Into the narrow social world of New York in the 1870s comes Countess Ellen Olenska, surrounded by shocked whispers about her failed marriage to a rich Polish Count. A woman who leaves her husband can never be accepted in polite society. Newland Archer is engaged to young May Welland, but the beautiful and mysterious Countess needs his help. He becomes her friend and defender, but friendship with an unhappy, lonely woman is a dangerous path for a young man to follow — especially a young man who is soon to be married.

'Please, Mr Murdstone! Don't beat me! I've tried to learn my lessons, really I have, sir!' sobs David. Although he is only eight years old, Mr Murdstone does beat him, and David is so frightened that he bites his cruel stepfather's hand. For that, he is kept locked in his room for five days and nights, and nobody is allowed to speak to him. As David grows up, he learns that life is full of trouble and misery and cruelty. But he also finds laughter and kindness, trust and friendship ...and love.

Oh, how delightful it is to fall in love for the first time! How exciting to go to your first dance when you are a girl of eighteen! But life can also be hard and cruel, if you are young and inexperienced and travelling alone across Europe ...or if you are a child from the wrong social class ...or a singer without work and the rent to be paid. Set in Europe and New Zealand, these nine stories by Katherine Mansfield dig deep beneath the appearances of life to show us the causes of human happiness and despair.

'I turned on the light, but there was nobody there. Then I saw something in the corner that made my blood turn cold. Scudder was lying on his back. There was a long knife through his heart, pinning him to the floor.' Soon Richard Hannay is running for his life across the hills of Scotland. The police are chasing him for a murder he did not do, and another, more dangerous enemy is chasing him as well — the mysterious 'Black Stone'. Who are these people? And why do they want Hannay dead?

'I like work. I find it interesting — I can sit and look at it for hours.' With ideas like this, perhaps it is not a good idea to spend a holiday taking a boat trip up the River Thames. But this is what the three friends — and Montmorency the dog — decide to do.

When Christmas comes for the four March girls, there is no money for expensive presents and they give away their Christmas breakfast to a poor family. But there are no happier girls in America than Meg, Jo, Beth, and Amy. They miss their father, of course, who is away at the Civil War, but they try hard to be good so that he will be proud of his 'little women' when he comes home. This heart-warming story of family life has been popular for more than a hundred years.

In a hole under the floorboards Silas Marner the linen-weaver keeps his gold. Every day he works hard at his weaving, and every night he takes the gold out and holds the bright coins lovingly, feeling them and counting them again and again. The villagers are afraid of him and he has no family, no friends. Only the gold is his friend, his delight, his reason for living. But what if a thief should come in the night and take his gold away? What will Silas do then? What could possibly comfort him for the loss of his only friend?

The Oxford Bookworms Library offers high-quality storytelling and a great reading experience, with a world wide range of classic and modern fiction, non-fiction and plays. Bookworms include original and adapted texts in seven carefully graded language stages (Starter to Stage 6), which take learners from beginner to advanced level.

The Oxford Bookworms Library offers high-quality storytelling and a great reading experience, with a world wide range of classic and modern fiction, non-fiction and plays. Bookworms include original and adapted texts in seven carefully graded language stages (Starter to Stage 6), which take learners from beginner to advanced level.

'Soon I felt something alive moving along my leg and up my body to my face, and when I looked down, I saw a very small human being, only fifteen centimetres tall ...I was so surprised that I gave a great shout.' But that is only the first of many surprises which Gulliver has on his travels. He visits a land of giants and a flying island, meets ghosts from the past and horses which talk.

Canadians have enjoyed a long history of encounters with Shakespeare, from the visual arts to creative new adaptations, from traditional and nontraditional interpretations to distinguished critical scholarship. We have in over two centuries remade Shakespeare in ways that are distinctly Canadian. The Oxford Shakespeare Made in Canada series offers a unique vantage on these histories of production and encounter with attention to accessibility and presentation. These editions explore how a given country can inform the interpretation and pedagogy associated with individual plays. Canadians, or more properly British North Americans from both Upper and Lower Canada, have been interacting with Shakespeare since no less than the 1760s in a tradition that is at once rich and robust, indigenous and international. The Canadian Adaptations of Shakespeare project at the University of Guelph has created a multimedia database of hundreds of adaptations, developed from Guelph's world-class theatre archives and a host of independent sources that reflect on a long tradition — from pre-Confederation times and heading vibrantly into the future — of playing Shakespeare in Canada.These are the first editions of the plays of William Shakespeare to place key insights from the world's best scholarship alongside the specific contexts associated with a dynamic Canadian tradition of productions and adaptations. Specially research images, never printed before, from a range of Canadian productions of Shakespeare will be featured in every play In additional to a scholarly edition of the playtext complete with original new annotation, these books will include both short introductions by noted scholars and prefaces by well-known Canadians who have experience with Shakespeare. In addition, each play will include act and scene summaries, dramatis personal, and recommended reading/resources.

Charles Bravo died from the poison antimony. He took three days to die, and the doctors could do nothing to help him. There were three people who had reasons for wanting Charles Bravo dead — Florence Bravo herself, Charles Bravo's new young wife; Dr James Gully, Florence's former lover; and Mrs Jane Cox, Florence's friend and companion. But the enquiry into the death in 1876 could not decide who the murderer was, and for more than 130 years people have wondered who did kill Charles Bravo ...

'We have to leave our house in London,' Mother said to the children. 'We're going to live in the country, in a little house near a railway line.' And so begins a new life for Roberta, Peter, and Phyllis. They become the railway children — they know all the trains, Perks the station porter is their best friend, and they have many adventures on the railway line. But why has their father had to go away? Where is he, and will he ever come back?

«'I ran to the side of the ship. «Help, help! Murder!» I screamed, and my uncle slowly turned to look at me. I did not see any more. Already strong hands were pulling me away. Then something hit my head; I saw a great flash of fire, and fell to the ground ...' And so begin David Balfour's adventures. He is kidnapped, taken to sea, and meets many dangers. He also meets a friend, Alan Breck. But Alan is in danger himself, on the run from the English army across the wild Highlands of Scotland ...»

Love stories with a difference ...There's a kiss by a fireside that was a mistake, there's a man-hating aunt by the seaside, and a gunman in Texas wanting a fight. There's a white heron flying over a forest, and a messenger running between two benches in a park. And of course, there's a girl who meets a boy ...These love stories are by US writers Kate Chopin, Stephen Crane, Sarah Orne Jewett, O. Henry, and Canadian writer Lucy Maud Montgomery (author of the famous Anne of Green Gables).

'Your grandmother is old,' says Mr Li to his daughter. 'She has eaten more salt than you have eaten rice.' Mr Li is cross with his daughter when she does not show respect to her grandmother, but Mr Li himself is not always patient with his old mother. She has lived a long time, and the future holds no promise for her. So she holds on to the past...Bookworms World Stories collect stories written in English from around the world. The stories in this volume are from China, Singapore, and India, and are by writers Ha Jin, Minfong Ho, and Ruth Prawer Jhabvala.

Nani Tama looked at each of us — Dad, Auntie Hiraina, my cousin Timi, and myself. His eyes were angry. 'You fullas want me to die here in this room? Looking at these four walls? When the whakapapa is not yet finished?' But Nani Tama gets his own way, and his grandson drives him through the night, to find the missing pieces from the family history. The stories from this volume of World Stories are by New Zealand writers James Courage, Witi Ihimaera, Philip Mincher, and Joy Cowley.

'Sometimes I think this search is hopeless. So much has happened since I last saw my friends. Perhaps they have died or the rebels have taken them away. But I know I have to find Laker. I know she needs me.' In a country torn by war, it is easy to stop hoping. All Atita has is an old photograph. She does not even know if she will recognize Laker after all these years ...The stories in this volume of World Stories are by African writers Jackee Budesta Batanda, Jack Cope, Mandla Langa, and M. G. Vassanji.

Life is always hard for the poor, in any place and at any time. Ethan Frome is a farmer in Massachusetts. He works long hours every day, but his farm makes very little money. His wife, Zeena, is a thin, grey woman, always complaining, and only interested in her own ill health. Then Mattie Silver, a young cousin, comes to live with the Fromes, to help Zeena and do the housework. Her bright smile and laughing voice bring light and hope into the Fromes' house — and into Ethan's lonely life. But poverty is a prison from which few people escape ...