Alfred Sisley is now recognized as one of the great landscape painters of the 19th century, and a leading figure in the Impressionist movement. He divided his time between France and England and the illustrations in this volume include the snow scenes of the Paris suburbs, his views of the flooded Seine at Port-Marly, and his paintings of the regattas on the Thames, which have been described as embodying the perfect moment of Impressionism. This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

Area_2 is the newest volume in Phaidon's acclaimed Area series, and features 100 of the world's most interesting emerging graphic designers, as chosen by 10 of the most respected figures in the field. Within, more than 1,500 images reveal the talents and trends of contemporary graphic design as it has evolved over the past five years. Each of the book's 100 four-page sections is devoted to the work of a single designer, and includes a critical essay written by the relevant curator. Featured design ranges from posters to books to typography — and beyond. By gathering together the best work of the most intriguing up-and-coming graphic designers, Area_2 promises to be an invaluable resource for students, designers, and anyone interested in the visual trends shaping our culture. Today's most interesting graphic design is showcased in this comprehensive international survey.

Vitamin Ph provides a third dose of visual stimulation and vital information, following on from the successes of Vitamin P and Vitamin D. Similar in concept, scope and structure, Vitamin Ph presents, in A to Z order, the work of 121 international artists. This up-to-the-minute survey focuses on global developments in art photography and the use of the medium by contemporary artists. 78 nominators worldwide have identified living artists who have made a fresh and innovative contribution to recent international photography. These selections will be accompanied by a 5000 word introductory text by TJ Demos, aiming to explore ideas relevant to contemporary photography with reference to the works included in the book. In addition, the work of each photographer/artist is introduced by a short commissioned text of approximately 500 words. All works reproduced in the book use photography as their primary medium or source material, whether or not they then develop into or merge with other media. Extending beyond the parameters of straight photography to encompass sculptural, painterly and filmic elements, Vitamin Ph explores the medium in an expanded sense. The artists represented have emerged, or re-emerged, in the last five years to create a distinctive body of new work. Vitamin Ph aims to contribute to international debates on contemporary photography whilst providing an accessible overview and concise reference book.

Rudolf Kuenzli, is a comprehensive reassessment of all aspects of Dada activity — writing, performance, and social experimentation — that forever changed our fundamental ideas about art. The newest addition to Phaidon's Themes & Movements series.

Federico Fellini (Italy, 1920-1993) is a major figure in the history of cinema, who created his own highly personal and baroque cinematic language. He had his first major success in 1954 with La Strada, in which his wife and favourite actress Giulietta Masina plays the unforgettable Gelsomina, an innocent clown who falls prey to the violence of the post-war period. With La Dolce Vita of 1960, Fellini turned his attention to modern life and the scene in which Marcello Mastroianni and Anita Ekberg embrace in the Trevi fountain has become a globally-recognized symbol of seduction. Psychoanalysis is a clear influence on 8A (1963), in which the character of the film-maker, played by Mastroianni, is a fantasy double of Fellini himself, while Fellini Roma (1972) and Amarcord (1973) are highly personal films, combining caricature, dreams and nostalgia. In the 1980s Fellini made Ginger and Fred (1986) and Intervista (1987), both melancholic reflections on the death of cinema. Through the prism of the director's own desires and obsessions, Fellini's work is universal in scope, dealing with modern humanity in all its contradictions.

Few artists have been so directly invoved in the events of their time as Gustave Courbert. Amid the social transformations of the mid-19th century, Courberts unconventional and stark paintings came to embody values with radical political implications. Rebuffed by the Parisian art world and attacked as a Realist, he seized upon that name to assert his sympathy for ordinary citizens and their down-to-earth experience. Coubert painted subjects from the world around him: from rural labourersand family gatherings to sensuous landscapes, hunting scenes, still lifes, portraits and erotic nudes. James Rubin addresses the full range of Courbet's work and combines a close reading of the paintings with a discussion of the personal, political, economic and social circumstances in which they were created.

Offers an overview of the most innovative houses built around the world — in Europe, the United States, Mexico, Latin America, Japan, China, and Australia. This book presents 33 houses in 15 countries, by both distinguished architects and designers.

The 20th Century Art Book was hailed upon its release as an exciting celebration of the myriad forms assumed by art over the last century. Complementing the phenomenally successful Art Book, and most recently The American Art Book, it presents a new and original way of bringing art alive. This new mini edition has all the visual energy and compelling insights of the original but in a light and highly portable format, making it ideal both for dipping into and for using as a serious sourcebook. Covering the truly international nature of the modern art scene, it encompasses established, iconic works of art and the classics of the future. 500 artists are placed in alphabetical order, each represented by a full-page colour plate of a definitive work and an incisive text which sheds light on both image and creator. This book is above all easy to use: cross-references help the reader make connections between artists; there is a jargon-free glossary of artistic terms and movements; and an international directory of museums and galleries lists the works on view to the public. Ideal for those approaching the subject for the first time, it is a fun and unintimidating look at the ever-expanding boundaries of art.

Richard Prince emerged in the 1980s as one of America's new, highly innovative artists who worked with the margins of American subcultures and visual debris. Highly idiosyncratic subject matter — such as one-line jokes, cartoons, cowboys (borrowed from the Marlboro ads) and motorcycle gangs — are central to his work. In the late 1970s Prince was working for the cutting services of Time Life publications in New York, and had access to thousands of cut-up magazines of which only the advertisements remained intact. He began to re-photograph the advertisements and compose his own pictures from this highly familiar, Pop imagery — updating Pop Art's homage to consumerism and its icons in the 1960s. Recently Prince's work has taken an unexpected turn, and the artist has emerged as a consummate painter, producing some of the most unusual and admired works in the current painting scene. Prince is one of America's best-known artists internationally, and in 1992 was honoured with a one-person retrospective at the Whitney Museum of American Art, New York. Other museums which have held solo shows of Prince's work include the Museum Boymans-van Beuningen, Rotterdam; San Francisco Museum of Modern Art; Kunsthalle Dusseldorf; IVAM, Valencia; and the Haus der Kunst, Munich, among many others.

Alexey Brodovitch (1898 — 1971) a legend among graphic designers. Escaping from the Bolshevik revolution and settled in Paris and then in new York, AB was one of the pioneers of graphic design of the twentieth century. He more than 20 years has taken the place of the main artist of magazine Harper's Bazaar, he has worked on several collection of publications together with Richard Avedonom and Andre Kertesom, he himself was a talented photographer and informally spent in new York activities called «Design-laboratory», which brought up the young generation of photographers and designers, who later became famous artists or art-Directors. This is a book about his life and creativity, based on the stories of his colleagues and those with whom he worked. In it you will find a previously unpublished materials from the archives and private collections from around the world. It offers deep analysis and evaluation of unique and large contribution AB in visual art.

Before you is the first comprehensive and exhaustive monograph Elliott Erwitt (1928), one of the most talented photographers of his generation. This album features pictures of famous personalities and ordinary people, strange and funny photos, made over fifty years of the period of his career. More than 200 previously unpublished photographs являютя the best reflection of their Creator, his undoubtedly bright and often humorous style. This book Elliott Erwitt Snaps («Clicks»), consisting of 500 pictures, speaks about the fact that the photographer nothing to invent, to take the picture, everything is already there in this world and in just one click of the camera to make a unique frame. In the photographic lexicon of Elliott Erwitt the word «personal» refers to the photos, taken for themselves. Erwitt rented as a professional for many customers, but always found the time to do and «Amateur» photos. In his opinion, the word «Amateur» there is no negative meanings: because it comes from the word «love». Shoot for his own pleasure. Or, as he would have said, to complicate the picture... Its work cannot be confused either with whose other, because only he could see, it would seem, in the everyday moments of life something ironic, not serious, and, on the contrary, in comic situations to see and capture the serious moment.

«The nature of photography» — this is the ABC of photography. The book became the results of the training course, which Stiven Shart led for many years, but publication will be useful not only to students. Its goal is not to study the subject of the image, as in the description of the physical and external properties of picture elements, which are the tools of the photographer for the definition and interpretation of the content. Stiven Shart teaches us how to look at the photo, helps us to look at the surrounding world through the eyes of the man with the camera. «The nature of photography» will serve as a tool for critical analysis and understanding of the photos at all. In addition to the work Stiven Shart, in the book you will find photos, and other photographers, both classic and modern — all genres. On their example, the author shows how what is in front of the lens, is transformed into an image.

A short version of the «Atlas of the world architecture of the XXI century». This so-called travel publication of a small, handheld, format, that is very convenient for those who travel on vacation or a business trip. The material posted on the geographical principle, is equipped with a large and small maps, maps of the cities, so the described constructions on them easy to find. Constructions of more than 1,000, including new projects. Each is equipped with one photo and a brief description, addresses, web sites, phone numbers.

David Seymour, or Szymin, was born in Warsaw in 1911, the son of a Polish publisher. In 1929 he studied graphic arts and photography at the academy in Leipzig, where he specialized in the new techniques of printing pictures in colour. In 1931 he moved to Paris to study sciences at the Sorbonne but with the political problems that developed in Poland he was advised to take up photography by David Rappaport, founder of the Rap agency, who in 1932 provided him with his first 35 mm camera. He began to contribute to magazines such as Vu, Regards and Ce Soir, travelling throughout Europe to capture significant events that have left their mark on much of the history of the twentieth century. He travelled to Spain in 1936 to cover the Civil War, and in his photographs of the plight of the civilian population he achieved some of his finest work This book covers the full range of Seymour's career, from early photos of unrest in France for European and American magazines to his UNICEF-sponsored study of children in postwar Europe, which attracted worldwide attention. Among his many photographic essays are outstanding portraits of personalities such as Bernard Berenson who were treated with the same intensity as anonymous sitters. A founder member of Magnum, Seymour was President at the time of his death in 1956 while photographing Suez. This monograph on Seymour forms an elegantly produced introduction to one of the key figures in twentieth-century photography.

In the mid-1980s the sprouting of new movements that had driven modern art since the nineteenth century finally went dormant, sputtering out with a last few half-hearted labels ('pattern painting', 'neo-geo', 'commodity art'). But this was not the end of art history — far from it. In the years since, art's creative development has remained more vibrant than ever, resulting in a staggering diversity of new forms. Defining Contemporary Art responds to this unique landscape with an innovative approach to art history. Assembled and written by eight of the most prominent curators working today, all of whom have both witnessed and shaped this period, Defining Contemporary Art tells the story of the two hundred pivotal artworks of the past twenty-five years. These artworks include not only the most talked about pieces but also the quietly influential works, those which may have been overlooked at the time of their making but which went on to change the paradigm of their era. Arranged year by year, these two hundred works provide a true chronological depiction of creativity in our era, forming a mosaic in which readers may find their own patterns. Each author, in addition to selecting twenty-five artworks from 1986 to 2010, has singled out one year from this period as a key moment in its development, tracing the shifts in the artistic climate and the important exhibitions of new art, influential retrospectives, milestones and anecdotes that serve as the seeds of more conventional histories. Defining Contemporary Art is not a conventional history. In a period when artistic developments no longer proceed via tidy movements, when narratives of progress no longer hold sway, when the art world has not one centre but many, this book provides the reader with all the materials to compose a picture of the most vital period in art: our own.

Ancient Egyptian art has an enduring fascination. From the geometrical precision of the great pyramids at Giza to the golden treasures found in the tomb of Tutankhamun, the products of the Egyptian civilization attract and intrigue. Far from being art work in the modern sense, they represent the concrete expression of a profound belief in the primacy of the Egyptian way of life and the continuation of the spirit in the afterlife. This comprehensive book traces Egyptian art from its origins in prehistoric times through the supreme achievements of the pharaohs to the Roman period. Placing the works of art in their historical, geographical and spiritual context, Jaromir Malek seeks to create a more complete and realistic view of this fascinating culture. Beyond the period of ancient Egyptian art itself, Malek traces the history of Egyptology and looks at the influence of Egypt on modern art, a topic which has so far been almost completely ignored. Through its wealth of illustrations, this book reveals the immense variety and superb quality of the objects and buildings that have survived from ancient Egypt.

Graphic Agitation 2 explores graphic protest in the digital age, in particular over the years since the Gulf War. The book deals with a range of protest imagery from hi-tech and low-tech to no-tech and is comprehensively illustrated with images ranging from lollipop wrappers to websites. Graphic Agitation 2 is a survey of social and political graphics since the early 1990s. It illustrates and contextualises work produced in relation to key themes such as: environmental movements; the rise of corporate power; branding; wars (e.g. in the Balkans and the Gulf War); and human rights — all of which have been prominent items in the news over the last few years. The graphic design projects discussed in this book are all of 'the digital age' but they are not all digital-based. The author deals with the impact of digital innovations on traditional methods of social and political protest and also looks at how they work together. This mix of media is both appealing and informative.

«Jeff Wall (b.1946) adopts the nineteenth-century poet Baudelaire's famous description of one of his contemporaries as 'a painter of modern life' to describe his own very different work: huge transparencies mounted on to light boxes that diffuse a brilliant glow of white light evenly through his photographs of contemporary urban scenes and 'constructed' social situations. Wall is foremost among the pioneering artists who since the late 1960s have brought photography to the forefront of contemporary art. His constructed images employ the latest sophisticated technology in the creation of compelling tableaux, which are evocative of subjects ranging from Hollywood cinema to nineteenth-century history painting. When exhibited in their glowing light boxes they evoke both the seduction of the cinema screen and the physical presence of minimalist sculptures such as Dan Flavin's fluorescent light installations or Donald Judd's metal and Perspex wall reliefs. All of these elements — traditional figurative painting, cinema, Minimalism, Conceptual art, documentary photography — are consciously evoked and explored in Wall's work. Associated closely since the late 1960s with Conceptual artists such as Dan Graham, with whom he collaborated on The Children's Pavilion (1988-93), Wall has engaged at a sophisticated level with theories of representation and its social dimensions both as an artist and as a theoretical writer on contemporary art and culture. The survey by Thierry de Duve, author of «Pictorial Nominalism» and «The Definitively Unfinished Marcel Duchamp», proposes an alternative history of modernism. Critic and curator Arielle Pelenc talks with the artist on themes ranging from storytelling to cinematography. Boris Groys, author of «Contemporary Art from Moscow», focuses on the meaning of light in Wall's work. The update section by French art critic and historian of photograpy Jean-Francois Chevrier surveys Wall's work from 1995 to the present. The artist has chosen texts by Blasie Pascal and Franz Kafka for the «Artist's Choice», and the «Artist's Writings» celebrate Wall as an art historian and theorist by including key essays and important interviews.»