial visitations. The ornate language of his stories builds towards grotesque moments of revelation, quite unlike any other writer. This new selection brings together nine of his classic tales, focusing on the Cthulhu Mythos, a cycle of stories that develops the mythology of the Old Ones, the monstrous creatures who predate human life on earth. It includes the Introduction from Lovecraft's critical essay, Supernatural Horror in Literature, in which he gave his own important definition of weird fiction. In a fascinating contextual introduction, Roger Luckhurst gives Lovecraft the attention he deserves as a writer who used pulp fiction to explore a remarkable philosophy that shockingly dethrones the mastery of man.

H.P. Lovecraft: Great Tales of Horror features twenty of horror master H.P. Lovecraft's classic stories, among them some of the greatest works of horror fiction ever written, including: The Rats in the Walls, Pickman's Model, The Colour out of Space, The Call of Cthulhu, The Dunwich Horror, The Shadow over Innsmouth, At the Mountains of Madness, The Shadow out of Time, and The Haunter of the Dark.

Between these pages you will find things that lurk, things that scurry in the walls, things that move unseen, things that have learnt to walk that ought to crawl, unfathomable blackness, unconquerable evil, inhuman impulses, abnormal bodies, ancient rites, nameless lands best left undiscovered, thoughts best left unspoken, doors best left closed, names best forgotten. You have been warned.

Credited with inventing the modern horror tradition, H. P. Lovecraft remade the genre in the early twentieth century, discarding ghosts and witches and instead envisaging mankind at the mercy of a chaotic and malevolent universe. This selection of stories ranges from early tales of nightmares and insanity such as ‘The Outsider’ and ‘Rats in the Walls’, through the grotesquely comic ‘Herbert West – Reanimator’ and ‘The Hound’, to the extra-terrestrial terror of ‘The Call of Cthulhu’, which fuses traditional supernaturalism with science fiction. Including the definitive corrected texts, this collection reveals the development of Lovecraft’s mesmerizing narrative style and establishes him as a hugely influential – and visionary – American writer. Edited with an Introduction by S. T. Joshi.

One of the masters of 'weird fiction', H. P. Lovecraft expanded the vast boundaries of the horror genre with his vividly imagined stories of exotic and fantastical otherworlds, nightmarish dreamscapes or the supernatural terrors lurking beneath the surface of small-town America. The shadow of New England's witch-hunting past hangs over many of the tales, as in 'The Shunned House' and 'The Dreams in the Witch House', in which malevolent spectres return to haunt the region. Others, such as 'From Beyond' and 'The Shadow Out of Time', depict the catastrophic results when cosmic channels of time and space are opened, while stories such as 'Polaris' and 'The Doom that Came to Sarnath' portray the downfall of mythical civilizations.