It all starts with a cat-and-mouse chase to the death in a Baltimore funfair: the Jackal, Bourne's age-old antagonist, is back and Bourne is forced from his idyllic retirement with his wife and children to confront his enemy. In Europe, Russia and America there are men and women whose lust for power is disguised by their positions and respectability. Their aim: to gain control at the highest level, to avenge, to destroy. Jason Bourne has been the assassin before: now he longs for peace with his family, but the threat of the Jackal puts in jeopardy all possibility of peace...

The novel traces the events of Jane Austen's well-loved Pride and Prejudice through the eyes of Mr Darcy. It reveals his reactions to Elizabeth, his gradual falling in love and the process by which he painfully gains self-knowledge, and it brings to life all the off-stage events that are only referred to in Austen's novel. We learn of Darcy's life in London, of his dangerous friendship with Byron, of the responsibilities that come with running Pemberley, and the terrible guilt he feels at not protecting his sister well enough from the dastardly Wickham. We also see Miss Bingley's increasingly desperate attempts to woo Darcy, and his own part in bringing about the separation between Elizabeth's sister and his own best friend. But above all, we come to know Fitzwilliam Darcy as a fully-rounded character, with all his flaws and all his attractions, and we learn that the story told from his point of view is as enchanting, gripping and unforgettable as Jane Austen's original.

Meet Chloe Zhivago, 43 and definitely not counting. Married for what feels like all eternity to Greg who tests his memory in infuriating ways, for example hiding the kettle from himself in the drum of the washing machine, Chloe is a successful psychotherapist with two children and a Famous Friend from hell. She's got it all. So why does she want to rub her life out and start again? Is this it? She asks herself. Will I never sleep with another man again? When Chloe meets temptation in the shape of Ivan, does she dare risk a passionate Russian romance before gravity wins the battle with her face and figure? Can she get away with one glorious, final fling? Dr Zhivago didn't. And just look what happened to Anna Karenina...This is a razor sharp, wonderfully funny, sexy novel that asks a serious question — how do you keep love alive during a long marriage? — and answers it with poignancy and pure delicious comedy.

Milly Lockwood Groves is stuck at her parents' racing stables and stud farm outside Newmarket, her dreams of making it as a champion jockey in tatters. Her father has forbidden her to ride after a fall left her hospitalised — and there's no arguing with him. As a millionaire racehorse breeder and bastion of the male dominated racing fraternity, he would prefer Milly took up more ladylike pursuits, and left the riding to her brother, Jasper. Although Milly has more talent in her left riding boot than the poisonous Jasper will ever have, her family are determined to fill Milly's life with cookery courses and debs' balls in London. But Milly's life is about to change with the arrival of Bobby Cameron, the most skilled horse-breaker in America. Milly, who previously has had no interest in males of the two-legged variety, develops a passionate crush on the blond, beautiful Bobby. When Bobby offers her the chance to spend a year on his Californian ranch, it's just too good an opportunity to refuse…

brilliant and vigorous observer of both French and British societies, which she knows intimately, 32-year-old Agnes Catherine Poirier has spent the last ten years explaining the peculiarities of France to the British and of Britain to the French. Not an easy job. Having studied both in Paris and London, writing in both languages for the French and British press, Agnes Catherine Poirier plays with national stereotypes, which are both stupid and dangerous, with dexterity and savoir faire. She goes beneath the surface to explain why France and Britain keep arguing and competing endlessly, why they are so different and why they do things in almost opposite ways. Covering the worlds of art, politics, action, food, institutions, sex, history, media, society and philosophy, she tells us as much about us as why France is a nation apart. Revenge for tabloid attacks on France or for British expats' invasions of Brittany and the Dordogne? You decide. But this will entertain and educate all readers about their own country and whether its 'entente' with La Belle France is 'cordiale' or not. You may disagree with her but you may never see yourself in the same way again.

Harper Connelly had a lucky escape when she was hit by lightning: she didn't die. But sometimes she wishes she had died, because the lightning strike left her with an unusual talent: she can find dead people — and that's not always comfortable. Everyone wants to know how she does it: it's a little like hearing a bee droning inside her head, or maybe the pop of a Geiger counter, a persistent, irregular noise that increases in strength as she gets closer. It's almost electric: a buzzing all through her body, and the fresher the corpse, the more intense the buzz. Harper and her brother Tolliver make their living from finding the dead, for desperate parents, worried friends... and police departments who have nowhere else to look. They may not believe in her abilities, but sometimes the proof is just too much for even the most sceptical of police chiefs to deny. But it's not always easy for someone like Harper, for the dead *want* to be found — and too often, finding the body doesn't bring closure; it opens a whole new can of worms.

Somewhere over the rainbow and just off the Yellow Brick Road stands Toy City, formerly known as Toy Town. And things are not going well for the city's inhabitants. There have been outbreaks of STC — Spontaneous Toy Combustion — and there are strange signs and portents in the Heavens. Preachers of Toy City's many religions are predicting that the End Times are approaching and that a Toy City Apocalypse will soon come to pass. But can this possibly be true, or is there a simple explanation — an alien invasion, for instance. With the body count rising and the forces of law and order baffled, it is the time for a hero to step forward and attempt to save the day. Well, two heroes actually, Eddie Bear, Toy City Private Eye and his loyal sidekick, Jack: our courageous twosome are about to face their biggest challenge yet, to save not only toykind, but the world of mankind too. Which should keep them out of the pub for a while.

Inquisitor Glokta, a crippled and increasingly bitter relic of the last war, former fencing champion turned torturer extraordinaire, is trapped in a twisted and broken body — not that he allows it to distract him from his daily routine of torturing smugglers. Nobleman, dashing officer and would-be fencing champion Captain Jezal dan Luthar is living a life of ease by cheating his friends at cards. Vain, shallow, selfish and self-obsessed, the biggest blot on his horizon is having to get out of bed in the morning to train with obsessive and boring old men. And Logen Ninefingers, an infamous warrior with a bloody past, is about to wake up in a hole in the snow with plans to settle a blood feud with Bethod, the new King of the Northmen, once and for all — ideally by running away from it. But as he's discovering, old habits die really, really hard indeed... especially when Bayaz gets involved. A bald old man with a terrible temper and a pathetic assistant, he could be the First of the Magi, he could be a spectacular fraud, but whatever he is, he's about to make the lives of Glotka, Jezal and Logen a whole lot more difficult...

Francis Walsingham was the first 'spymaster' in the modern sense. His methods anticipated those of MI5 and MI6 and even those of the KGB. He maintained a network of spies across Europe, including double-agents at the highest level in Rome and Spain — the sworn enemies of Queen Elizabeth and her Protestant regime. His entrapment of Mary Queen of Scots is a classic intelligence operation that resulted in her execution. As Robert Hutchinson reveals, his cypher expert's ability to intercept other peoples' secret messages and his brilliant forged letters made him a fearsome champion of the young Elizabeth. Yet even this machiavellian schemer eventually fell foul of Elizabeth as her confidence grew (and judgement faded). The rise and fall of Sir Francis Walsingham is a Tudor epic, vividly narrated by a historian with unique access to the surviving documentary evidence.

Just over a century ago, Our Island Story entranced a nation's children by telling their history in stories. Short, simply written chapters, packed with living characters and thrilling action — and illustrated with vivid colour pictures — illuminate all the main events from Britain's earliest days to the end of Victoria's reign. And its glorious fusion of myth and legend with sober fact — Canute and King Arthur with Cromwell and the Indian Mutiny — is as seductive now as it ever was.

Jason Taverner is a Six, the result of top secret government experiments forty years before which produced a handful of unnaturally bright and beautiful people — and he's the prime-time idol of millions until, inexplicably, all record of him is wiped from the data banks of Earth. Suddenly he's a nobody in a police state where nobody is allowed to be a nobody. Will he ever be rich and famous again? Was he, in fact, ever rich and famous?

In the bitter cold of an unrelenting winter Tomas and his son, Peter, arrive in Chust and despite the inhospitability of the villagers settle there as woodcutters. Tomas digs a channel of fast-flowing waters around their hut so they have their own little island kingdom. Peter doesn't understand why his father has done this, nor why his father carries a long battered box everywhere they go, and why he is forbidden to know its mysterious contents. But when a band of gypsies comes to the village Peter's drab existence is turned upside down. He is infatuated by the beautiful gypsy princess, Sofia, intoxicated by their love of life and drawn into their deadly quest. For these travellers are Vampire Slayers and Chust is a dying community — where the dead come back to wreak revenge on the living. Amidst the terrifying events that follow, Peter is stunned to see his father change from a disillusioned man to the warrior hero he once was. Marcus draws on his extensive research of the vampire legend which permeates traditions throughout the world and sets his story in the forbidding and remote landscapes of the 17th century. Written in his usual distinctive voice, this is also the story of a father and his son, of loss, redemption and resolution.

Angelfield House stands abandoned and forgotten. It was once home to the March family — fascinating, manipulative Isabelle, brutal, dangerous Charlie, and the wild, untamed twins, Emmeline and Adeline. But Angelfield House hides a chilling secret which strikes at the very heart of each of them, tearing their lives apart... Now Margaret Lea is investigating Angelfield's past — and the mystery of the March family starts to unravel. What has Angelfield been hiding? What is its connection with the enigmatic writer Vida Winter? And what is the secret that strikes at the heart of Margaret's own, troubled life? As Margaret digs deeper, two parallel stories unfold, and the tale she uncovers sheds a disturbing light on her own life...

The Russian invasion of Finland in November 1939 was a critical turning point in world history. Only now, with the opening of the Russian archives can this extraordinary story be told in full. Two months after his cynical alliance with Hitler and their joint invasion of Poland, Stalin ordered the Red Army to crush the Finns. Everybody expected a walk-over: the odds were 10:1 in Stalin's favour. But the Finns fought bravely, and the Red Army — its high command decimated by Stalin's purges — fumbled to defeat after defeat. Tens of thousands of Russian soldiers died in the snow. Only after four months and the massing of over a million men and thousands of guns did the Russians break through and force the Finns to accept terms. The 'Winter War' revealed Stalin's army to be as badly led as it was poorly equipped. Hitler's generals, previously so nervous about their leader's plan to invade Russia that they contemplated a coup d'etat to remove him, were now convinced they could win. Stalin's blunder in Finland led directly to the Nazi invasion of Russia the following year. In Britain and France, the spectacle of Russia invading a neutral neighbour shattered the left-wing political parties (although the DAILY WORKER's headline on the opening day of the invasion was 'HEROIC RED ARMY SMASHES MARAUDING FINNS). Attlee expelled one pro-Russian MP and cleared the way for a coalition with the Conservatives. Paradoxically, the 'Winter War' also saved the Red Army and Stalin. With the results of the purges all too clear, Stalin promoted outspoken technocrats like Zhukov and accepted reforms that would enable the Russians to survive the German assault in 1941 and ultimately stop them at Stalingrad.

Building a snowman brings out Henry's competitive streak; he sets up his Monstrous Makeovers business to rival Moody Margaret's Miraculous Makeovers; things go badly wrong when a famous author comes to school; and he thinks 'You'll all be sorry when I'm dead' and spends a rainy day writing his will.

Jack has always had an affinity with the supernatural, people who lived long ago and whose spirits remain in this world. Following his father's death, he and his mother move to an isolated house. Instantly, Jack senses the presence of the previous owner. But he is soon aware of other spirits reaching out to claim him ¿ At the heart of the house is the Ghost Mother — long dead, but still mourning her daughter, for whose death she feels responsible — who has imprisoned four children, from different times and families. She has intercepted their passage from the living world to the afterlife and draws her strength by leeching their souls. Is it her intention that Jack meets the same fate? Or has she other plans for her latest resident? Jack's encounter with ghosts leads him to the terrifying Nightmare Passage — a kind of purgatory to which spirits are violently, viciously condemned. His survival depends on his own powers, his understanding of the Ghost Mother's guilt, his contact with her dead daughter, and the resolution of his own grief. 'Breathe' is a compelling stand-alone novel, not for the faint-hearted but immensely rewarding for its psychological depth and the literally breathless action sequences, the hallmarks of Cliff's writing.

Jason Steadman is a thirty-year-old sales executive living in Boston. He's a witty, charismatic guy who's well liked at the office, but he lacks the 'killer instinct' necessary to reach the top. To the chagrin of his ambitious wife, it looks as if his career has hit a ceiling: Jason's been sidelined. But all that changes one evening when Jason meets Kurt Semko, a former Special Forces officer just back from Iraq. Looking for a decent pitcher for the company softball team, Jason gets Kurt, who was once drafted by the majors, a job in security. Soon, good things start to happen for Jason — and bad things start to happen to Jason's rivals. His career suddenly takes off. He's an overnight success. Only too late does Jason discover that his friend Kurt has been secretly paving his path to the top by the most 'efficient' — and ruthless — means available. After all, Kurt says, 'Business is war, right?' But when Jason tries to put a stop to it, he finds that his new best friend has become the most dangerous enemy imaginable. And now it's far more than just his career that lies in the balance.

A short but perfectly formed complete Discworld novel, fully illustrated in lavish colour throughout, THE LAST HERO is an essential part of any Discworld collection. It stars the legendary Cohen the Barbarian, a legend in his own lifetime. Cohen can remember when a hero didn't have to worry about fences and lawyers and civilisation, and when people didn't tell you off for killing dragons. But he can't always remember, these days, where he put his teeth... So now, with his ancient sword and his new walking stick and his old friends — and they're very old friends — Cohen the Barbarian is going on one final quest. He's going to climb the highest mountain in the Discworld and meet his gods. The last hero in the world is going to return what the first hero stole. With a vengeance. That'll mean the end of the world, if no one stops him in time.

Merlin is almost young, and immortal, one of those born to walk the paths of the world, a man with charm carved into his bones, and enchantment running through his body thicker than blood... And this is a time of heroes, centuries before King Arthur is born, men and women who, though not gods themselves, are something more than mere mortals. For decades, Jason has been immured in his ship Argo in a lake in the far north, alive, but not, still traumatised by the murder of his sons by his enchantress wife Medea... until Merlin sees through the veil of enchantment and realises the boys were never killed; it was all a trick. Through the mists-shrouded isle of Alba to Greek Land, Merlin leads Jason and his Argonauts, some old, some new, on a quest to find the boys, journey filled with heroism and heartbreak, truth and treachery.

Seven centuries have passed since Merlin journeyed with Jason and his Argonauts to find the Golden Fleece. Merlin is immortal, but when he uses the charm that is knit deep in his bones, his body ages — and he has no wish to be old, so rather than squander his magic, he prefers to rely on his own intelligence and cunning. Now the mage finds himself in Alba, the Island of Mists, beset by enemies both dead and Otherworldly, seeking both the children of the warlord Urtha, who have been kidnapped and taken to Ghostland, and Jason's younger son, Kinos (Little Dreamer), hidden by his enchantress mother, Medea in the Otherworld.And now Merlin must use not just his own cunning and centuries of knowledge, but also the magic that permeates his body if he is to save his friends from fates truly worse than death itself.