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The course for older teenagers that equips students thoroughly for school-leaving exams through grammar and vocabulary consolidation and fully-supported independent study.

In a landmark essay, Virginia Woolf rescued George Eliot from almost four decades of indifference and scorn when she wrote of the 'searching power and reflective richness' of Eliot's fiction. Novels such as Middlemarch and The Mill on the Floss reflect Eliot's complex and sometimes contradictory ideas about society, the artist, the role of women, and the interplay of science and religion. In this book Tim Dolin examines Eliot's life and work and the social and intellectual contexts in which they developed. He also explores the variety of ways in which 'George Eliot' has been recontextualized for modern readers, tourists, cinema-goers, and television viewers. The book includes a chronology of Eliot's life and times, suggestions for further reading, websites, illustrations, and a comprehensive index.

Keats's letters have long been regarded as an extraordinary record of poetic development. According to T. S. Eliot, Keats's letters are the most notable and most important ever written by any English poet. They represent one of the most sustained reflections on the poet's art we have from any of the major English poets. Yet quite apart from the light they throw on the poetry, they are great works of literature in their own right. Written with gusto and occasionally painful candor, they show a powerful intelligence struggling to come to terms with its own mortality. Sometimes bitterly jealous in love and socially and financially insecure, at others playful and confident of his own greatness, Keats interweaves his personal plight with the history of a Britain emerging from the long years of the Napoleonic Wars into a world of political unrest, profound social change, and commercial expansion.

Once upon a time in mid-winter, when the snowflakes were falling from the sky like down, a queen was sitting and sewing at a window... The tales gathered by the Grimm brothers are at once familiar, fantastic, homely, and frightening. They seem to belong to no time, or to some distant feudal age of fairytale imagining. Grand palaces, humble cottages, and the forest full of menace are their settings; and they are peopled by kings and princesses, witches and robbers, millers and golden birds, stepmothers and talking frogs. Regarded from their inception both as uncosy nursery stories and as raw material for the folklorist the tales were in fact compositions, collected from literate tellers and shaped into a distinctive kind of literature. This new translation mirrors the apparent artlessness of the Grimms, and fully represents the range of less well-known fables, morality tales, and comic stories as well as the classic tales. It takes the stories back to their roots in German Romanticism and includes variant stories and tales that were deemed unsuitable for children. In her fascinating introduction, Joyce Crick explores their origins, and their literary evolution at the hands of the Grimms.

She had believed that my wild poet's passion for her would make me her slave; and that, being her slave, I should execute her will in all things. The Lifted Veil was first published in Blackwood's Magazine in 1859. A dark fantasy woven from contemporary scientific interest in the physiology of the brain, mesmerism, phrenology and experiments in revification it is Eliot's anatomy of her own moral philsophy — the ideal of imaginative sympathy or the ability to see into others' minds and emotions. Narrated by an egoccentric, morbid young clairvoyant man whose fascination for Bertha Grant lies partly in her obliquity, the story also explores fiction's ability to offer insight into the self, as well as being a remarkable portrait of a misdeveloped artist whose visionary powers merely blight his life. The Lifted Veil is now one of the most widely read and critically discussed of Eliot's works. Published as a companion piece to The Lifted Veil, Brother Jacob is by contrast Eliot's literary homage to Thackeray, a satirical modern fable that draws telling parallels between eating and reading.Yet both stories reveal Eliot's deep engagement with the question of whether there are 'necessary truths' independent of our perception of them and the boundaries of art and the self. Helen Small's introduction casts new light on works which fully deserve to be read alongside Eliot's novels.

Poetry will no longer keep in time with action; it will be ahead of it. Arthur Rimbaud The active and colourful lives of the poets of nineteenth-century France are reflected in the diversity and vibrancy of their works. At once sacred and profane, passionate and satirical, these remarkable and innovative poems explore the complexities of human emotion and ponder the great questions of religion and art. They form as rich a body of work as any one age and language has ever produced. This unique anthology includes generous selections from the six nineteenth-century French poets most often read in the English-speaking world today: Lamartine, Hugo, Baudelaire, Verlaine, Rimbaud, and Mallarme. Modern translations are printed opposite the original French verse, and the edition contains over a thousand lines of poetry never previously translated into English.

Victory, don't forget, has come out of my innermost self. Victory was the last of Conrad's novels to be set in the Malay Archipelago. Sub-titled An Island Tale, it tells the story of Axel Heyst who, damaged by his dead father's nihilistic philosophy, has retreated from the world of commerce and colonial exploration to live alone on the island of Samburan. But Heyst's solitary existence ends when he rescues an English girl from her rapacious patron and takes her off to his retreat. She in turn recalls him to love and life, until the world breaks in on them once more with tragic consequences. In this love story Conrad created two of his psychologically most complex and compelling characters in a narrative of great erotic power. This new edition uses the English first edition text and has a new chronology and bibliography.

William Hazlitt (1778-1830) developed a variety of identities as a writer: essayist, philosopher, critic of literature, drama and art, biographer, political commentator, and polemicist. Praised for his eloquence, he was also reviled by conservatives for his radical politics. This edition, thematically organized for ease of access, contains some of his best-known essays, such as The Indian Jugglers and The Fight, as well as more obscure pieces on politics, philosophy, and culture.

The plans of Edgar, Master of Ravenswood to regain his ancient family estate from the corrupt Lord Keeper of the Great Seal of Scotland are frustrated by the complexities of the legal and political situations following the 1707 Act of Union, and by his passion for his enemy's beautiful daughter Lucy. First published in 1819, this intricate and searching romantic tragedy offers challenging insights into emotional and sexual politics, and demonstrates the shrewd way in which Scott presented his work as historical document, entertainment, and work of art.

This is a unique collection of seven of Schnitzler`s best known plays in a new English translation. They explore love, sexuality, and death in various guises, against the backdrop of turn-of-the-century Viennese decadence. The introduction explores the plays in relation to Schnitzler`s life, to the culture of late twentieth-century Vienna, and to Modernism in general.

One of the earliest American novels, Wieland (1798) is a thrilling tale of suspense and intrigue set in rural Pennyslvania in the 1760s. Based on an actual case of a New York farmer who murdered his family, the novel employs Gothic devices and sensational elements such as spontaneous combustion, ventriloquism, and religious fanaticism. The plot turns on the charming but diabolical intruder Carwin, who exercises his power over the narrator, Clara Wieland, and her family, destroying the order and authority of the small community in which they live. Underlying the mystery and horror, however, is a profound examination of the human mind's capacity for rational judgement. The text also explores some of the most important issues vital to the survival of democracy in the new American republic. Brown further considers power and manipulation in his unfinished sequel, Memoirs of Carwin the Biloquist, which traces Carwin's career as a disciple of the utopist Ludloe.

This authoritative edition was originally published in the acclaimed Oxford Authors series under the general editorship of Frank Kermode. It brings together a unique combination of Coleridge's poetry and prose — all the major poems, complemented by important criticism, letters, and marginalia — to give the essence of his work and thinking. Samuel Taylor Coleridge, poet, critic, and radical thinker, exerted an enormous influence over contemporaries as different as Wordsworth, Southey and Lamb. He was also a dedicated reformer, and set out to use his reputation as a public speaker and literary philosopher to change the course of English thought. This collection represents the best of Coleridge's poetry from every period of his life, particularly his prolific early years, which produced The Rime of the Ancient Mariner, Christabel, and Kubla Khan. The central section of the book is devoted to his most significant critical work, Biographia Literaria, and reproduces it in full. It provides a vital background for both the poetry section which precedes it and for the shorter prose works which follow.There is also a generous sample of his letters, notebooks, and marginalia, some recently discovered, which show a different, more spontaneous side to his fascinating and complex personality.

But I must stop now. I can no longer speak for tears — and my client has ordered that tears are not to be used in his defence. Cicero (106-43 BC) was the greatest orator of the ancient world: he dominated the Roman courts, usually appearing for the defence. His speeches are masterpieces of persuasion: compellingly written, emotionally powerful, and somtimes hilariously funny. This book presents five of his most famous defences: of Roscius, falsely accused of murdering his father; of the consul-elect Murena, accused of electoral bribery; of the poet Archias, on a citizenshiup charge; of Caelius, ex-lover of Clodia Metelli, on charges of violence; and of Milo, for mudering Cicero's hated enemy Clodius. Cicero's clients were rarely whiter-than-white; but so seductive is his oratory that the reader cannot help taking his side. In these speeches we are plunged into some of the most exciting courtroom dramas of all time. These new translations preserve Cicero's literary artistry and emotional force, and achieve new standards of accuracy. Each speech has its own introduction, and a general introduction discusses Cicero's public career and the criminal courts. The substantial explanatory notes guide the reader through the speeches, and offer new scholarship presented in a clear way.