- This is a practical and imaginative addition to the New Headway. — It helps students to express themselves clearly and confidently by training them in the key areas of pronunciation. — There is practice of individual sounds, with a guide to suitable exercises for speakers of particular languages. — There is a focus on lexical sets. — Training is given in stress and intonation patterns for accurate, functional use. — Help is provided with the features of connected speech.

Develops students' ability to express basic concepts in simple, clear English. It teaches the language required for performing such tasks as describing, hypothesizing, speculating, accounting for results and summarizing, which are necessary for any kind of scientific enquiry. It builds up students' language skills so that in the course of the eleven units they move from simple tasks, such as expressing values and formulae in English, to the description of complete experiments, explanations and accounts of processes. The course is accompanied by a class cassette with a selection of the classwork material, as well as a set of six lab cassettes with language laboratory drills. The Teacher's Book provides detailed teaching notes, keys to the exercises, and tapescripts.

Every level of English File builds confidence and keeps motivation high with lively, achievable lessons, using humour and imagination to encourage students to communicate and enjoy learning English. — Vocabulary Banks: easy-access vocabulary sections help students to remember words and phrases. — Illustrated pronunciation system.

A classic and flexible course.

This volume has been designed for students studying physics at examination level at 16+. The contents have been prepared to cover the following syllabuses: GCSE, IGCSE, CXC, and O-level. Each chapter contains core material with additional material specific to the various different syllabuses designated as Further Topics. This enables the individual student or teacher to identify the right mix of pages, according to their own individual syllabus. The illustration style is deliberately international in flavour.

This is the final book in the best-selling Flambards series. The First World War is over and Christina marries Dick, who was once the groom at Flambards. The local gentry refuse to accept the couple socially and, with Mark Russell due home from the war, Christina is forced to face the consequences of her decision. And in the end it is Christina who is as much divided as Flambards, in her feelings for two very different men. This title was reissued in the Oxford Children's Modern Classics series earlier this year, and is now being issued in a mass-market paperback format.

For the first time, perhaps, since that land emerged from the waters of geologic ages, a human face was set toward it with love and yearning. It seemed beautiful to her, rich and strong and glorious. Willa Cather's second novel, O Pioneers! (1913) tells the story of Alexandra Bergson and her determination to save her immigrant family's Nebraska farm. Clear-headed and fiercely independent, Alexandra's passionate faith in the prairie makes her a wealthy landowner. By placing a strong, self-reliant woman at the centre of her tale, Cather gives the quintessentially American novel of the soil a radical cast. Yet, although influenced by the democratic utopianism of Walt Whitman and the serene regionalism of Sarah Orne Jewett, O Pioneers! is more than merely an elegy for the lost glories of America's pioneer past. In its rage for order and efficiency, the novel testifies to the cultural politics of the Progressive Era, the period of massive social and economic transformations that helped to modernize the United States in the years between the Civil War and World War.

Strindberg was one of the most extreme and most influential theatrical innovators of the late 19th century. The five plays translated here are those on which Strindberg`s international reputation as a dramatist principally rests and this edition embraces his transition from Naturalism to Modernism.

How strange and irrational, thought Adeline, are the prejudices of society! Because an idle ceremony has not been muttered over me at the altar, I am liable to be thought a woman of vicious inclinations, and to be exposed to the most daring insults. Encouraged by her mother to pursue an interest in radical social ideas, Adeline Mowbray innocently puts her theories of idealized love into practice. Her attempt to live with the philosopher Frederic Glenmurray outside marriage is condemned by both her mother and society. Adeline and Glenmurray's relationship becomes the focal point for Opie's satire on society's attitudes to education, women, marriage, masculine and feminine codes of honour, filial loyalty and the struggle to justify individual choice. Personal as well as political, Adeline Mowbray (1804) is loosely based on the relationship between Opie's friends, Mary Wollstonecraft and William Godwin. Written in a period of conservative reaction in Britain and recalling the earlier radical era of the 1790s the novel offers a gripping exploration of the world as it is and the world as it ought to be.

The finest translation in and for our time (Kevin Crossley-Holland) Sir Gawain and The Green Knight, with its intricate plot of enchantment and betrayal is probably the most skilfully told story in the whole of the English Arthurian cycle. Originating from the north-west midlands of England, it is based on two separate and very ancient Celtic motifs of the Beheading and the Exchange of Winnings, brought together by the anonymous 14th century poet. His telling comprehends a great variety of moods and modes — from the stark realism of the hunt-scenes to the delicious and dangerous bedroom encounters between Lady Bercilak and Gawain, from moments of pure lyric beauty when he evokes the English countryside in all its seasons, to authorial asides that are full of irony and puckish humour. This new verse translation uses a modern alliterative pattern which subtly echoes the music of the original at the same time as it strives for fidelity.

Lope de Vega (1562-1635), widely regarded as the architect of the drama of the Spanish Golden Age, was known by his contemporaries as the 'monster of Nature' on account of his creativity as a playwright. Claiming to have written more than a thousand plays, he created plots and characters notable for their energy, inventiveness and dramatic power, and which, in contrast to French classical drama, combine the serious and the comic in their desire to imitate life. Fuente Ovejuna, based on Spanish history, and revealing how tyranny leads to rebelliion, is perhaps his best-known play. The Knight from Olmedo is a moving dramatization of impetuous and youthful passion which ends in death. Punishment without Revenge, Lope's most powerful tragedy, centres on the illicit relationship of a young wife with her stepson and the revenge of a dishonoured husband. These three plays, grouped here in translations which are faithful to the original Spanish, vivid and intended for performance, embody the very best of Lope's dramatic art.

I beg as soon as you get Fielding's Joseph Andrews, I fear in Ridicule of your Pamela and of Virtue in the Notion of Don Quixote's Manner, you would send it to me by the very first Coach. (George Cheyne in a letter to Samuel Richardson, February 1742) Both Joseph Andrews (1742) and Shamela (1741) were prompted by the success of Richardson's Pamela (1740), of which Shamela is a splendidly bawdy parody. But in Shamela Fielding also demonstrates his concern for the corruption of contemporary society, politics, religion, morality, and taste. The same themes — together with a presentation of love as charity, as friendship, and in its sexual taste — are present in Joseph Andrews, Fielding's first novel. It is a work of considerable literary sophistication and satirical verve, but its appeal lies also in its spirit of comic affirmation, epitomized in the celebrated character of Parson Adams. This revised and expanded edition follows the text of Joseph Andrews established by Martin C. Battestin for the definitive Wesleyan Edition of Fielding's works. The text of Shamela is based on the first edition, and two substantial appendices reprint the preliminary matter from Conyers Middleton's Life of Cicero and the second edition of Richardson's Pamela (both closely parodied in Shamela). A new introduction by Thomas Keymer situates Fielding's works in their critical and historical contexts.

This is a reissue of the previous World's Classics edition in the new, larger format and with the series name changed to Oxford World's Classics.

Did possessing and killing amount to the same thing deep within the dark recesses of the human beast? La Bete humaine (1890), is one of Zola's most violent and explicit works. On one level a tale of murder, passion and possession, it is also a compassionate study of individuals derailed by atavistic forces beyond their control. Zola considered this his 'most finely worked' novel, and in it he powerfully evokes life at the end of the Second Empire in France, where society seemed to be hurtling into the future like the new locomotives and railways it was building. While expressing the hope that human nature evolves through education and gradually frees itself of the burden of inherited evil, he is constantly reminding us that under the veneer of technological progress there remains, always, the beast within. This new translation captures Zola's fast-paced yet deliberately dispassionate style, while the introduction and detailed notes place the novel in its social, historical, and literary context.

The seventh novel in the Rougon-Macquart cycle, L'Assommoir (1877) is the story of a woman's struggle for happiness in working-class Paris. It was a contemporary bestseller, outraged conservative critics, and launched a passionate debate about the legitimate scope of modern literature. At the centre of the novel stands Gervaise, who starts her own laundry and for a time makes a success of it. But her husband Coupeau squanders her earnings in the Assommoir, the local drinking shop, and gradually the pair sink into poverty and squalor. L'Assommoir is the most finely crafted of Zola's novels, and this new translation captures not only the brutality but also the pathos of its characters' lives. This book is a pwerful indictment of nineteenth-century social conditions, and the introduction examines its relation to politics and art as well as its explosive effect on the literary scene.

Trollope relates his life from the influence of his childhood and mother, to the time he spent in the Post Office and the motivation behind his literary career.

Look at her, she is the image of our beautiful Italy. Corinne, or Italy (1807) is both the story of a love affair between Oswald, Lord Nelvil and a beautiful poetess, and an homage to the landscape, literature and art of Italy. On arriving in Italy, Oswald immediately falls under Corinne's magical spell as she is crowned a national genius at the Captitol. Yet, on returning to England, he succumbs to convention and honours his late father's wish by marrying the dutiful English girl, Lucile, despite having learned that Corinne is Lucile's Italian half-sister. Corinne dies of a broken heart and Lord Nelvil is left with a seared conscience. Stael weaves discreet French Revolutionary political allusion and allegory into her romance, and its publication saw her order of exile renewed by Napoleon. Indeed, the novel stands as the birth of modern nationalism, and introduces to French usage the word nationalitie. It is also one of the first works to put a woman's creativity centre stage. Sylvia Raphael's new translation preserves the natural character of the French original and the edition is complemented by notes and introduction which serve to set an extraordinary work of European Romanticism in its historical and political contexts.

This volume contains the four plays by Thomas Middleton which have most impressed the modern world: A Chaste Maid in Cheapside is the most complex amd effective of the city comedies; Women Beware Women and The Changeling (with William Rowley) are two of the most powerful Jacobean tragedies outside of Shakespeare — studies in lust, power, violence, and self-delusive psychology; and A Game at Chess was the single most popular play of the whole Shakespearean era, a satirical expose of Jesuit plotting and Anglo-Spanish politics which played to pacifist houses at the Globe until King James and his ministers banned it. All the play texts are newly edited with informative annotation.

A classic of Victorian literature, and one of the earliest books written specifically for boys, Tom Brown's Schooldays has long had an influence well beyond the middle-class, public school world that it describes. An active social reformer, Hughes wrote with a freshness, a lack of cant, and a kind, relaxed tolerance which keeps this novel refreshingly distinct from other schoolboy adventures. This edition is the only one available, and comes with the outstanding 1869 illustrations by Arthur Hughes.

This is a reissue of the previous World's Classics edition in the new, larger format and with the series name changed to Oxford World's Classics.