Writing towards the close of the nineteenth century, Chekhov — himself a country doctor — recorded in his fiction the symptoms of a diseased society. The seven stories collected here are a bleakly savage indictment of a society paralysed by spiritual malaise, and morbidly conscious of evils which can neither be killed nor cured. This volume also contains an Introduction by Ronald Hingley.

«This collection of eleven stories spans virtually the whole of Tolstoy's creative life. While each is unique in form, as a group they are representative of his style, and touch on the central themes that surface in «War and Peace» and «Anna Karenina». Stories as different as 'The Snowstorm', 'Lucerne', 'The Diary of a Madman', and 'The Devil' are grounded in autobiographical experience. They deal with journeys of self-discovery and the moral and religious questioning that characterizes Tolstoy's works of criticism and philosophy. 'Strider' and 'Father Sergy', as well as reflecting Tolstoy's own experiences, also reveal profound psychological insights. These stories range over much of the Russian world of the nineteenth century, from the nobility to the peasantry, the military to the clergy, from merchants and cobblers to a horse and a tree. Together they present a fascinating picture of Tolstoy's skill and artistry.»

«Kipling portrays school as the first stage of a much larger game, a pattern-maker for the experiences of life. Implied throughout the stories is the question 'What happened to these fifteen-year-old boys, and how did the lessons they learned at school apply to the world of warfare and imperial government?' The stories are based on Kipling's own school, the United Services College at Westward Ho! in Devon, which prepared boys destined for the army or for colonial service; Kipling himself appears as the subordinate character, Beetle. This edition includes five Stalky stories which did not appear in the original volume, and thus constitutes a «Complete Stalky & Co».»

Authors in Context examines the work of major writers in relation to their own time and to the present day. Combining history with lively literary discussion, each volume provides comprehensive insight into texts in their context. Wit, dandy, literary anarchist, self-publicist, and homosexual martyr: Wilde achieved fame and notoriety at a time when mass culture and communication promoted the 'new' in every area of British life — 'New Women', 'New Hedonism', 'New Journalism', 'New Imperialism'. His plays, tales, and critical writings questioned traditional attitudes to religion, sexuality, women and the home, crime and punishment, and the freedom of the individual. This book examines the rich interplay between Wilde's society and his writings and shows the remarkable recontextualizing of Wilde and his work on stage, in film and the media in the century that has followed his death.

A unique anthology of Kipling's war stories and poems, from the frontier wars of empire to the Boer War and the First World War.

'Little Matters they are to be sure, but highly important'. Letter-writing was something of an addiction for young women of Jane Austen's time and social position, and Austen's letters have a freedom and familiarity that only intimate writing can convey. Wiser than her critics, who were disappointed that her correspondence dwelt on gossip and the minutiae of everyday living, Austen understood the importance of 'Little Matters', of the emotional and material details of individual lives shared with friends and family through the medium of the letter. Ironic, acerbic, always entertaining, Jane Austen's letters are a fascinating record not only of her own day-to-day existence, but of the pleasures and frustrations experienced by women of her social class which are so central to her novels. Vivien Jones's selection includes very nearly two-thirds of Austen's surviving correspondence, and her lively introduction and notes set the novelist's most private writings in their wider cultural context.

«Eugene Onegin» is the master work of the poet whom Russians regard as the fountainhead of their literature. Set in 1820s imperial Russia, Pushkin's novel in verse follows the emotions and destiny of three men — Onegin the bored fop, Lensky the minor elegiast, and a stylized Pushkin himself — and the fates and affections of three women — Tatyana the provincial beauty, her sister Olga, and Pushkin's mercurial Muse. Engaging, full of suspense, and varied in tone, it also portrays a large cast of other characters and offers the reader many literary, philosophical, and autobiographical digressions, often in a highly satirical vein. «Eugene Onegin» was Pushkin's own favourite work, and it shows him attempting to transform himself from a romantic poet into a realistic novelist. This new translation seeks to retain both the literal sense and the poetic music of the original, and capture the poem's spontaneity and wit. The introduction examines several ways of reading the novel, and text is richly annotated.»

«The Queen of Spades» has long been acknowledged as one of the world's greatest short stories. In this classic literary representation of gambling, Alexander Pushkin explores the nature of obsession. Hints of the occult and gothic alternate with scenes of St Petersburg high-society in the story of the passionate Hermann's quest to master chance and make his fortune at the card-table. Underlying the taut plot is an ironical treatment of the romantic dreamer and social outcast. This volume contains three other major works of Pushkin's fiction, moving from the witty parodies of sentimentalism and high melodrama in «The Tales of Belkin» to an early experiment with recreating the past in Peter the Great's Blackamoor. It concludes with the novel-length masterpiece «The Captain's Daughter», which combines historical fiction in the manner of Sir Walter Scott with the colour and devices of the Russian fairy-tale in a narrative of rebellion and romance. These new translations, as well as being meticulously faithful to the original, do full justice to the elegance and fluency of Pushkin's prose. The Introduction provides insightful readings of the stories and places them in their European literary context. A chronology of the Pugachov Uprising illuminates the events in «The Captain's Daughter».»

«`The victor belongs to the spoils'. Fitzgerald's ironic epigraph to «The Beautiful and Damned» exemplifies his attitude toward the young rootless post-World War One generation who believed life to be meaningless and who pursued wealth despite its corrosive effect. Gloria and Anthony Patch party until money runs out; then their goal becomes Adam Patch's fortune. Gloria's beauty fades and Anthony's drinking takes its horrible toll. Fitzgerald here once again displays a wariness of the upper classes, `an abiding distrust, an animosity, toward the leisure class — not the conviction of a revolutionist but the smouldering hatred of a peasant'.»

''The people are silent'' So ends Pushkin's great historical drama Boris Godunov, in which Boris's reign as Tsar witnesses civil strife and intrigue, brutality and misery. Its legacy is an uncertain future for the new Tsar whose inauguration is met with devastating silence by the people. Pushkin's dramatic work displays a scintillating variety of forms, from the historical to the metaphysical and folkloric. After Boris Godunov, they evolved into Pushkin's own unique, condensed transformations of Western European themes and traditions. The fearful amorality of A Scene from Faust is followed by the four Little Tragedies which confront greed, envy, lust, and blasphemy, while Rusalka is a tragedy of a different kind — a lyric fairytale of despair and transformation. James E. Falen's verse translations of Pushkin's dramas are here accompanied by an Introduction by Caryl Emerson on Russia's Top page most cosmopolitan playwright.

The new Oxford World's Classics edition of Oliver Twist is based on the authoritative Clarendon edition, which uses Dickens's revised text of 1846. It includes his preface of 1841 in which he defended himself against hostile criticism, and includes all 24 original illustrations by George Cruikshank. Stephen Gill's groundbreaking Introduction gives a fascinating new account of the novel. He also provides appendices on Dickens and Cruikshank, on Top page Dickens's Preface and the Newgate Novel Controversy, on Oliver Twist and the New Poor Law and on thieves' slang.

The Three Musketeers (1844) is one of the most famous historical novels ever written. It is also one of the world's greatest historical adventure stories, and its heroes have become symbols for the spirit of youth, daring, and comradeship. The action takes place in the 1620s at the court of Louis XIII, where the musketeers, Athos, Porthos, and Aramis, with their companion, the headstrong d'Artagnan, are engaged in a battle against Richelieu, the King's minister, and the beautiful, unscrupulous spy, Milady. Behind the flashing blades and bravura, in this first adventure of the Musketeers, Dumas explores the eternal conflict between good and evil. This new edition is the most fully annotated to date in English, providing explanatory Top page notes which set the work in its historical, literary, and cultural context.

'But I don't want to go among mad people', Alice remarked. 'Oh, you ca'n't help that', said the Cat. 'We're all mad here'. The 'Alice' books are two of the most translated, most quoted, and best-known books in the world, but what exactly are they? Apparently delightful, innocent fantasies for children, they are also complex textures of mathematical, linguistic, and philosophical jokes. Alice's encounters with the White Rabbit, the Cheshire-Cat, the King and Queen of Hearts, the Mad Hatter, Tweedledum and Tweedledee and many other extraordinary characters have made them masterpieces of carefree nonsense, yet they also appeal to adults on a quite different level. Layers of satire, allusion, and symbolism about Victorian culture and politics, as well as revelations about the intricate subconscious problems of their author, add to their fascination and make them impossible to classify. This new edition explores the phenomenal range of reference, and the paradoxical appeal of two of the most inventive books in world literature. It also includes an episode removed by Carroll from the proofs of Through the Looking-Glass, called 'The Wasp in a Wig'.

Jane Austen began writing in her early teens, and filled three notebooks with her fiction. Her earliest work reflects her interest in the novel as a genre; in brilliant short pieces she plays with plots, stock characters, diction, and style, developing a sense of form at a remarkably early age. The characters of these stories have a jaunty and never-failing devotion to themselves. They perpetually lie, cheat, steal — and occasionally commit murder. Throughout these short or unfinished pieces, Austen exhibits her sense of the preposterous in life and fiction with tough-mindedness and robust humour. Alice, the mock-heroine of Jack and Alice has 'many rare and charming qualities, but Sobriety is not one of them'. In her later published fiction, Austen had learned to take demands for propriety seriously, reining in whatever might be thought boisterous or coarse. Here we see Jane Austen without her inhibitions. In addition to prose fiction and prayers, this collection also contains many of Jane Austen's poems, written to amuse or console friends, and rarely reprinted. The texts have been compared with the manuscripts and edited to give a number of new readings.The notes recreate the texture of daily life in Jane Austen's age, and demonstrate her knowledge of the fiction of her time. The introduction by Margaret Anne Doody sets the writings within the context of Jane Austen's life and literary career.

The text and notes are reproduced from the Oxford English Novels edition. The introduction sheds light on the relationship of the Journal to Pepys's diary, and a medical note relates the latest research on the Plague.

Resurrection, the last of Tolstoy's major novels, tells the story of a nobleman's attempt to redeem himself for the suffering his youthful philandering caused a peasant girl. Tolstoy's vision of redemption achieved through loving forgiveness, and his condemnation of violence dominate the novel. An intimate, psychological tale of guilt, anger, and forgiveness, Resurrection is at the same time a panoramic description of social life in Russia at the end of the nineteenth century, reflecting Tolstoy's outrage at the social injustices of the world in which he lived.

In The Sea-Wolf, London's most gripping novel, Humphrey Van Weyden is rescued from the freezing waters of San Francisco Bay by a demonic sea captain and introduced to fates far worse that death. Through this story London recalls his own adventures on a sealing vessel at the age of seventeen. John Sutherland's notes include a history of pelagic seal hunting and an account of the many cinematic versions of this novel.

'New eyes were opened in her soul. She saw a strange creature from another world, in him. It was as if she were enchanted, and everything were metamorphosed.' In Women in Love (1920), Ursula and Gudrun Brangwen, who first appeared in Lawrence's earlier novel, The Rainbow, take centre stage as Lawrence explores their growth and development in their relationships with two powerful men, Rupert Birkin and his friend Gerald Crich. A novel of regeneration and dark, destructive human passion, Women in Love reflects the impact on Lawrence of the First World War in the potential both for annihilation and salvation of the self. Quintessentially modernist, Women is Love is one of Lawrence's most extraordinary, innovative and unsettling works.

This authoritative and accessible guide to the British monarchy spans the Romano-British rulers of 55 BC to the present day House of Windsor. Generously illustrated with maps, photos, paintings, and genealogies, it contains a wealth of information on the rulers of Britain, including their policies, personalities, key dates, and legacies. There are almost 600 entries, which are organised by regions up to 1066 and by royal lines thereafter. Feature articles throughout the guide provide in-depth information on key royal topics, including Coronations, Regalia, the Tower of London, and — new to this edition — Westminster Abbey and St Paul's Cathedral. Revised and updated to include recent events, such as the second marriage of Prince Charles, this new edition also contains a topical introductory article on the changing role of the monarchy. There is a useful glossary, a list of recommended further reading, and a new appendix of recommended web links, accessed and kept up to date via a companion website. Comprehensive and elegantly written, this fascinating guide to the British monarchy is an essential reference resource for teachers and students of British history, and for anyone with an interest in Britain's rulers through the ages.

Who was the first King of England? What prompted the Cat and Mouse Act? When was Wembley stadium demolished? Where did the Rebecca riots take place? How long did the Hundred Years War last? Containing more than 3,800 authoritative entries written by over 100 specialist contributors, this dictionary describes the people and events that have shaped and defined domestic, political, social, and cultural life in Britain since 55 BC. New entries to this edition include Gordon Brown, David Cameron, Gerry Adams, and Rowan Williams and existing entries on Tony Blair, Iraq, Northern Ireland, and terrorism have been updated. Following the A-Z text is an appendix of recommended web links that provide relevant and useful extra information. Web links are conveniently accessed via the Dictionary of British History companion website, where they are regularly checked and kept up to date. Derived from the highly acclaimed The Oxford Companion to British History, A Dictionary of British History has been a leading historical reference work since its publication in 2001.Now thoroughly revised and fully updated, this handy and invaluable A-Z remains essential for anyone studying or with an interest in British history as well as for those in need of a compact reference book covering 2,000 years of people, events, places, and change.