At Home with Mental Maths contains mental maths activities for your child to do at home — along with gold stars for getting the answers correct. Each activity is carefully levelled for the 7-9 year old, the pages are clear, in two colour, and fun. The activities consolidate mental maths at Key Stage 2, covering time, fractions, measurement, pictorial and verbal problems. They are an easy way to boost children's confidence at school — children can work their own way through the questions, the instructions are simple, and no one can resist giving themselves a gold star!

At Home with Reasoning Skills — Non-Verbal contains topic-based activities for your child to practise their non-verbal reasoning skills at home along with gold stars for getting the answers correct. Each activity is carefully levelled for the 7-9 year old, the pages are clear, in two colour, and fun. The questions are diagrammatic or pictorial and involve simple sequencing or odd-one-out type activities. They are an easy way to boost confidence at school — children can work their own way through the activities, the instructions are simple, and no one can resist giving themselves a gold star!

At Home with Spanish contains progressive activities for your child to do at home to practise their Spanish words and sentences. Each activity is carefully levelled for the 7-9 year old learning and practising Spanish, the pages are clear, in two colour to make each language stand out clearly, and fun. It is an easy way to boost confidence learning a language — children can work their own way through the step-by-step activities, the instructions are simple, and no one can resist giving themselves a gold star!

The Old Testament reveals the lives of many families across the generations and tells the stories of many unforgettable men and women. Their lives are played out in turbulent times against the drama of great floods, plagues, journeys, and battles. From this epic sweep, Berlie Doherty has chosen more than forty stories. Her narrative draws out the emotions of real people: their hopes and fears, grief and joy, fulfilment and suffering, compassion and betrayal. She brings us to an understanding of the promises that these people keep and the mistakes they make. Through all this we discover more about God and what it means to have faith in him. Fully illustrated throughout by Jason Cockcroft with both sumptuous colour and evocative black and white artwork, this new collection of Bible stories is a book to cherish.

Read at Home First Skills are fun early learning books, which use your favourite Oxford Reading Tree characters to introduce important first skills to your child. Your favourite Oxford Reading Tree characters make learning fun and memorable. Read at Home First Skills books are the perfect accompaniment to all your Oxford Reading Tree Read at Home storybooks. As with all Read at Home books, the story ends with fun activities for parent and child to enjoy together. Biff's Opposites: Biff and Chip look through some old photos and find lots of opposites! This story introduces children to the concept of opposites. The questions and activities at the end of the story consolidate their learning and help develop the skill of recognising opposites. Throughout the story opposites are introduced at the top of each page and they are also highlighted in the context of the story text.

Read at Home First Skills are fun early learning books, which use your favourite Oxford Reading Tree characters to introduce important first skills to your child. Your favourite Oxford Reading Tree characters make learning fun and memorable. Read at Home First Skills books are the perfect accompaniment to all your Oxford Reading Tree Read at Home storybooks. As with all Read at Home books, the story ends with fun activities for parent and child to enjoy together. Floppy's Colours: The children paint a colourful picture for Gran. This story introduces children to a range of colours. Throughout the story a colour is introduced on the left-hand page, the child is asked to help Floppy find things of that colour in a wonderfully detailed illustration to help their recognition. The same colour then appears in the context of the story on the right-hand page. The questions and activities at the end of the story consolidate their learning and introduce the concept of mixing colours.

Read at Home First Skills are fun early learning books, which use your favourite Oxford Reading Tree characters to introduce important first skills to your child. Your favourite Oxford Reading Tree characters make learning fun and memorable. Read at Home First Skills books are the perfect accompaniment to all your Oxford Reading Tree Read at Home storybooks. As with all Read at Home books, the story ends with fun activities for parent and child to enjoy together. Kipper's Weather Week: Kipper is building a den in the garden, but can it survive the weather? This story introduces children to a range of weather types, descriptive weather words and to the four seasons. The questions and activities at the end of the story consolidate their learning and help develop the skill of recognising different types of weather and their properties. Throughout the story the weather is recorded on Kipper's Weather Chart on the left-hand page and then the weather is explored in the context of the story text on the right-hand page.

Winnie's sisters have given her a flying carpet but Winnie is struggling to find something nice to say about it in her thank-you letter as the carpet has been more than a little wayward. Winnie decides to give the carpet one last chance but then disaster strikes. The carpet swoops off with poor Wilbur as its unwilling passenger. Winnie tries to catch it but the carpet is too fast for her and it heads straight for a funfair where it subjects Wilbur to a string of crazy rides. Winnie has to resort to magic to stop the carpet in its tracks and rescue her beloved moggy. Then she takes Wilbur home and, ever the resourceful witch, she has an idea for a wonderful way to enjoy the carpet in the safety of her own garden.

Most of what we know about Leonardo da Vinci, we know because of his notebooks. Some 6,000 sheets of notes and drawings survive, perhaps one-fifth of what he actually produced. With an artist's eye and a scientist's curiosity, he recorded in these pages his observations on the movement of water and the formation of rocks, the nature of flight and optics, anatomy, architecture, sculpture, and painting. He jotted down fables, epigrams, and letters and developed his belief in the sublime unity of nature and man. Through his notebooks we can get an insight into Leonardo's thoughts, and his approach to work and life. This selection, organized in seven themed sections, offers a fascinating and informative sample of his writings. Fully updated, this new edition includes some 70 line drawings and a Preface by Martin Kemp, one of the world's leading authorities on Leonardo, who explores the artist's genius and the contents and legacy of his manuscripts. The book also features new notes and a chronology of Leonardo's life. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

Condemned by Victorian critics as immoral, but regarded today as a novel of outstanding social insight, No Name shows William Wilkie Collins at the height of his literary powers. It is the story of two sisters, Magdalen and Norah, who discover after the deaths of their dearly beloved parents that their parents were not married at the time of their births. Disinherited and ousted from their estate, they must fend for themselves and either resign themselves to their fate or determine to recover their wealth by whatever means.

Probably the first full-length novel with a woman detective as its heroine, The Law and the Lady (1875) is a fascinating example of Collins' later fiction. Valeria Valerie Woodville's first act as a married woman is to sign her name incorrectly in the marriage register; this slip is followed by a gradual disclosure of secrets about her husband's earlier life, each of which leads to another set of questions and enigmas. Developing many of the techniques at work in The Moonstone in bizarre and unexpected ways, and employing both Gothic and fantastic elements, The Law and the Lady adds a significant dimension to the history of the detective novel.

One hundred years ago Sigmund Freud published The Interpretations of Dreams, a book that, like Darwin's The Origin of Species, revolutionized our understanding of human nature. Now this groundbreaking new translation--the first to be based on the original text published in November 1899--brings us a more readable, more accurate, and more coherent picture of Freud's masterpiece. The first edition of The Interpretation of Dreams is much shorter than its subsequent editions; each time the text was reissued, from 1909 onwards, Freud added to it. The most significant, and in many ways the most unfortunate addition, is a 50-page section devoted to the kind of mechanical reading of dream symbolism--long objects equal male genitalia, etc.--that has gained popular currency and partially obscured Freud's more profound insights into dreams. In the original version presented here, Freud's emphasis falls more clearly on the use of words in dreams and on the difficulty of deciphering them. Without the strata of later additions, readers will find here a clearer development of Freud's central ideas--of dream as wish-fulfillment, of the dream's manifest and latent content, of the retelling of dreams as a continuation of the dreamwork, and much more. Joyce Crick's translation is lighter and faster-moving than previous versions, enhancing the sense of dialogue with the reader, one of Freud's stylistic strengths, and allowing us to follow Freud's theory as it evolved through difficult cases, apparently intractable counter-examples, and fascinating analyses of Freud's own dreams. The restoration of Freud's classic is a major event, giving us in a sense a new work by one of this century' most startling, original, and influential thinkers.

Twelfth Night is one of the most popular of Shakespeare's plays in the modern theatre, and this edition places particular emphasis on its theatrical qualities throughout. Peopled with lovers misled either by disguises or their own natures, it combines lyrical melancholy with broad comedy. The introduction analyses its many views of love and the juxtaposition of joy and melancholy, while the detailed commentary pays particular attention to its linguistic subtleties. Music is particularly important in Twelfth Night, and this is the only modern edition to offer material for all the music required in a performance. James Walker has re-edited the existing music from the original sources, and where noe exists has composed settings compatible with the surviving originals.

An exceptionally strong skills training programme which covers language skills, phonics, and civic education skills.

During Shakespeare's lifetime, Henry IV was his most popular play. Today, Sir John Falstaff still towers above Shakespeare's other comic inventions. This edition considers the play in the context of various critical approaches, offers a history of the play in performance from Shakespeare's time to ours, and provides useful information on its historical background. Readers will also find detailed commentary on individual words and phrases, and selections from Shakespeare's sources.

A play of darkness originally conceived for daylight performance at the Globe, Macbeth is a tour de force of theatrical illusion from the supernatural to mere delusion. In this fully annotated edition, Brooke investigates the great appeal of the play's use of illusion, relating its changing theatrical fortunes to changes within society and in theatrical conditions. Offering a fresh reconsideration of textual problems, the book makes a major contribution to our understanding of the play within aesthetic history.

This authoritative edition was first published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Yeats's poetry and prose — all the major poems, complemented by plays, critical writings, and letters — to give the essence of his work and thinking. W. B. Yeats was born in 1865, only 38 years after the death of William Blake, and died in 1939, the contemporary of Ezra Pound and James Joyce. His career crossed two centuries, and this volume represents the full range of his achievement, from the Romantic early poems of Crossways and the symbolist masterpiece The Wind Among the Reeds to his last poems. Myth and folk-tale influence both his poems and his plays, represented here by Cathleen ni Houlihan and Deirdre among others. The importance of the spirit world to his life and work is evident in his critical essays and occult writings, and the anthology also contains political speeches, autobiographical writings, and a selection of his letters. This one-volume collection of poems and prose offers a unique perspective on the connectedness of Yeats's literary output, showing how his aesthetic, spiritual, and political development was reflected in everything he wrote.

Kipper and his friend Anna go to their first dance class. Read At Home is the best-selling home reading series designed for young, beginner readers. It features all the popular Oxford Reading Tree characters in exciting stories written for parents to support their child's reading at home. Read At Home First Experiences introduce young children to new situations and are ideal for parent and child to read together. Read At Home First Experiences help parents to: Explore the wider world with their child; Talk about shared feelings and emotions; Build vocabulary through the fun activities RAH Level: Although these books have been created for parents to share with their child, they have been written to Level 4 of Read At Home. Level 4 is for children Building Confidence in Reading — those children who can recognise 30-50 words by sight, can read harder sentences, with less support, and can use sounds to help make words. The story is written with simple but more varied sentence structure and vocabulary with three to four sentences per page.

Read At Home is the best-selling home reading series designed for young, beginner readers. It features all the popular Oxford Reading Tree characters in exciting stories written for parents to support their child's reading at home. Read At Home First Experiences introduce young children to new situations and are ideal for parent and child to read together. Read At Home First Experiences help parents to: Explore the wider world with their child; Talk about shared feelings and emotions; Build vocabulary through the fun activities RAH Level: Although these books have been created for parents to share with their child, they have been written to Level 4 of Read At Home. Level 4 is for children Building Confidence in Reading — those children who can recognise 30-50 words by sight, can read harder sentences, with less support, and can use sounds to help make words. The story is written with simple but more varied sentence structure and vocabulary with three to four sentences per page.

Read At Home is the best-selling home reading series designed for young, beginner readers. It features all the popular Oxford Reading Tree characters in exciting stories written for parents to support their child's reading at home. Read At Home First Experiences introduce young children to new situations and are ideal for parent and child to read together. Read At Home First Experiences help parents to: Explore the wider world with their child; Talk about shared feelings and emotions; Build vocabulary through the fun activities RAH Level: Although these books have been created for parents to share with their child, they have been written to Level 4 of Read At Home. Level 4 is for children Building Confidence in Reading — those children who can recognise 30-50 words by sight, can read harder sentences, with less support, and can use sounds to help make words. The story is written with simple but more varied sentence structure and vocabulary with three to four sentences per page.