A small in-focus book on the significant but hitherto under studied English-born painter Cornelius Johnson. Johnson's portraits are of exceptional quality, and, uniquely for a British artist of the period, he worked on every scale, from large groups to miniatures.

This third edition has been extended considerably to incorporate more information on instrument influences on the interpretation of X-ray scattering profiles and reciprocal space maps. Another significant inclusion is on the scattering from powder samples, covering a new theoretical approach that explains features that conventional theory cannot. The new edition includes some of the latest methodologies and theoretical treatments, including the latest thinking on dynamical theory and diffuse scattering. Recent advances in detectors also present new opportunities for rapid data collection and some very different approaches in data collection techniques; the possibilities associated with these advances will be included. This edition should be of interest to those who use X-ray scattering to understand more about their samples, so that they can make a better judgment of the parameter and confidence levels in their analyses, and how the combination of instrument, sample and detection should be considered as a whole to ensure this.

This groundbreaking reconstruction of Goya's so-called 'Witches and Old Women' album will offer rich insights into the artist's concerns and preoccupations and will immeasurably deepen our understanding of the artist. With its themes of witchcraft, madness and nightmares, the predominant imagery of the album offers a particularly important perspective on the development of Goya's interest in old age and its relationship to the fantastic and diabolical.

Offering new insights into the artistic practice of Sir Joshua Reynolds, this catalogue investigates his radical manipulation of pigmants, oils, glazes and varnishes. It traces his experiments with colour, tone and handling, reveals his continual temptation to rework and revise his pictures, and illuminates his highly creative responses to the new exhibition culture of his day.

The essential public good that Margaret Thatcher, Tony Blair and now Cameron sell is not power stations, or trains, or hospitals. It's the public itself. it's us. In a little over a generation the bones and sinews of the British economy — rail, energy, water, postal services, municipal housing — have been sold to remote, unaccountable private owners, often from overseas. In a series of brilliant portraits the award-winning novelist and journalist James Meek shows how Britain's common wealth became private, and the impact it has had on us all: from the growing shortage of housing to spiralling energy bills. Meek explores the human stories behind the incremental privatization of the nation over the last three decades. He shows how, as our national assets are sold, ordinary citizens are handed over to private tax-gatherers, and the greatest burden of taxes shifts to the poorest. In the end, it is not only public enterprises that have become private property, but we ourselves. Urgent, powerfully written and deeply moving, this is a passionate anatomy of the state of the nation: of what we have lost and what losing it cost us — the rent we must pay to exist on this private island.

Rosa Luxemburg (1871-1919) is widely regarded as one of the most creative writers of modern socialism and the foremost female theoretician of European radicalism. Her wide-ranging and incisive works, which include studies on capitalism's inherent drive for global expansion, the relation between spontaneity and organization, and the inseparability of democracy and socialism, have made her a pole of attraction for theorists and activists around the world. Her fiercely independent intellect and uncompromising defense of human liberty speaks more powerfully to our era than to any other. This volume contains a new English translation of Luxemburg's most important book, The Accumulation of Capital (1913) as well as her response to its critics. Taken together, they constitute one of the most important Marxist studies of the globalization of capital.

A brilliant, shattering, and convincing account of United States-backed suppression of political and human rights in the Third World... It relentlessly dissects the official views of Establishment scholars and their journals. The best and brightest pundits of the status quo emerge from this book thoroughly denuded of their credibility.

International energy law is an elusive but important concept. There is no body of law called international energy law, nor is there any universally accepted definition for it, yet many specialised areas of international law have a direct relationship with energy policy. The Research Handbook on International Energy Law examines various aspects of international energy law and offers a comprehensive account of its basic concepts and processes. Adopting a practical approach, the Handbook traces the wide and somewhat informal notion of international energy law and covers the latest developments in the field. The expert contributors offer original research and analysis on pertinent topics such as energy investment, international energy disputes and energy trade. In addition to examining public international law issues and their application to energy activities, the Handbook also includes studies focused on private contractual arrangements and provides an angle on the human rights aspects of energy. This book will be a valuable tool for the expert audience — both academics and practitioners — and will provide students and early career practising lawyers with a good understanding of what 'international energy law' really means.

A sumptuous monograph tracing the life and legacy of fashion luminary Oscar de la Renta. In October 2014 one of the fashion world's champions, Oscar de la Renta, passed away, a great loss brightened by the innumerable successes of his half-century reign. The acclaimed fashion designer dressed first ladies from Kennedy to Obama, and celebrities from Beyonce to Sarah Jessica Parker. Renowned for his unique charm, impeccable taste, and original lifestyle, he married the highest standards of French couture with the ultimate motivation that women must look and feel beautiful. In this intimate volume, longtime editor and friend Andre Leon Talley recounts de la Renta's journey through nearly 70 iconic dresses, mainly made for private clients, accompanied by fascinating stories of the exquisite craftsmanship and the legendary friends that brought each gown to life. Born in the Dominican Republic in 1932, de la Renta left for Madrid at nineteen to study art, where he rose to prominence as a sketch artist for newspapers and fashion houses. From his apprenticeship under Cristobal Balenciaga to his eponymous collections, the designer's simple lines elevated with a flamenco dancer's flourish reflect his deep connection to his roots and his commitment to transcendence through beautiful garments.

This is the first complete and authorized official visual history of ABBA, one of the greatest pop groups of the 20th century. ABBA has sold a stunning 400 million records, and in some markets has even surpassed the Beatles. This first and only official book on ABBA was created with the full cooperation of the band members themselves and containing more than 600 rare and heretofore unseen images from throughout the band's career. Publishing with the 40th anniversary of ABBA winning the Eurovision Song Contest, which is what put the band on the map, publication is being synchronized worldwide to great media attention. With a foreword and commentary throughout the book by the band's four members, this is truly the complete story of one of the most popular bands of all time.

Here is the definitive book on the worldwide movement of hackers, pranksters, and activists that operates under the name Anonymous, by the woman the Chronicle of Higher Education calls the leading interpreter of digital insurgency and the Huffington Post says knows all of Anonymous' deepest, darkest secrets. Half a dozen years ago, anthropologist Gabriella Coleman set out to study the rise of this global collective just as some of its adherents were turning to political protest and disruption (before Anonymous shot to fame as a key player in the Arab Spring and Occupy Wall Street). She ended up becoming so closely connected to Anonymous that some Anons claimed her as their scholar, and the FBI asked her to inform on the movement (a request she refused). Hacker, Hoaxer, Whistleblower, Spy brims with detail from inside a mysterious subculture, including chats with imprisoned hacker Jeremy Hammond and the hacker who helped put him away, Hector Sabu Monsegur. It's a beautifully written book, with fascinating insights into the meaning of digital activism and little understood facets of culture in the Internet age, such as the histories of trolling and the lulz.

Shlomo Sand was born in 1946 in a displaced persons camp in Austria, to a Jewish mother and non-Jewish father; the family later migrated to Palestine. During his life, Sand came to question his Jewish identity, even that as a secular Jew. With this meditative and thoughtful mixture of essay and personal recollection, he articulates the problems at the centre of modern Jewish identity. How I Stopped Being a Jew discusses the negative effects of the Israeli exploitation of the 'chosen people' myth and its holocaust industry. Sand criticises the fact that, in the current context, what 'Jewish' means is, above all, not being Arab and reflects on the possibility of a secular, non-exclusive Israeli identity, beyond the legends of Zionism.

It is assumed that every inch of the world has been explored and charted; that there is nowhere new to go. But perhaps it is the everyday places around us — the cities we live in — that need to be rediscovered. What does it feel like to find the city's edge, to explore its forgotten tunnels and scale unfinished skyscrapers high above the metropolis? Explore Everything reclaims the city, recasting it as a place for endless adventure. Plotting expeditions from London, Paris, Berlin, Detroit, Chicago, Las Vegas and Los Angeles, Bradley L. Garrett has evaded urban security in order to experience the city in ways beyond the boundaries of conventional life. He calls it 'place hacking' the recoding of closed, secret, hidden and forgotten urban space to make them realms of opportunity. Explore Everything is an account of the author's escapades with the London Consolidation Crew, an urban exploration collective. The book is also a manifesto, combining philosophy, politics and adventure, on our rights to the city and how to understand the twenty-first century metropolis.

Research on designing new catalytic systems has been one of the most important fields in modern organic chemistry, and one reason for this is the predominant contribution of catalysis to the concepts of atom economy and green chemistry in the 21st century. Gold, considered catalytically inactive for a long time, is now a fascinating partner of modern chemistry, as scientists such as Bond, Haruta, Hutchings, Ito and Hayashi opened new perspectives for the whole synthetic chemist community. This book presents the major advances in homogeneous catalysis, emphasizing the methodologies that create carbon-carbon and carbon-heteroatom bonds, the applications that create diversity and synthesize natural products, and the recent advances and challenges in asymmetric catalysis and computational research. The Handbook of Homogeneous Gold Catalysis provides readers with in-depth information about gold-catalyzed reactions and presents several explanations for the scientific design of a catalyst. Readers will be able to understand the entire gold area and find solutions to problems in catalysis. Featuring prominent authors, who are experts in their respective fields, this is the first book dedicated to homogeneous gold chemistry.

The drawings of John Ruskin are exhilarating to look at, any they express his own sense of exhilaration as he observed landscape and nature, buildings and artifacts. They deserve to be appreciated afresh by a wider audience. Accompanying a landmark exhibition at the National Galleries of Canada and Scotland in 2014, this exploration of Ruskin's watercolors and drawings — representing his entire career and all subject types and degrees of finish and elaboration — demonstrated how his characteristic drawing style evolved and how he achieved his highly distinctive technical virtuosity. In more than 130 superb examples, reproduced with great delicacy, this book tells how he regarded drawing as a means of focusing his eye and as a discipline of observation, but attached small significance to the drawing itself when completed. Today the drawings will be celebrated for their immediacy and verve, for their absence of self-consciousness or any kind of artistic indulgence. Drawing was used by Ruskin to express the ecstasy he felt in the presence of transcendent beauty in nature and landscape, as well as in the works of man, and was an essential means of emotional release. On other occasions, and especially during phases of mental fragility, he drew in order to establish certainties about the physical world upon which he might rely. Ruskin's drawings are clues to his emotional state, and may be interpreted in psychological terms: the authors reveal them here as profoundly informative about the devastating swings of mood that Ruskin endured and which fired his massive intellectual creativity as well as his eventual descent into insanity. In examining alongside the central core of Ruskin's own drawings those made by artist who were his mentors, friends and followers, this book also aims to give an account of the wider phenomenon which might be called Ruskinism. It demonstrates how Ruskin's own style formed as a result of contact with an older generation of drawing masters, such as Samuel Prout and J.D. Harding. Ruskin's paramount admiration for J.M.W. Turner, and the story of his advocacy of Turner as the greatest genius of British art, is explained by the consideration of a carefully selected group of Tuner drawings and watercolors. Ruskin's involvement with the contemporary conduct of art in the 1850's, and particularly his support for Pre-Raphaelitism as applied to landscape, is also explored. A fascinating and visually rich element of the book will be photographs, including those taken by Ruskin himself or under his immediate supervision and others that reveal his influence. By showing photographs and drawings together it will be possible to identify and define certain pictorial traits which may be regarded as characteristic Ruskinian methods of looking.

This comprehensive and thought-provoking Handbook reviews public sector economics from pluralist perspectives that either complement or reach beyond mainstream views. The book takes a comprehensive interdisciplinary approach, drawing on economic elements in the fields of philosophy, sociology, psychology, history and law. The expert contributors present new methodological approaches across these disciplines in five distinct sections: Revisiting the Theoretical Foundations compares and contrasts Austrians, Marxists, public choice theorists and Keynesians 'Revisiting the Values' is concerned with justice, welfare, religions and civil rights, 'Beyond Rationalistic Rational Choice' includes chapters devoted to memory, information and group motivation The final sections on 'Optimal Government and Government Failure' and 'Public Bad' deal with competition among governments, their suboptimal size, regulation, corruption informal economy, cognitive dissonance, rent seeking, UN, and criminal cycles. Academics, researchers and students with an in interest in economics — particularly public sector economics and Austrian economics — and public policy will find this Handbook to be an invaluable reference tool.

Rainforest Workout provides a first introduction to rainforest animals, plants, people, and climate. The rainforest landscape ties into a selection of exciting exercises: children are encouraged to balance like a monkey, prowl like a tiger, march like an elephant, and grow like a tree.

Street Art Fine Art presents a collection of classic works of fine art by the old masters reinterpreted by today's most cutting-edge street artists. In this book, curator Ingrid Beazley draws parallels between classic and contemporary styles; showcasing how works from the Dulwich Picture Gallery's permanent collection by painters such as Rembrandt, Pynacker, Gainsborough, Franceshini, Van Aelst and Murillo have influenced works by street artists working in the local area such as Stik, ROA, REKA, RUN, Phlegm, Pablo Delgado, Conor Harrington and MadC. Featuring works by more than 15 world renowned street artists, illustrated with specially commissioned colour photography throughout with a unique printed PVC jacket, this book is one of a kind.

What is the relevance of Luc Boltanski's 'pragmatic sociology of critique' to central issues in contemporary social and political analysis? In seeking to respond to this question, this book contains critical commentaries from prominent social theorists attempting to map out the influence and broad scope of Boltanski's oeuvre.

Vincent van Gogh's letters are frequently admired for their exceptional literary quality, but there is no extended critique of this aspect of his writing. Addressing key constellations of metaphors and ideas, The Letters of Vincent van Gogh shows the remarkable imaginative coherence underlying the painter's correspondence and charts van Gogh's evolving conception of himself as an artist.