When Tonya and her friends decide to sail around the world they want to see exciting things and visit exciting places. But one day, they meet an orca — a killer whale — one of the most dangerous animals in the sea. And life gets a little too exciting.

Every day someone steals money from people near the shops. We must stop this, says Dan, a police officer. The police use TV cameras but it is not easy because there are so many suspects — who is the robber?

Sally is always running — and she has her phone with her all the time: at home, on the train, at work, at lunchtime, and at the shops. But then one afternoon suddenly she has a different phone... and it changes her life.

Six women are dead because of the Whitechapel Killer. Now another woman lies in a London street and there is blood everywhere. She is very ill. You are the famous detective Mycroft Pound; can you catch the killer before he escapes?

The empty centre of Australia. The sun is hot and there are not many people. And when Bill meets a man, alone, standing on an empty road a long way from anywhere, he is surprised and worried. And Bill is right to be worried. Because there is something strange about the man he meets. Very strange...

Everything's ready now. We can do the experiment, says your assistant Joe. You are the famous scientist Mary Durie working in a laboratory in Alaska. When you discover something very new and valuable, other people want to try to steal your idea — can you stop them before they escape?

You are in a small plane, going across the Rocky Mountains. Suddenly, the engine starts to make strange noises... Soon you are alone, in the snow, at the top of a mountain, and it is very, very cold. Can you find your way out of the mountain?

Who is the man with the roses in his hand? thinks Anna. I want to meet him. Who is the girl with the guitar? thinks Will. I like her. I want to meet her. But they do not meet. There are lots of men! says Anna's friend Vicki, but Anna cannot forget Will. And then one rainy day...

The people on this island don't like archaeologists, the woman on the ferry says. You only want to study the 4,500 year-old Irish megalithic stones but very soon strange things begin to happen to you. Can you solve the mystery in time?

How can Mr Frank be angry now? thinks Mike happily. His film is good and he is the only cameraman on the volcano. Now he can go home. But then he finds Jenny and she is dying. Rocks start to move and Mike is afraid. Can they get off the volcano alive? And what happens to Mike's camera and film?

At the start of this play, the court room is full for today's trial. Two young men, Simon Clark and Dan Smith, stand up. The clerk asks, 'Are you guilty of the murder of Mary Jones?' Not guilty! they reply. But perhaps they are guilty. The police found the murder weapon in their stolen car, and there was blood on Simon's face. If the court finds them guilty, they will go to prison for a very long time. Can the lawyers find out the truth, by asking the right questions? Everyone in court wants to know who murdered Mary Jones, especially her mother, and her boyfriend, Jim. You can help to find the answer, too!

There are two love stories in this fast-moving comedy. Brave young Claudio and Leonato's pretty daughter Hero are in love and want to marry, but Don John has a wicked plan to stop their wedding. Will he succeed, or will the truth come out? Will Claudio and Hero marry, after all? Beatrice and Benedick are always arguing with each other, but how do they really feel? Perhaps they are more interested in each other than they seem to be! Their friends work hard to bring them closer together.

A housewife, a tramp, a lawyer, a waitress, an actress — ordinary people living ordinary lives in New York at the beginning of this century. The city has changed greatly since that time, but its people are much the same. Some are rich, some are poor, some are happy, some are sad, some have found love, some are looking for love. O. Henry's famous short stories — sensitive, funny, sympathetic — give us vivid pictures of the everyday lives of these New Yorkers.

Of ways you may speak, but not the Perennial Way; By names you may name, but not the Perennial Name. The best-loved of all the classical books of China and the most universally popular, the Daodejing or Classic of the Way and Life-Force is a work that defies definition. It encapsulates the main tenets of Daoism, and upholds a way of being as well as a philosophy and a religion. The dominant image is of the Way, the mysterious path through the whole cosmos modelled on the great Silver River or Milky Way that traverses the heavens. A life-giving stream, the Way gives rise to all things and holds them in her motherly embrace. It enables the individual, and society as a whole, to harmonize the disparate demands of daily life and achieve a more profound level of understanding. This new translation draws on the latest archaeological finds and brings out the word play and poetry of the original. Simple commentary accompanies the text, and the introduction provides further historical and interpretative context.

A young, inexperienced governess is charged with the care of Miles and Flora, two small children abandoned by their uncles at his grand country house. She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead. Like the other tales collected here — Sir Edmund Orme, Owen Wingrave, and The Friends of the Friends — The Turn of the Screw is to all immediate appearances a ghost story. But are the appearances what they seem? Is what appears to the governess a ghost or a hallucination? Who else sees what she sees? The reader may wonder whether the children are victims of corruption from beyond the grave, or victims of the governess's infernal imagination, which torments but also entrals her? The Turn of the Screw is probably the most famous, certainly the most eerily equivocal, of all ghostly tales. Is it a subtle, self-conscious exploration of the haunted house of Victorian culture, filled with echoes of sexual and social unease? Or is it simply, the most hopelessly evil story that we have ever read? The texts are those of the New York Edition, with a new Introduction and Notes.

Taken from the highly acclaimed Oxford Ibsen, this collection of Ibsen's plays includes A Doll's House, Ghosts, Hedda Gabler, and The Master Builder. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The consciousness of knowing little, need not beget a distrust of that which he does not know. In Natural Theology William Paley set out to prove the existence of God from the evidence of the beauty and order of the natural world. Famously beginning by comparing the world to a watch, whose design is self-evident, he goes on to provide examples from biology, anatomy, and astronomy in order to demonstrate the intricacy and ingenuity of design that could only come from a wise and benevolent deity. Paley's legalistic approach and skilful use of metaphor and analogy were hugely successful, and equally controversial. Charles Darwin, whose investigations led to very different conclusions in the Origin of Species, was greatly influenced by the book's cumulative structure and accessible style. This edition reprints the original text of 1802, and sets the book in the context of the theological, philosophical, and scientific debates of the nineteenth century.

I long to study the purely national, natural character of an Irishwoman When Horatio, the son of an English lord, is banished to his father's Irish estate as punishment for gambling debts and dissipated living, he adopts the persona of knight errant and goes off in search of adventure. On the wild west coast of Connaught he finds remnants of a romantic Gaelic past a dilapidated castle, a Catholic priest, a deposed king and the king's lovely and learned daughter, Glorvina. In this setting and among these characters Horatio learns the history, culture and language of a country he had once scorned, but he must do so in disguise for his own English ancestors are responsible for the ruin of the Gaelic family he comes to love. Written after the Act of Union, The Wild Irish Girl (1806) is a passionately nationalistic novel and a founding text in the discourse of Irish nationalism. The novel proved so controversial in Ireland that Sydney Owenson, later Lady Morgan, was put under surveillance by Dublin Castle.

I sing of knights and ladies, of love and arms, of courtly chivalry, of courageous deeds. So begins Ariosto's Orlando Furioso (1532), the culmination of the chivalric legends of Charlemagne and the Saracen invasion of France. It is a brilliantly witty parody of the medieval romances, and a fitting monument to the court society of the Italian Renaissance which gave them birth. This unabridged prose translation faithfully captures the narrative entire and is a kaleidoscope of scenes and emotions of fact and fantasy.

Aurora Leigh is the foremost example of the mid-nineteenth-century poem of contemporary life. This verse-novel is a richly detailed representation of the early Victorian age. The social panorama extends from the slums of London, through the literary world, to the upper classes and a number of superb satiric portraits: an aunt with rigidly conventional notions of female education; Romney Leigh, the Christian socialist; Lord Howe, the amateur radical; Sir Blaise Delorme, the ostentatious Roman Catholic; and the unscrupulous society beauty Lady Waldemar. However, the dominant presence in the work is the narrator, Aurora Leigh herself. From early years in Italy and adolescence in the West Country to the vocational choices, creative struggles, and emotional entanglements of her first decade of adult life, Aurora Leigh develops her ideas on art, love, God, the Woman Question, and society. This is the first critically edited and fully annotated edition for almost a century.