A schoolteacher in a provincial town falls in love with and marries a young local woman. He thinks he's found a bliss only described in novels. But before long, his sharp points of bliss become blurred. The loss of ideals and poverty of actual experience are the themes of these stories. Chekhov's Russians, at the close of the 19th century are trapped in a prison of frustration, which he depicts with laconic power.

Since their first publication in the 1830s and 1840s, Edgar Allan Poe's extraordinary Gothic tales have established themselves as classics of horror fiction and have also created many of the conventions which still dominate the genre of detective fiction. Yet, as well as being highly enjoyable, Poe's tales are works of very real intellectual exploration. Abandoning the criteria of characterization and plotting in favour of blurred boundaries between self and other, will and morality, identity and memory, Poe uses the Gothic to question the integrity of human existence. Indeed, Poe is less interested in solving puzzles or in moral retribution than in exposing the misconceptions that make things seem 'mysterious' in the first place. Attentive to the historical and political dimensions of these very American tales, this new critical edition selects twenty-four tales and places the most popular — 'The Fall of the House of Usher', 'The Masque of the Red Death', 'The Murders in the Rue Morgue; and 'The Purloined Letter' — alongside less well-known Top page travel narratives, metaphysical essays and political satires.

Dashwood, sensible and sensitive, and her romantic, impetuous younger sister Marianne, the prospect of marrying the men they love appears remote. In a world ruled by money and self-interest, the Dashwood sisters have neither fortune nor connections. Concerned for others and for social proprieties, Elinor is ill-equipped to compete with self-centred fortune-hunters like Lucy Steele, whilst Marianne's unswerving belief in the truth of her own feelings makes her more dangerously susceptible to the designs of unscrupulous men. Through her heroines' parallel experiences of love, loss, and hope, Jane Austen offers a powerful analysis of the ways in which women's lives were shaped by the claustrophobic society in which they had to Top page survive.

The profoundest book there is, born from the innermost richness of truth, an inexhaustible well into which no bucket descends without coming up with gold and goodness.''Thus Spoke Zarathustra (1885) was Nietzsche's own favourite among all his books and has proved to be his most popular, having sold millions of copies in many different languages. In it he addresses the problem of how to live a fulfilling life in a world without meaning, in the aftermath of 'the death of God'. Nietzsche's solution lies in the idea of eternal recurrence which he calls 'the highest formula of affirmation that can ever be attained''. A successful engagement with this profoundly Dionysian idea enables us to choose clearly among the myriad possibilities that existence offers, and thereby to affirm every moment of our lives with others on this 'sacred' earth. This translation of Zarathustra (the first new English version for over forty years) conveys the musicality of the original German, and for the first time annotates the abundance of allusions to the Top page Bible and other classic texts with which Nietzsche's masterpiece is in conversation.

This adventure story tells of three men and their guide Umslopogaas who trek into the remote interior of Africa in search of a lost white race. Through unknown territories their perilous journey takes them to Zu-vendis, a kingdom ruled by the beautiful twin sisters, Nyleptha and Sorais.

The Oxford Shakespeare General Editor Stanley Wells The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the works for modern readers — a new, modern-spelling text, collated and edited from all existing printings — on-page and facing-page commentary and notes explain language and allusions — detailed introductions consider the sonnets' biographical and literary background, how the poems relate to the plays, dating and textual matters, and the mysteries of 'Mr W. H.' and the 'Dark Lady' — includes poems attributed to Shakespeare in the seventeenth century — full index to introductions and commentary — durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.'

When A Connecticut Yankee at King Arthur's Court was published in 1889, Mark Twain was undergoing a series of personal and professional crises. Thus what began as a literary burlesque of British chivalry and culture grew into a disturbing satire of modern technology and social thought. The story of Hank Morgan, a nineteenth-century American who is accidentally returned to sixth-century England, is a powerful analysis of such issues as monarchy versus democracy and free will versus determinism, but it is also one of Twain's finest comic novels, still fresh and funny after more than 100 years. In his introduction, M. Thomas Inge shows how A Connecticut Yankee develops from comedy to tragedy and so into a novel that remains a major literary and cultural text for new generations of readers. This edition reproduces a number of the original drawings by Dan Beard, of whom Twain said 'he not only illustrates the text but he illustrates my thoughts'.

La Dame aux Camelias still has the power to cast the spell that has fascinated generations of readers. Dumas's marvellously beautiful, intelligent, and vibrant heroine lives on in revivals of the stage version, in film and television adaptations, and inLa Traviata, Verdi's perennially popular opera. For Marguerite has long since attained the status of a myth. Dumas's subtle and moving portrait of a woman in love is a timeless antidote to the cynicism of every age.

The Decameron (c.1351) was written in the wake of the Black Death, a shattering epidemic which had shaken Florence's confident entrepreneurial society to its core. In a country villa outside the city, ten young noble men and women who have escaped the plague decide to tell each other stories. Boccaccio's skill as a dramatist is masterfully displayed in this virtuoso performance of one hundred tales, vivid portraits of people from all stations in life, with plots which revel in a bewildering variety of human reactions. Themes are playfully restated from one story to another within an elegant and refined framework. One of Chaucer's most fruitful sources for the Canterbury Tales, Boccaccio's work artfully combines the essential ingredients of narrative: fate and desire, crises and quick-thinking. This new translation by Guido Waldman captures the exuberance and variety and tone of Boccaccio's masterpiece.

'I regret to see that my book has turned out un fiasco solenne' James Joyce's disillusion with the publication of Dubliners in 1914 was the result of ten years battling with publishers, resisting their demands to remove swear words, real place names and much else, including two entire stories. Although only 24 when he signed his first publishing contract for the book, Joyce already knew its worth: to alter it in any way would 'retard the course of civilisation in Ireland'. Joyce's aim was to tell the truth — to create a work of art that would reflect life in Ireland at the turn of the last century and by rejecting euphemism, reveal to the Irish the unromantic reality the recognition of which would lead to the spiritual liberation of the country. Each of the fifteen stories offers a glimpse of the lives of ordinary Dubliners — a death, an encounter, an opportunity not taken, a memory rekindled — and collectively they paint a portrait of a nation.

The Oxford Shakespeare offers authoritative texts from leading scholars in editions designed to interpret and illuminate the plays for modern readers — a new, modern-spelling text, based on the Quarto text of 1608 — on-page commentary and notes explain meaning, staging, allusions and much else — detailed introduction considers composition, sources, performances and changing critical attitudes to the play — illustrated with production photographs and related art — includes 'The Ballad of King Lear' and related offshoots — full index to introduction and commentary — durable sewn binding for lasting use 'not simply a better text but a new conception of Shakespeare. This is a major achievement of twentieth-century scholarship.'

'Such a strange book! Imagine a novel with a little swarthy governess for heroine, and a middle-aged ruffian for hero.' Sharpe's London Magazine (June 1855) Jane Eyre is an orphan grown up under the harsh regime first of her aunt and then as a pupil at Lowood Institution. She leaves to become a governess to the daughter of the mysterious Mr Rochester; gradually their relationship deepens, but Jane's passionate nature has yet to endure its deepest blows. In this new edition Sally Shuttleworth explores the power of a narrative that questions the rights of women, the nature of servitude and madness, martyrdom and rebellion in a story whose emotional charge is a strong today as it was more than 150 years ago.

'My object is to have you fit to live; which, if you are not, I do not desire that you should live at all.' So wrote Lord Chesterfield in one of the most celebrated and controversial correspondences between a father and son. Chesterfield wrote almost daily to his natural son, Philip, from 1737 onwards, providing him with instruction in etiquette and the worldly arts. Praised in their day as a complete manual of education, and despised by Samuel Johnson for teaching 'the morals of a whore and the manners of a dancing-master', these letters reflect the political craft of a leading statesman and the urbane wit of a man who associated with Pope, Addison, and Swift. The letters reveal Chesterfield's political cynicism and his belief that his country had 'always been goverened by the only two or three people, out of two or three millions, totally incapable of governing', as well as his views on good breeding. Not originally intended for publication, this entertaining correspondence illuminates fascinating aspects of eighteenth-century life and manners.

'Other works may excel this in depth of thought and knowledge of human nature: other books may rival it in originality and size; but, for hopeless and incurable vivacity, nothing yet discovered can surpass it.' (Jerome, Preface to Three Men in a Boat). Three Men in a Boat describes a comic expedition by middle-class Victorians up the Thames to Oxford. It provides brilliant snap-shots of London's playground in the late 1880s, where the fashionable steam-launches of river swells encounter the hired skiffs of city clerks. The medley of social vignettes, farcical incidents, descriptions of river fashions, and reflections on the Thames's history, is interspersed with humorous anecdotes told by a natural raconteur. Three Men on the Bummel records a similar escapade, a break from the claustrophobia of suburban life some ten years later; their cycling tour in the Black Forest, at the height of the new bicycling craze, affords Jerome the opportunity for a light-hearted scrutiny of German social customs at a time of increasing general interest in a country that he loved. This account of middle-aged Englishmen abroad is spiced with typical Jeromian humour.

Providing a wealth of synonyms and antonyms for everyday use, this revised edition of the Compact Oxford Thesaurus is ideal in helping you find the right word when writing, or for other language queries. The Compact Oxford Thesaurus provides you with the most useful synonym first, so that you can find the information you are looking for easily. It also features a two-colour layout and a very clear, open design, so that you can navigate around the thesaurus quickly. New vocabulary has been added in this revised edition, so you can be sure that your Oxford thesaurus reflects the very latest changes in the English language. Notes on frequently confused words such as affect and effect, or compliment and complement can be found throughout the text, helping you to avoid common pitfalls when writing. The centre section of the thesaurus provides practical help in using a thesaurus to improve your choice of words and to refine your writing style, as well as new material for word game and puzzle enthusiasts.The Compact Oxford Thesaurus is an invaluable tool for anyone who needs to write reports or memos at work, essays at school or college, or letters or emails to friends, and is ideal for creative writing too. It can help to expand your vocabulary, or give you vital clues in solving language puzzles and crosswords.

The Adventures of Sherlock Holmes is the series of short stories that made the fortunes of the Strand magazine, in which they were first published, and won immense popularity for Sherlock Holmes and Dr Watson. The detective is at the height of his powers and the volume is full of famous cases, including 'The Red-Headed League', 'The Blue Carbuncle', and 'The Speckled Band'. Although Holmes gained a reputation for infallibility, Conan Doyle showed his own realism and feminism by having the great detective defeated by Irene Adler — the woman — in the very first story, 'A Scandal in Bohemia'. The editor of this volume, Richard Lancelyn Green is editor of The Uncollected Sherlock Holmes and The Further Adventures of Sherlock Holmes. With John Michael Gibson, he compiled the Soho Series Bibliography of A. Conan Doyle.

'I have in my heart of hearts a favourite child. And his name is DAVID COPPERFIELD,' wrote Dickens of what is the most personal, certainly one of the most popular, of all his novels. Dickens wrote the book after the completion of a fragment of autobiography recalling his employment as a child in a London warehouse, and in the first-person narrative, a new departure for him, realized marvellously the workings of memory. The embodiment of his boyhood experience in the novel involved a 'complicated interweaving of truth and fiction', at its most subtle in the portrait of his father as Mr Micawber, one of Dickens's greatest comic creations. Enjoying a humour that never becomes caricature, the reader shares David's affection for the eccentric Betsey Trotwood and her protege Mr Dick, and smiles with the narrator at the trials he endures in his love for the delightfully silly Dora. Settings, (East Anglia, the London of the 1820s), people, and events are unified by their relationship to the story of Steerforth's treachery, which reaches its powerful climax in the storm scene.This edition, which has the accurate Clarendon text, includes Dickens's trial titles and working notes, and eight of the original illustrations by 'Phiz'.

Grammar, pronunciation, and vocabulary practice for every unit. Extra vocabulary — More Words to Learn Check What You Know.

Some sisters are good friends, some are not. Sometimes there is more hate in a family than there is love. Karin is beautiful and has lots of men friends, but she can be very unkind to her sister Marcia. Perhaps when they were small, there was love between them, but that was a long time ago. They say that everybody has one crime in them. Perhaps they only take an umbrella that does not belong to them. Perhaps they steal from a shop, perhaps they get angry and hit someone, perhaps they kill...

The Leander pearls were stolen nineteen years ago. The thief was caught, but the pearls were never found, and there is still a $25,000 reward for anyone who finds them. Then somebody comes to private detective Carmady with a story about a guy who knows where the pearls are hidden. Carmady agrees to talk to the guy who says he knows. But he finds him dead in his bed, with burned feet, and it seems there are quite a lot of people in Los Angeles who have heard the story, and who are out looking for the Leander pearls...