First published in 1961, The Severed Head is regarded is one of Iris Murdoch's most entertaining works. A dark and ferocious comic masterpiece, the novel traces the turbulent emotional journey of Martin Lynch-Gibbon, a smug, well-to-do London wine merchant and unfaithful husband, whose life is turned inside out when his wife leaves him for her psychoanalyst. In The Sea, the Sea the landscape shifts to the seclusion of an isolated house on the edge of England's North Sea, where Charles Arrowby, a big name in London's glittering theatrical world, has retired to write his memoirs. Arrowby's plans begin to unravel when he meets his first love and becomes haunted by the idea of rekindling his adolescent passion. The Severed Head and Booker prize-winner The Sea, the Sea are two of Iris Murdoch's most accomplished novels, displaying all her talent for combining profundity with playful creativity. Both tragic and comic, brooding and hilarious, they brilliantly reveal how much our lives are governed by the lies we tell ourselves as well as our all-consuming desire for love, significance and, ultimately, redemption.

Time, like the sea, unties all knots. This title comes with an introduction by John Burnside. When Charles Arrowby retires from his glittering career in the London theatre, he buys a remote house on the rocks by the sea. He hopes to escape from his tumultuous love affairs but unexpectedly bumps into his childhood sweetheart and sets his heart on destroying her marriage. His equilibrium is further disturbed when his friends all decide to come and keep him company and Charles finds his seaside idyll severely threatened by his obsessions.

The Black Prince is both a remarkable thriller and a story about being in love. Bradley Pearson, narrator and hero, is an elderly writer with a 'block'. Finding himself surrounded by predatory friends and relations — his ex-wife, her delinquent brother, a younger, deplorably successful writer, Arnold Baffin, Baffin's restless wife and engaging daughter — Bradley attempts to escape. His failure to do so and its aftermath lead to a violent climax and a most unexpected conclusion.

When Charles Arrowby retires from his glittering career in the London theatre, he buys a remote house on the rocks by the sea. He hopes to escape from his tumultuous love affairs but unexpectedly bumps into his childhood sweetheart and sets his heart on destroying her marriage. His equilibrium is further disturbed when his friends all decide to come and keep him company and Charles finds his seaside idyll severely threatened by his obsessions.

«Bradley Pearson, an unsuccessful novelist in his late fifties, has finally left his dull office job as an Inspector of Taxes. Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax and a coda that casts shifting perspectives on all that has preceded. «Fertile invention is put to the service of an expansive sense of character; and since the book also has Miss Murdoch's usual narrative energy and intellectual weight, it is the best novel she has written in years.» («The New York Times Book Review»)»

The scene is Ireland. The time, 1916, is the eve of the famous, tragic Easter Rebellion in Dublin, which startled Europe even in the midst of the First World War. A single Anglo Irish family provides the extremely diverse characters. Pat Dumay is a Catholic and an Irish patriot. His relentlessly pious mother pursues her own private war with his step father, a man sunk in religious speculation and drink. Pat's English bred Protestant cousin and rival, Andrew Chase White, an officer in King Edward's Horse, puzzles out his complex emotions about Ireland and Frances, the girl he loves, against a background of the fear of death, while France's father, Christopher Bellman, scholar and cynic, finds the love of Ireland a more passionate matter than he had bargained for. Weaving these people together into a tragic comic pattern moves Millie Kinnard: fast, feminist, and only just respectable.

Carel is rector of a non-existent City church (it was destroyed in the war). In the rectory live his daughter, Muriel, his beautiful invalid ward, Elizabeth, and their West Indian servant, Patti. Here too are Eugene, a Russian emigre, and his delinquent son, Leo. Carel's brother, Marcus, co-guardian with him of Elizabeth, tires to make contact with Carel but is constantly rebuffed. These seven characters go through a dance of attraction and repulsion, misunderstanding and revelation, the centre of which is the enigmatic Carel himself — a priest who believes that, God being dead, His angels are released. At the end, Muriel finds herself with the power of life and death over her father.

A group of people have elected ambiguous and fascinating Mischa Fox to be their God. While Mischa is charming his devotees, his alter ego Calvin Blick, is inspiring fear, and Rosa Keepe, a high-minded bluestocking under Mischa's spell (who also loves two Polish brothers) is swept into the battle between sturdy common sense and dangerous enchantment.

In the healing waters of Ennistone the townspeople seek health and regeneration, righteousness and ritual cleansing. To this town of subterranean inspiration the Philosopher returns. And there he exerts an almost magical influence, especially over George McCaffrey, his old pupil.