The Counsellor is now a major motion picture directed by Ridley Scott and starring Michael Fassbender, Penelope Cruz, Cameron Diaz, Javier Bardem and Brad Pitt. Pulitzer Prize-winning author Cormac McCarthy's original screenplay is the story of a lawyer who is so seduced by the desire to get rich, to impress his fiancee, that he becomes involved in a risky drug-smuggling venture. His contacts in this high-stakes cocaine trade are the mysterious and probably corrupt Reiner and the seductive Malkina, so exotic her pets of choice are two cheetahs. As the action crosses the Mexican border, things become darker, more violent and more sexually disturbing than he could ever have imagined. Deft, shocking and unforgettable, this gripping tale about risk, consequence and the treacherous balance between the two reveals Cormac McCarthy at his finest.

Based on historical events that took place on the Texas-Mexico border in the 1850s, this novel traces the fortunes of the Kid, a fourteen-year-old Tennessean who stumbles into a nightmarish world where Indians are being murdered and the market for their scalps is thriving.

Llewelyn Moss, hunting antelope near the Rio Grande, stumbles upon a transaction gone horribly wrong. Finding bullet-ridden bodies, several kilos of heroin, and a caseload of cash, he faces a choice — leave the scene as he found it, or cut the money and run. Choosing the latter, he knows, will change everything. And so begins a terrifying chain of events, in which each participant seems determined to answer the question that one asks another: how does a man decide in what order to abandon his life? 'No Country for Old Men is a severed head and shoulders over anything else written in America this year' Independent on Sunday 'A Western thriller with a racy plot and punchy dialogue, perfect for a lazy Sunday' The Times '[An] utterly absorbing, chilling tale ...One of the most sinister characters in modern American fiction' Herald 'A fast, powerful read, steeped with a deep sorrow about the moral degradation of the legendary American West' Financial Times 'It's hard to think of a contemporary writer more worth reading' Independent.

In his blistering new novel, Cormac McCarthy returns to the Texas-Mexico border, setting of his famed Border Trilogy. The time is our own, when rustlers have given way to drug-runners and small towns have become free-fire zones. One day, a good old boy named Llewellyn Moss finds a pickup truck surrounded by a bodyguard of dead men. A load of heroin and two million dollars in cash are still in the back. When Moss takes the money, he sets off a chain reaction of catastrophic violence that not even the law–in the person of aging, disillusioned Sheriff Bell-can contain. As Moss tries to evade his pursuers–in particular a mysterious mastermind who flips coins for human lives–McCarthy simultaneously strips down the American crime novel and broadens its concerns to encompass themes as ancient as the Bible and as bloodily contemporary as this morning’s headlines. No Country for Old Men is a triumph.

Llewlyn Moss, hunting antelope near the Rio Grande, stumbles upon a transaction gone horribly wrong. Finding bullet-ridden bodies, several kilos of heroin, and a caseload of cash, he faces a choice – leave the scene as he found it, or cut the money and run. Choosing the latter, he knows, will change everything. And so begins a terrifying chain of events, in which each participant seems determined to answer the question that one asks another: how does a man decide in what order to abandon his life? 'No Country for Old Men is a compelling, harrowing, disturbing, sad, endlessly surprising and resonant novel' Robert Edric, Spectator 'No Country for Old Men is a severed head and shoulders over anything else written in America this year' Independent on Sunday 'A Western thriller with a racy plot and punchy dialogue, perfect for a lazy Sunday' Sarah Emily Miano, The Times '[An] utterly absorbing, chilling tale . . . One of the most sinister characters in modern American fiction' Herald 'A fast, powerful read, steeped with a deep sorrow about the moral degradation of the legendary American West' Lionel Shriver, Financial Times.