Comprehensive 176pp guide to using all the resources for Playtime at this level. Clear teaching notes and lesson plans for each unit Clear teaching notes and lesson plans for each optional Workbook unit Extension activities and fast finisher activities Reinforcement lessons Games bank — ideas for general games and using posters, flashcards and monkey puppet Word list Will also be available in Spanish and Czech languages.

This book provides a comprehensive description of the state-of-the-art in modelling global and national economies. It introduces the long-run structural approach to modelling that can be readily adopted for use in understanding how economies work, and in generating forecasts for decision — and policy-makers. The book contains a thorough description of recent developments in macroeconomics and econometrics, which should be of interest to advanced students and researchers, but is also written to be accessible and helpful to practitioners in government and the private sector. The long-run structural approach is illustrated with various global and national examples, including a step-by-step description of the development and use of a model of the UK economy. Throughout, the book emphasises the use of macroeconometric modelling in the real world and is written in a way that ensures the techniques illustrated can be replicated or applied in new contexts. The transparency and pragmatism of the modelling approach used within this book will be attractive to practitioners who need manageable and interpretable models to answer specific questions.

The Oxford English Dictionary for Schools is easy to use with its clear signposting, accessible design, and expertly levelled look and feel. Now students can and will find the words they want fast! It has extensive vocabulary including all cross-curriculum words, so it is ideal for preparing for Controlled Assessments. It is powered by the Oxford Children's Corpus, a unique electronic database of millions of words written for children. Added extras in this dictionary are the language panels for project work, synonyms for overused words to develop wide-ranging language skills, and citations. Real example sentences from the best children's books and teenage fiction show students how to use language most effectively. There are inspiring examples from authors such as David Almond, Philip Pullman, William Golding, Anthony Horowitz, Beverley Naidoo, and many more from the curriculum reading lists. Free downloadable learning resources, word games, puzzles, and much more are available for additional online support at www.oxforddictionaries.com/schools.

The Oxford English Thesaurus for Schools is easy to use with its accessible layout. It delivers a wide vocabulary with excellent coverage of curriculum words. It also provides context with the age-appropriate example sentences, from the best children's books and teenage fiction to show students how to use language most effectively. It is powered by the Oxford Children's Corpus, a unique electronic database of millions of words written for children. It gives hands-on support to young writers, with a unique toolkit on writing skills, How to Write Well, and panels highlighting common pitfalls and giving useful suggestions for replacing overused words. It is ideal to use when preparing for the Spoken Language Study and the English Language objectives of the GCSE specifications for KS3-4, and where permitted, is ideal for taking in to Controlled Assessments, along with the companion Oxford English Dictionary for Schools. Free downloadable learning resources, word games, puzzles, and much more are available for additional online support at www.oxforddictionaries.com/schools.

First Explorers 1 is the first book in an exciting, new, six-level course that brings real-world English into the classroom. Explorers helps children learn English by encouraging them to explore the world around them.

First Explorers 2 Activity Book with stickers helps students review and practice Class Book material.

First Explorers 2 is the second book in an exciting new six-level course that brings real-world English into the classroom. Explorers helps children learn English by encouraging them to explore the world around them.

When did you last meet a polar bear, or go to a magician for help? These stories offer many different experiences. Some are strange, some are scary, some are sad, some are blackly funny. A few are shocking — when Lin Lin returns home for a funeral, she learns a dark and terrible family secret which may destroy her. Bookworms World Stories collect stories written in English from around the world. These stories are from Australia, Canada, India, Malaysia, Nigeria, Singapore, South Africa, and Trinidad.

As a scientist, you are a professional writer: your career is built on successful proposals and papers. Success isn't defined by getting papers into print, but by getting them into the reader's consciousness. Writing Science is built upon the idea that successful science writing tells a story. It uses that insight to discuss how to write more effectively. Integrating lessons from other genres of writing with those from the author's years of experience as author, reviewer, and editor, the book shows scientists and students how to present their research in a way that is clear and that will maximize reader comprehension. The book takes an integrated approach, using the principles of story structure to discuss every aspect of successful science writing, from the overall structure of a paper or proposal to individual sections, paragraphs, sentences, and words. It begins by building core arguments, analyzing why some stories are engaging and memorable while others are quickly forgotten, and proceeds to the elements of story structure, showing how the structures scientists and researchers use in papers and proposals fit into classical models. The book targets the internal structure of a paper, explaining how to write clear and professional sections, paragraphs, and sentences in a way that is clear and compelling. The ideas within a paper should flow seamlessly, drawing readers along. The final section of the book deals with special challenges, such as how to discuss research limitations and how to write for the public. Writing Science is a much-needed guide to succeeding in modern science. Its insights and strategies will equip science students, scientists, and professionals across a wide range of scientific and technical fields with the tools needed to communicate effectively.

I have heard men say, that seeing is believing; but I should say that feeling is believing. Anna Sewell's famous Autobiography of a Horse, published in 1877, is one of the bestselling novels in English. It was written not for children, but to expose and prevent cruelty to horses, and is a classic of Victorian literature that continues to captivate readers young and old. Black Beauty's moving story recounts his idyllic colthood and his experiences at the hands of a variety of owners, good and bad. Describing his life as a horse in Victorian England, he tells of his equine companions and human carers, and of the unthinking brutality to which horses were often subjected. A sympathetic hero who faces danger and excitement, Black Beauty never wavers in his principles, and the powerful lessons he teaches influenced animal welfare in England and America. This edition restores the original 1877 text and explores the multiple ways in which the novel has been read: as accessible horse-care manual, protest novel, feminist text, autobiography, slave narrative, and classic animal story.

Thousands of years ago, people looked out across an ocean and asked themselves, What is on the other side? And the bravest of them began to travel and find the answers — beautiful islands, frozen lands, different peoples... And there are still interesting questions about the oceans. How do they change our weather? Why does the water go up and down twice a day? Why do most animals and plants live near the land? And what can possibly live at the bottom of the ocean, thousands of metres down, where there is no light? Surely nothing can stay alive in a place like that...

Islam features widely in the news, often in its most militant versions, but few people in the non-Muslim world really understand the nature of Islam. Malise Ruthven's Very Short Introduction contains essential insights into issues such as why Islam has such major divisions between movements such as the Shi'ites, the Sunnis, and the Wahhabis, and the central importance of the Shar'ia (Islamic law) in Islamic life. It also offers fresh perspectives on contemporary questions: Why is the greatest 'Jihad' (holy war) now against the enemies of Islam, rather than the struggle against evil? Can women find fulfilment in Islamic societies? How must Islam adapt as it confronts the modern world? In this new edition, Ruthven brings the text up-to-date by reflecting upon some of the most significant changes in the Muslim world in recent years; from the emergence of al-Qaeda and the attacks on New York and Washington on 9/11 and the ensuing wars in Afghanistan and Iraq, to the uprisings in the Middle East and North Africa. Ruthven includes new material surrounding the concept of a globalized Islam, bringing into question the effects of economic globalization, the effect of international events in Middle Eastern countries, the issues surrounding Islam and democracy, and the reception and perception of Islam in the West.

Perhaps nowhere else has literature been as conscious a collective endeavor as in China, and China's survival over three thousand years may owe more to its literary traditions than to its political history. This Very Short Introduction tells the story of Chinese literature from antiquity to the present, focusing on the key role literary culture played in supporting social and political concerns. Embracing traditional Chinese understandings of literature as encompassing history and philosophy as well as poetry and poetics, storytelling, drama, and the novel, Sabina Knight discusses the philosophical foundations of literary culture as well as literature's power to address historical trauma and cultivate moral and sensual passions. From ancient historical records through the modernization and globalization of Chinese literature, Knight draws on lively examples to underscore the close relationship between ethics and aesthetics, as well as the diversity of Chinese thought. Knight also illuminates the role of elite patronage; the ways literature has served the interests of specific groups; and questions of canonization, language, nationalism, and cross-cultural understanding. The book includes Chinese characters for names, titles, and key terms.

Making good decisions under conditions of uncertainty — which is the norm — requires a sound appreciation of the way random chance works. As analysis and modelling of most aspects of the world, and all measurement, are necessarily imprecise and involve uncertainties of varying degrees, the understanding and management of probabilities is central to much work in the sciences and economics. In this Very Short Introduction, John Haigh introduces the ideas of probability and different philosophical approaches to probability, and gives a brief account of the history of development of probability theory, from Galileo and Pascal to Bayes, Laplace, Poisson, and Markov. He describes the basic probability distributions, and goes on to discuss a wide range of applications in science, economics, and a variety of other contexts such as games and betting. He concludes with an intriguing discussion of coincidences and some curious paradoxes.

- Is objectivity possible? — Can there be objectivity in matters of morals, or tastes? — What would a truly objective account of the world be like? — Is everything subjective, or relative? — Are moral judgments objective or culturally relative? Objectivity is both an essential and elusive philosophical concept. An account is generally considered to be objective if it attempts to capture the nature of the object studied without judgement of a conscious entity or subject. Objectivity stands in contrast to subjectivity: an objective account is impartial, one which could ideally be accepted by any subject, because it does not draw on any assumptions, prejudices, or values of particular subjects. Stephen Gaukroger shows that it is far from clear that we can resolve moral or aesthetic disputes in this way and it has often been argued that such an approach is not always appropriate for disciplines that deal with human, rather than natural, phenomena. Moreover, even in those cases where we seek to be objective, it may be difficult to judge what a truly objective account would look like, and whether it is achievable. This Very Short Introduction demonstrates that there are a number of common misunderstandings about what objectivity is, and explores the theoretical and practical problems of objectivity by assessing the basic questions raised by it. As well as considering the core philosophical issues, Gaukroger also deals with the way in which particular understandings of objectivity impinge on social research, science, and art.

The image of a job captures our imagination from an early age, usually prompted by the question What do you want to be when you grow up? Work — paid, unpaid, voluntary, or obligatory — is woven into the fabric of all human societies. For many of us, it becomes part of our identity. For others it is a tedious necessity. Living is problematic without paid work, and for many it is catastrophic. Steve Fineman tells the fascinating story of work — how we strive for security, reward, and often, meaning. Looking at how we classify work; the cultural and social factors that influence the way we work; the ethics of certain types of work; and the factors that will affect the future of work, from globalization to technology, this Very Short Introduction considers work as a concept and as a practical experience, drawing upon ideas from psychology, sociology, management, and social history.

And low, stole o'er the stillness the heartbeats of sleep In Chapelizod, a suburb of Dublin, an innkeeper and his family are sleeping. Around them and their dreams there swirls a vortex of world history, of ambition and failure, desire and transgression, pride and shame, rivalry and conflict, gossip and mystery. This is a book that reinvents the novel and plays fantastic games with the language to tell the story of one man's fall and resurrection; in the intimate drama of Humphrey Chimpden Earwicker and his wife Anna Livia, the character of Ireland itself takes form. Joyce called time and the river and the mountains the real heroes of his book, and its organic structure and extraordinary musicality embody his vision. It is both an outrageous epic and a wildly inventive comedy that rewards its readers with never-ending layers of meaning. In the introduction to this newly set edition, which faithfully maintains the original page layout, Finn Fordham guides the reader through the novel's complexity, and suggests a range of ways into the book.

«Female characters assumed increasing prominence in the narratives of nineteenth — and early twentieth-century opera. And for contemporary audiences, many of these characters — and the celebrated women who played them — still define opera at its finest and most searingly affective, even if storylines leave them swooning and faded by the end of the drama. The presence and representation of women in opera has been addressed in a range of recent studies that offer valuable insights into the operatic stage as cultural space, focusing a critical lens at the text and the position and signification of female characters. Moving that lens onto the historical, The Arts of the Prima Donna in the Long Nineteenth Century sheds light on the singers who created and inhabited these roles, the flesh-and-blood women who embodied these fabled «doomed women» onstage before an audience. Editors Rachel Cowgill and Hilary Poriss lead a cast of renowned contributors in an impressive display of current approaches to the lives, careers, and performances of female opera singers. Essential theoretical perspectives reflect several broad themes woven through the volume-cultures of celebrity surrounding the female singer; the emergence of the quasi-mythical figure of the diva; explorations of the intricate and sundry arts associated with the prima donna, and with her representation in other media; and the diversity and complexity of contemporary responses to her. The prima donna influenced compositional practices, determined musical and dramatic interpretation, and affected management decisions about the running of the opera house, content of the season, and employment of other artists — a clear demonstration that her position as «first woman» extended well beyond the boards of the operatic stage itself. The Arts of the Prima Donna in the Long Nineteenth Century is an important addition to the collections of students and researchers in opera studies, nineteenth-century music, performance and gender/sexuality studies, and cultural studies, as well as to the shelves of opera singers and enthusiasts.»

For most lawyers, effective client counseling is neither intuitive nor easy. Lawyers tend to avoid or delay communicating bad news out of a fear of client backlash, or because they feel torn between the obligation to clearly inform clients about weaknesses in legal positions and fear of damaging the client relationship. There is a perception that honest advice from a lawyer can make a client doubt the allegiance and zeal brought to a particular legal matter. Client Science helps lawyers to effectively communicate with their clients, particularly when delivering bad news or other legal realities. Author, Marjorie Corman Aaron, explains the applicable social sciences and translates insights from these fields into plain language to help improve a lawyer's ordering, timing, phrasing, and type of explanation, as well as style adjustments for the lawyer's voice, gesture, and body position. Ultimately, she demonstrates how the proverbial well-informed client--meaning a client who fully understands and appreciates the lawyer's information and advice — can also be a satisfied client who trusts the lawyer's competence and loyalty.