It's a terrible problem — or it's really not as bad as people say. There will be sudden big changes — or slower changes that we can learn to live with. It means the end for many animals, people, even while islands — but will this happen soon, or hundereds of years from now? What is the true story about climate change? Why is it happening, and what can we do about it? If we learn about the past, then perhaps there will be time to make changes for the future...

Some call it football, some call it soccer, and to others it's the beautiful game. By and name, it's a sport with some fascinating stories. There is murder in Colombia, and a game that lasts for two days where many players never see the ball. There's the French writer who learnt lessons about life from playing football, and the women players who had to leave the club grounds because Women's football isn't nice. The cups, the leagues, the World Cup finals, the stars, the rules — they're all part of the world's favourite sport, the beautiful game.

The Man of Feeling (1771) is the foremost novel of sentiment in which the hero, Harley demonstrates his sensiblity in a series of episodes as he is tested against an uncaring world. This edition reprints Brian Vickerss authoritative text with a new introduction and notes discussing the work in the context of the Scottish Enlightenment and European sentimentalism.

If any man or woman should ask what I wish this romance... to be called, it is the Romance of the Rose, in which the whole art of love is contained. Guillaume de Lorris's own introduction to his allegorical account of the progress of a courtly love affair gives no indication of the eventual scale and scope of the work, which became the most popular and influential of all medieval romances. In the hands of Jean de Meun, who continued de Lorris's work, it assumed vast proportions and embraced almost every aspect of medieval life, from predestination to the right way to deal with premature hair-loss. This new translation into modern English, based on the French edition by Felix Lecoy, is intended as much for the general reader as for students of French and English literature.

You know how to win a battle, Hannibal; you do not know how to use the victory! Livy's great history of Rome contains, in Books 21 to 30, the definitive ancient account of Hannibal's invasion of Italy in 218 BC, and the war he fought with the Romans over the following sixteen years. Livy describes the bloody siege of the Spanish city of Saguntum, Rome's ally, which sparked the war, and the Carthaginian leader's famous march with elephants over the Alps into Italy. Livy's gripping story-telling vividly conveys the drama of the great battles, the disastrous encounters at Trasimene and Cannae, and the final confrontation between Hannibal and the youthful Scipio Africanus. Individuals as well as events are brought powerfully to life, as the long course of the Second Punic War unfolds. This new translation captures the brilliance of Livy's style, and is accompanied by a fascinating introduction and notes.

The Kalevala is the great Finnish epic, which like the Iliad and the Odyssey, grew out of a rich oral tradition with prehistoric roots. During the first millenium of our era, speakers of Uralic languages (those outside the Indo-European group) who had settled in the Baltic region of Karelia, that straddles the border of eastern Finland and north-west Russia, developed an oral poetry that was to last into the nineteenth century. This poetry provided the basis of the Kalevala. It was assembled in the 1840s by the Finnish scholar Elias Lonnrot, who took 'dictation' from the performance of a folk singer, in much the same way as our great collections from the past, from Homeric poems to medieval songs and epics, have probably been set down. Published in 1849, it played a central role in the march towards Finnish independence and inspired some of Sibelius's greatest works. This new and exciting translation by poet Keith Bosley, prize-winning translator of the anthology Finnish Folk Poetry: Epic, is the first truly to combine liveliness with accuracy in a way which reflects the richness of the original.

K. kept feeling that he had lost himself, or was further away in a strange land than anyone had ever been before A remote village covered almost permanently in snow and dominated by a castle and its staff of dictatorial, sexually predatory bureaucrats — this is the setting for Kafka's story about a man seeking both acceptance in the village and access to the castle. Kafka breaks new ground in evoking a dense village community fraught with tensions, and recounting an often poignant, occasionally farcical love-affair. He also explores the relation between the individual and power, and asks why the villagers so readily submit to an authority which may exist only in their collective imagination. Published only after Kafka's death, The Castle appeared in the same decade as modernist masterpieces by Eliot, Joyce, Woolf, Mann and Proust, and is among the central works of modern literature. This translation follows the text established by critical scholarship, and manuscript variants are mentioned in the notes. The introduction provides guidance to the text without reducing the reader's own freedom to make sense of this fascinatingly enigmatic novel.

Someone must have been telling tales about Josef K. for one morning, without having done anything wrong, he was arrested. A successful professional man wakes up one morning to find himself under arrest for an offence which is never explained. The mysterious court which conducts his trial is outwardly co-operative, but capable of horrific violence. Faced with this ambiguous authority, Josef K. gradually succumbs to its psychological pressure. He consults various advisers without escaping his fate. Was there some way out that he failed to see? Kafka's unfinished novel has been read as a study of political power, a pessimistic religious parable, or a crime novel where the accused man is himself the problem. One of the iconic figures of modern world literature, Kafka writes about universal problems of guilt, responsibility, and freedom; he offers no solutions, but provokes his readers to arrive at meanings of their own. This new edition includes the fragmentary chapters that were omitted from the main text, in a translation that is both natural and exact, and an introduction that illuminates the novel and its author.

The five plays in this collection are Everyman in his Humour, the tragedy Sejanus, Volpone, The Alchemist, and Bartholomew Fair. They represent the full range and complexity of Jonson's art as a playwright. The text is the modernized version of Herford and Simpson's edition (OUP 1925-52), with full annotation. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

What then is to be done? said Rasselas; the more we inquire, the less we can resolve. Rasselas and his companions escape the pleasures of the happy valley in order to make their choice of life. By witnessing the misfortunes and miseries of others they may come to understand the nature of happiness, and value it more highly. Their travels and enquiries raise important practical and philosophical questions concerning many aspects of the human condition, including the business of a poet, the stability of reason, the immortality of the soul, and how to find contentment. Johnson's adaptation of the popular oriental tale displays his usual wit and perceptiveness; sceptical and probing, his tale nevertheless suggests that wisdom and self-knowledge need not be entirely beyond reach. This new edition relates the novel to Johnson's life and thought and to politics, society, and the global context of the Seven Years War. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Eugenia, Baroness M nster, wife of a German princeling who wishes to be rid of her, crosses the ocean with her brother Felix to seek out their American relatives. Their voyage is prompted, apparently, by natural affection; but the Baroness has also come to seek her fortune. The advent of these visitors is viewed by the Wentworths, in the suburbs of Boston, with wonder and some apprehension. The brilliant Eugenia fascinates her impressionable cousins and their more worldly neighbour, but she is baffled by these people, to whom fibbing was not pleasing. Meanwhile Felix, painter of trifling sketches, eases them all in and out of various amorous complications, with no fear of not being, in the end, agreeable.

The Awkward Age (1899), written at a time when female emancipation and the double standard were subjects of fierce debate, is the most remarkable example of James's dramatic method. The novel traces the experiences of 18-year-old Nanda Brookenham, exposed to corruption in the salon of her youthful, modern mother, who, in maintaining a circle where talk is shockingly sophisticated, must sacrifice either her daughter or... her intellectual habits. Does Nanda reach maturity and self-knowledge in the lively company of handsome, genial Vanderbank, whom she loves, and of ugly, intelligent, parvenu Mitchy, who loves her? Or is she a symbol of sterile idealism, as she clings to old Mr Longdon, with his memories of Nanda's grandmother, and of an aristocracy once untouched by money-troubles and dubious French novels? A sense of suppressed violence lurks behind this powerful story of virginal innocence and its importance in the marriage market.

Three extraordinary characters caught in a web of fatal obsession are at the centre of Hugo's novel. The grotesque hunchback Quasimodo, bell-ringer of Notre-Dame, owes his life to the austere archdeacon, Claude Frollo, who in turn is bound by a hopeless passion to the gypsy dancer Esmeralda. She, meanwhile, is bewitched by a handsome, empty-headed officer, but by an unthinking act of kindness wins Quasimodo's selfless devotion. Behind the central figures moves a pageant of picturesque characters, ranging from the cruel, superstitious king, Louis XI, to the underworld of beggars and petty criminals. These disreputable truands' night-time assault on the cathedral is one of the most spectacular set-pieces of Romantic literature. Hugo vividly depicts medieval Paris, where all life is dominated by the massive cathedral. His passionate enthusiasm for Gothic architecture is set within the context of an epic view of mankind's history, to which he attaches even more importance than to the novel's compelling story. Alban Krailsheimer's new translation is a fresh approach to this monumental classic by France's most celebrated Romantic.

Thou and thine, Hester Prynne, belong to me. With these chilling words a husband claims his wife after a two-year absence. But the child she clutches is not his, and Hester must wear a scarlet A upon her breast, the sin of adultery visible to all. Under an assumed name her husband begins his search for her lover, determined to expose what Hester is equally determined to protect. Defiant and proud, Hester witnesses the degradation of two very different men, as moral codes and legal imperatives painfully collide. Set in the Puritan community of seventeenth-century Boston, The Scarlet Letter also sheds light on the nineteenth-century in which it was written, as Hawthorne explores his ambivalent relations with his Puritan forebears. The text of this edition is taken from the Centenary Edition of Hawthorne's works, the most authoritative critical edition.

He that is to govern a whole nation, must read in himself, not this, or that particular man; but mankind. Leviathan is both a magnificent literary achievement and the greatest work of political philosophy in the English language. Permanently challenging, it has found new applications and new refutations in every generation. Hobbes argues that human beings are first and foremost concerned with their own individual desires and fears. He shows that a conflict of each against every man can only be avoided by the adoption of a compact to enforce peace. The compact involves giving up some of our natural freedom to a sovereign power which will enforce the laws of peace on all citizens. Hobbes also analyses the subversive forces — religion, ambition, private conscience — that threaten to destroy the body politic, Leviathan itself, and return us to the state of war. This new edition reproduces the first printed text, retaining the original punctuation but modernizing the spelling. It offers exceptionally thorough and useful annotation, an introduction that guides the reader through the complexities of Hobbes's arguments, and a substantial index.

The woman is no good to me. Who'll have her? Michael Henchard is an out-of-work hay-trusser who gets drunk at a local fair and impulsively sells his wife Susan and baby daughter. Eighteen years later Susan and her daughter seek him out, only to discover that he has become the most prominent man in Casterbridge. Henchard attempts to make amends for his youthful misdeeds but his unchanged impulsiveness clouds his relationships in love as well as his fortunes in business. Although Henchard is fated to be a modern-day tragic hero, unable to survive in the new commercial world, his story is also a journey towards love. This edition is the only critically established text of the novel, based on a comprehensive study of the manuscript and Hardy's extensive revisions.

The Pastons of Norfolk left behind them an incomparable picture of life in fifteenth-century England in the earliest great collection of family letters in English. The letters span three generations and most were written during the reigns of HenryVI, Edward IV, and Richard III, in a period of political turmoil, local anarchy, and war abroad and at home. They reveal personal hopes and anxieties, and contain as well as business matters a wealth of information on leisure pursuits, education, and domestic life. The writers express themselves with a clarity and vigour that is remarkable at this early date, and the letter illustrate, as no other documents can, the state of the language in daily use immediately before and after the introduction of printing. This modernized selection prepared from the original manuscripts is designed to present the full range of the Pastons' principle concerns.

What is done out of love always takes place beyond good and evil. Always provocative, the Friedrich Nietzsche of Beyond Good and Evil (1886) is at once sceptical psychologist and philosopher-seer, passionately unmasking European society with his piercing insights and uncanny prescience. This masterpiece of his maturity considers quintessential Nietzschean topics such as the origins and nature of Judeo-Christian morality; the end of philosophical dogmatism and beginning of perspectivism; the questionable virtues of science and scholarship; liberal democracy, nationalism, and women's emancipation. Written in his most masterful style, full of irreverence and brio, Nietzsche dissects self-deluding human behaviour, bankrupt intellectual traditions, and the symptoms of social decadence, while at the same time advancing an extra-moral wisdom to be shared by those kindred soul who think beyond good and evil. This new translation of Beyond Good and Evil provides readers with a true classic of modernity that sums up those forces and counterforces in nineteenth-century Western Civilisation that to an astonishing degree have also determined and continue to inform the course of our own century.

Who is going to marry Eugenie Grandet? This is the question that fills the minds of the inhabitants of Saumur, the setting for Eugenie Grandet (1833), one of the the earliest and most famous novels in Balzac's Comedie humaine. The Grandet household, oppressed by the exacting miserliness of Grandet himself, is jerked violently out of routine by the sudden arrival of Eugenie's cousin Charles, recently orphaned and penniless. Eugenie's emotional awakening, stimulated by her love for her cousin, brings her into direct conflict with her father, whose cunning and financial success are matched against her determination to rebel. Eugenie's moving story is set against the backdrop of provincial oppression, the vicissitudes of the wine trade, and the workings of the financial system in the aftermath of the French Revolution. It is both a poignant portrayal of private life and a vigorous fictional document of its age.

Vathek (1786), originally written in French, remains one of the strangest eighteenth-century novels and one of the most difficult to classify. Perverse and grotesque comedy alternates with scenes of oriental magnificence and evocative beauty in the story of the ruthless Caliph Vathek's journey to superb damnation among the subterranean treasures of Eblis. Underlying the elegant prose is a strong element of self-indulgent personal fantasy on the part of Beckford, youthful millionaire, dreamer, and eventually social outcast. Byron, Poe, Mallarme, and Swinburne are some of the literary figures who have admired Vathek's imaginative power. The text follows that of the 'Third Edition' of 1816, in which Beckford extensively revised and corrected Samuel Henley's original English translations from the French. The elaborate notes retained by Beckford in 1816 are also included.