«Eminent biblical scholar Michael D. Coogan offers here a wide-ranging and stimulating exploration of the Old Testament, illuminating its importance as history, literature, and sacred text. Coogan explains the differences between the Bible of Jewish tradition (the «Hebrew Bible») and the Old Testament of Christianity, and also examines the different contents of the Bibles used by Roman Catholics, Eastern Orthodox Christians, and Protestants. He looks at the rise of modern biblical scholarship as well as the recovery of ancient Near Eastern literatures and their significance for biblical interpretation. One particularly interesting section examines three principal characters of the Old Testament-Abraham, Deborah, and David-illuminating important themes connected with them, such as Abraham and covenant and David as poet and warrior. Coogan explores the use of invented dialogue and historical fiction in the Old Testament, the presence of mythic elements in apparently historical accounts, and the relationship of ancient Israelite myths to those of their neighbors. The book considers the Old Testament's idea of divine justice, especially in Ecclesiastes and Job, and looks at notions of the afterlife in the ancient Near East and in ancient Israel. Coogan highlights the significance of the history and literature of the Old Testament and describes how non-biblical evidence, such as archaeological data and texts, has placed the Old Testament in a larger and more illuminating context. The book also discusses law and ritual in the Bible as well as the biblical understandings of prophecy. Here then is a marvelous overview of one of the great pillars of Western religion and culture, a book whose significance has endured for thousands of years and which remains vitally important today for Jews, Christians, and Muslims worldwide. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.»

Mormonism is frequently described as the most successful indigenous American religion. Mormon beliefs arouse curiosity because they depart from normal Christian doctrine, leading to the question: Are Mormons Christian? This introduction will include the history of the contemporary Mormonism, and an analysis and emphasis of Mormon beliefs, beginning with Joseph Smith, the founding prophet. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

«Documentary film can encompass anything from Robert Flaherty's pioneering ethnography Nanook of the North to Michael Moore's anti-Iraq War polemic Fahrenheit 9/11, from Dziga Vertov's artful Soviet propaganda piece Man with a Movie Camera to Luc Jacquet's heart-tugging wildlife epic March of the Penguins. In this concise, crisply written guide, Patricia Aufderheide takes readers along the diverse paths of documentary history and charts the lively, often fierce debates among filmmakers and scholars about the best ways to represent reality and to tell the truths worth telling. Beginning with an overview of the central issues of documentary filmmaking-its definitions and purposes, its forms and founders-Aufderheide focuses on several of its key subgenres, including public affairs films, government propaganda (particularly the works produced during World War II), historical documentaries, and nature films. Her thematic approach allows readers to enter the subject matter through the kinds of films that first attracted them to documentaries, and it permits her to make connections between eras, as well as revealing the ongoing nature of documentary's core controversies involving objectivity, advocacy, and bias. Interwoven throughout are discussions of the ethical and practical considerations that arise with every aspect of documentary production. A particularly useful feature of the book is an appended list of «100 great documentaries» that anyone with a serious interest in the genre should see. Drawing on the author's four decades of experience as a film scholar and critic, this book is the perfect introduction not just for teachers and students but also for all thoughtful filmgoers and for those who aspire to make documentaries themselves. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.»

Modern Geography has come a long way from its historical roots in exploring foreign lands, and simply mapping and naming the regions of the world. Spanning both physical and human Geography, the discipline today is unique as a subject which can bridge the divide between the sciences and the humanities, and between the environment and our society. Using wide-ranging examples from global warming and oil, to urbanization and ethnicity, this Very Short Introduction paints a broad picture of the current state of Geography, its subject matter, concepts and methods, and its strengths and controversies. The book's conclusion is no less than a manifesto for Geography's future. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

The New Deal shaped our nation's politics for decades, and was seen by many as tantamount to the American Way itself. Now, in this superb compact history, Eric Rauchway offers an informed account of the New Deal and the Great Depression, illuminating its successes and failures. Rauchway first describes how the roots of the Great Depression lay in America's post-war economic policies — described as laissez-faire with a vengeance — which in effect isolated our nation from the world economy just when the world needed the United States most. He shows how the magnitude of the resulting economic upheaval, and the ineffectiveness of the old ways of dealing with financial hardships, set the stage for Roosevelt's vigorous (and sometimes unconstitutional) Depression-fighting policies. Indeed, Rauchway stresses that the New Deal only makes sense as a response to this global economic disaster. The book examines a key sampling of New Deal programs, ranging from the National Recovery Agency and the Securities and Exchange Commission, to the Public Works Administration and Social Security, revealing why some worked and others did not. In the end, Rauchway concludes, it was the coming of World War II that finally generated the political will to spend the massive amounts of public money needed to put Americans back to work. And only the Cold War saw the full implementation of New Deal policies abroad — including the United Nations, the World Bank, and the International Monetary Fund. Today we can look back at the New Deal and, for the first time, see its full complexity. Rauchway captures this whole in a remarkably short space, making this book an ideal introduction to one of the great policy revolutions in history.

Philosophers have an infuriating habit of analysing questions rather than answering them, writes Terry Eagleton, who, in these pages, asks the most important question any of us ever ask, and attempts to answer it. So what is the meaning of life? In this witty, spirited, and stimulating inquiry, Eagleton shows how centuries of thinkers — from Shakespeare and Schopenhauer to Marx, Sartre and Beckett — have tackled the question. Refusing to settle for the bland and boring, Eagleton reveals with a mixture of humour and intellectual rigour how the question has become particularly problematic in modern times. Instead of addressing it head-on, we take refuge from the feelings of meaninglessness in our lives by filling them with a multitude of different things: from football and sex, to New Age religions and fundamentalism. Many of the readers of this book are likely to be as sceptical of the phrase the meaning of life as they are of Santa Claus, he writes. But Eagleton contends that in a world where we need to find common meanings, it is important that we set about answering the question of all questions; and, in conclusion, he suggests his own answer.

It was the time when the rush for spoils filled a corner of the forest with the yelping of hounds, the cracking of whips, the flaring of torches. The appetites let loose were satisfied at last, shamelessly, amid the sound of crumbling neighbourhoods and fortunes made in six months. The city had become an orgy of gold and women. The Kill (La Curee) is the second volume in Zola's great cycle of twenty novels, Les Rougon-Macquart, and the first to establish Paris — the capital of modernity — as the centre of Zola's narrative world. Conceived as a representation of the uncontrollable appetites unleashed by the Second Empire (1852-70) and the transformation of the city by Baron Haussmann, the novel combines into a single, powerful vision the twin themes of lust for money and lust for pleasure. The all-pervading promiscuity of the new Paris is reflected in the dissolute and frenetic lives of an unscrupulous property speculator, Saccard, his neurotic wife Renee, and her dandified lover, Saccard's son Maxime.

Arms and the man I sing of Troy... So begins one of the greatest works of literature in any language. Written by the Roman poet Virgil more than two thousand years ago, the story of Aeneas' seven-year journey from the ruins of Troy to Italy, where he becomes the founding ancestor of Rome, is a narrative on an epic scale: Aeneas and his companions contend not only with human enemies but with the whim of the gods. His destiny preordained by Jupiter, Aeneas is nevertheless assailed by dangers invoked by the goddess Juno, and by the torments of love, loyalty, and despair. Virgil's supreme achievement is not only to reveal Rome's imperial future for his patron Augustus, but to invest it with both passion and suffering for all those caught up in the fates of others. Frederick Ahl's new translation echoes the Virgilian hexameter in a thrillingly accurate and engaging style. An Introduction by Elaine Fantham, and Ahl's comprehensive notes and invaluable indexed glossary complement the translation.

So you're the little woman who wrote the book that started this great war! These words, said to have been uttered by Abraham Lincoln, signal the celebrity of Uncle Tom's Cabin. The first American novel to become an international best-seller, Stowe's novel charts the progress from slavery to freedom of fugitives who escape the chains of American chattel slavery, and of a martyr who transcends all earthly ties. At the middle of the nineteenth-century, the names of its characters — Little Eva, Topsy, Uncle Tom — were renowned. A hundred years later, 'Uncle Tom' still had meaning, but, to Blacks everywhere it had become a curse. This edition firmly locates Uncle Tom's Cabin within the context of African-American writing, the issues of race and the role of women. Its appendices include the most important contemporary African-American literary responses to the glorification of Uncle Tom's Christian resignation as well as excerpts from popular slave narratives, quoted by Stowe in her justification of the dramatization of slavery, Key to Uncles Tom's Cabin.

In my own marriage I paid such a terrible price for sex-ignorance that I feel that knowledge gained at such a cost should be placed at the service of humanity. The book that was to become Married Love grew from Marie Stopes's conviction that the state of modern middle-class marriage was, like her own, desperate, and that the cause of this desperation was sexual unhappiness. She knew her book would probably electrify this country and it remains one of the best known sex manuals ever written. It combines a lyrical evocation of marital love with a no-nonsense and detailed account of sexual intercourse and sexual pleasure that was a sensation when it was published in 1918. Stopes advocated equality in marriage and the importance of women's sexuality and sexual desire, as well as openly supporting birth control. In this edition of Stopes's ground-breaking work, Ross McKibbin's introduction reveals fascinating insights into Stopes and prevailing attitudes to class, religion, science, and above all, sex.

Written in India in the early eighth century AD, Santideva's Bodhicaryavatara became one of the most popular accounts of the Buddhist's spiritual path. The Bodhicaryavatara takes as its subject the profound desire to become a Buddha and save all beings from suffering. The person who enacts such a desire is a Bodhisattva. Santideva not only sets out what the Bodhisattva must do and become, he also invokes the intense feelings of aspiration which underlie such a commitment, using language which has inspired Buddhists in their religious life from his time to the present. Important as a manual of training among Mahayana Buddhists, especially in the Tibetan Buddhist tradition, the Bodhicaryavatara continues to be used as the basis for teaching by modern Buddhist teachers. This is a new translation from the original language, with detailed annotations explaining allusions and technical references. The Introduction sets Santideva's work in context, and for the first time explain its structure.

Indiana (1831) is an absorbing and vivid romantic novel, set partly in provincial France, partly in Paris, and partly on a tropical island. It tells the story of a beautiful and innocent young woman, married at sixteen to a much older man. She falls passionately in love with a handsome, frivolous neighbour but discovers too late that his idea of love is quite different from her own. It is only after a series of painful experiences that she comes to appreciate the silent devotion of her loyal and protective cousin.

No one can write a man's life except himself. In his Confessions Jean-Jacques Rousseau tells the story of his life, from the formative experience of his humble childhood in Geneva, through the achievement of international fame as novelist and philosopher in Paris, to his wanderings as an exile, persecuted by governments and alienated from the world of modern civilization. In trying to explain who he was and how he came to be the object of others' admiration and abuse, Rousseau analyses with unique insight the relationship between an elusive but essential inner self and the variety of social identities he was led to adopt. The book vividly illustrates the mixture of moods and motives that underlie the writing of autobiography: defiance and vulnerability, self-exploration and denial, passion, puzzlement, and detachment. Above all, Confessions is Rousseau's search, through every resource of language, to convey what he despairs of putting into words: the personal quality of one's own existence.

These new translations present Plato's remarkable dramatization of the momentous events surrounding the trial of Socrates in 399 BC, on charges of irreligion and corrupting the young. The Euthyphro, Defence of Socrates, and Crito form a dramatic and thematic sequence, raising fundamental questions about the basis of moral, religious, legal, and political obligation. Plato explores these issues with a freshness and directness that have never been surpassed. In the Defence of Socrates, Plato seeks not only to clear his master's name, but also to defend the whole Socratic way of life, and therefore philosophy itself. The result is an oratorical masterpiece. The Euthyphro, an inquiry into the nature of piety, probes the relationship between religion and morality. The Crito discusses the citizen's obligation to the state, in the context of a life-or-death issue confronting Socrates himself — whether or not to escape from prison. David Gallop's Introduction provides a stimulating philosophical and historical analysis of these texts, complemented by useful explanatory notes and an index of names, to make this edition invaluable to readers new to these timeless classics.

He loved all mankind; for fortune prevented him from knowing there were rascals. Oliver Goldsmith's hugely successful novel of 1766 remained for generations one of the most highly regarded and beloved works of eighteenth-century fiction. It depicts the fall and rise of the Primrose family, presided over by the benevolent vicar, the narrator of a fairy-tale plot of impersonation and deception, the abduction of a beautiful heroine and the machinations of an aristocratic villain. By turns comic and sentimental, the novel's popularity owes much to its recognizable depiction of domestic life and loving family relationships. Regarded by some as a straightforward and well-intentioned novel of sentiment, and by others as a satire on the very literary conventions and morality it seems to embody, The Vicar of Wakefield contains, in the figure of the vicar himself, one of the most harmlessly simply and unsophisticated yet also ironically complex narrators ever to appear in English fiction.

My empire is of the imagination. These are the words of Ayesha, the mysterious white queen of a Central African tribe, whose dread title, She-who-must-be-obeyed, testifies to her undying beauty and magical powers; but they serve equally well to describe the hold of her author, Henry Rider Haggard, on generations of readers. Writing at white heat, and in the flush of success after the publication of King Solomon's Mines, Haggard drew again on his knowledge of Africa and of ancient legends, but also on something deeper and more disturbing. To the Englishmen who journey through shipwreck, fever, and cannibals to her hidden realm, She is the goal of a quest bequeathed to them two thousand years before; to Haggard's readers, She is the embodiment of one of the most potent and ambivalent figures of Western mythology, a female who is both monstrous and desirable — and, without question, deadlier than the male.

The story goes that a sow who had delivered a whole litter of piglets loudly accosted a lioness. How many children do you breed? asked the sow. I breed only one, said the lioness, but it is very well bred! The fables of Aesop have become one of the most enduring traditions of European culture, ever since they were first written down nearly two millennia ago. Aesop was reputedly a tongue-tied slave who miraculously received the power of speech; from his legendary storytelling came the collections of prose and verse fables scattered throughout Greek and Roman literature. First published in English by Caxton in 1484, the fables and their morals continue to charm modern readers: who does not know the story of the tortoise and the hare, or the boy who cried wolf? This new translation is the first to represent all the main fable collections in ancient Latin and Greek, arranged according to the fables' contents and themes. It includes 600 fables, many of which come from sources never before translated into English.

Fashion lovers and young historians can discover the amazing stories behind the clothes we wear as we examine the amazing peculiarities of international fashions past and present. Readers will learn about the often ridiculous clothes our ancestors wore such as tighter than tight herringbone corsets or posing tricorne hats, as well as a nod to equally ridiculous fashion influences and personalities of the present day.

It starts with the phone call, late at night. The mysterious boy says he is dying. Dusty doesn't want to get involved — but the boy seems to have a link to the one person who's most important to her. Soon she has been drawn in — and now she has to deal with the other people who are looking for the boy — the violent man and his two sons, and the police too... Yet throughout all this, Dusty senses the presence of a boy who is not dying, a strange elusive boy who can show her what happened to her missing brother and solve the greatest mystery of her life. Where he is, who he is, why he wants to die, she cannot say. Only one thing is certain. Finding him will be dangerous.

Archfiends Basilisk and the Worm have dreamt up a plan so cunning it will strike fear into the heart of the bravest superhero. Combining their dastardly skills, they will infect HERO.COM with a virus potent enough to cripple it and ultimately to destroy Hero HQ. Toby, Lorna, Pete and Emily are tasked to stop them. Hard enough at the best of times, but particularly tricky once Hero.com is on the blink and their superhero powers keep fluctuating. And when Pete is kidnapped and cryogenically frozen by the vile villains, things start going from bad to worse... Another superpowered adventure from a master of pen and plot!