Bonnard is acknowledged as a master of modern art, following in the tradition of the Impressionists. He is best known as a painter of intimate, domestic interiors but he was also a highly accomplished draughtsman who produced a wealth of lithographs and drawings. This volume illustrates the full range of his output, from his early works inspired by Japanese prints, to the richly coloured works of his later years. This series acts as an introduction to key artists and movements in art history. Each title contains 48 full-page colour plates, accompanied by extensive notes, and numerous comparative illustrations in colour or black and white, a concise introduction, select bibliography and detailed source information for the images. Monographs on individual artists also feature a brief chronology.

Salvador Dali (1904-89) is one of the most controversial and paradoxical artists of the twentieth century. A painter of considerable virtuosity, he used a traditional illusionistic style to create disturbing images filled with references to violence, death, cannibalism and bizarre sexual practices, from the extraordinary fluid watches in The Persistence of Memory to the gruesome monster in Soft Construction with Boiled Beans and the fetishistic lobster in the famous Lobster Telephone. Born in Figueras, Spain, Dali started out as a Cubist, but subsequently became involved with the Surrealists in Paris, the most revolutionary artists of the time. They regarded his paintings as revealing the hidden world of the unconscious. Indeed, the Surrealists' leader, Andre Breton, remarked: It is perhaps with Dali that for the first time the windows of the mind are opened fully wide. However, Breton later expelled him from the group for his Fascist sympathies and derided his commercial success in the United States, calling him Avida Dollars, an anagram of his name. Dali's response was equally curt: The difference between me will the Surrealists is that I am a Surrealist. Far from restricting his interests to painting, Dali also wrote two autobiographies, including Diary of a Genius (1965), designed sets and costumes for a play by his friend Federico Garcia Lorca and collaborated with Luis Bunuel on the films Un Chien Andalou (1929) and L'Age d'or (1931), a medium which proved particularly apt for his provocative imagery.

David Lynch (USA, b. 1946) is perhaps the best known of all cult directors, whose Mulholland Drive marks cinema's arrival to the 21st century. His career began more than 30 years ago, with the groundbreaking, mystifying Eraserhead (1977). With Blue Velvet (1986), Wild at Heart (1990) and Lost Highway (1997) Lynch breathed new life into the sensory experiences of film audiences and disrupted narrative logic to mysterious and mystifying effect. In the early 1990s, he invented a new TV series genre with Twin Peaks. Although he is a Hollywood director, Lynch works at the edges of the studio system, exploring the many facets of his artistic talent, whose creations, including photography, painting and music, are now making their way into museums and galleries.

Tim Burton (USA, b. 1958) is the youngest of Hollywood's most successful directors. He has the knack of making films with a very broad appeal, taking the silliness out of the representation of children, while remaining in touch with the child within himself and his audiences. Burton emerged as a director and storyteller after working as an animator for Disney. His meeting with Johnny Depp enabled him to give physical form to the heroes of his imaginary worlds, where fear is mixed with laughter, strange is normal and those who are not normal, such as Edward Scissorhands (1990), must be preserved. After Beetlejuice (1988) and Charlie and the Chocolate Factory (2005), the resolutely boyish Burton, now in his fifties, presents his version of Alice in Wonderland (2010).

Fra Filippo Lippi (c. 1406 — 69) is one of the greatest artists of the early Renaissance in Italy. A pioneer of psychological realism, he developed unique and daring means of representation, discarding medieval traditions about the role of colour in painting. His intensely personal, richly expressive characters are a compelling revelation of Renaissance attitudes towards human experience. Jeffrey Ruda's work, first published in 1993, was the first full-scale study of Lippi to be published for many years, and provided an important reassessment of his life and work; it also attempted to define the nature of Lippi's greatness as a portrayer of the subtleties of human feeling, and to place his achievement in the wider context of early Renaissance art. Ruda's landmark survey — still an invaluable work of reference — is now being reissued in an abridged paperback format, so those who do not require the full art-historical analysis of the original catalogue section can enjoy its beautiful colour plates and fascinating narrative text at an amazingly competitive price.

Boris Mikhailov is one of the most influential photographers of the former Soviet Union. Through his superimposed images, Mikhailov has created and extraordinary double world of soviet drudgery juxtaposed with sex and beauty. Previously unpublished due to artistic restrictions imposed during the Communist era. Yesterday's sandwich embodies Mikhailov's role as artist, documentary photographer and social observer demonstrating his rich imagination and practical solutions for survival in an unstable society.

Emma Dexter's introductory text offers a critical account of the recent evolution and role of drawing in the art world, and introduces some of the trends, methods and artists included in the book. In the following and largest section of the book (over 300 pages and approximately 500 illustrations), the 100 or more artists are presented in an A to Z order. Some artists are presented on 2 pages, some on 4 pages. About 5 selections of work are reproduced for each artist, along a text written by an author who is a specialist on the artist's work. The 500-word texts are brief surveys of the artist's career to date, and aim at introducing the methods and subject matter at issue in their recent works. A selected list of exhibitions and bibliography also complements the reproductions and text on each artist.

Creamier is an up-to-the-minute global survey of recent developments in contemporary art, with an emphasis on emerging artists. Each of the ten selected curators is known for his or her integrity and expertise in staging presentations of new art on an international level. Each curator selects ten important new artists who have either emerged internationally over the last five years or who are still relatively unknown. There are no limitations on age, geography or medium. The result is a roster of the most significant and promising new artists working today — the true cream of the crop. Each curator also selects a key creative work for the sources section, such as an art work, text, film or album that has been significantly influential to art being produced at this moment, contextualizing the contemporary work featured in the rest of the book.

There are few things that unify people across the world better than the game of football. More than just kicking a ball about, football stirs passions beyond rational thought, affecting the mood of a nation or even the fortunes of a government. Since the 1930s various members of Magnum have photographed the world of football, documenting the teams, the supporters and the game, from barefeet on African mud or a Brazilian beach to kicking cans in the backstreets of Newcastle. This collection shows how deep the roots of football run and how wide they are spread, how football culture crosses every boundary of nationality, race and religion, how it throws up important social issues such as the empowerment of women through football in Iran and the bitter religious rivalry between Glasgow's two teams Rangers and Celtic. This portfolio of images combines the beauty of the game itself with the aesthetic quality associated with the photographers of Magnum and provides a celebration of the 'world game' as well as a fascinating social portrait of the world over a period of more than half a century.

Roger Ballen (b.1950) challenges the ways in which we perceive the 'reality' of photography. This body of work is a product of the decades Ballen has spent working with and photographing the common folk of rural and suburban South Africa.

The Architecture in Detail series comprises books that focus on individual buildings noted for their exceptional character, innovative design or technical virtuosity. Each volume contains a text by a respected author, a sequence of colour and black-and-white photographs and a set of technical drawings and working details. The Dessau Bauhaus encapsulates the ethos of that design school's revolutionary new thinking. With its interlocking cubic forms, reinforced concrete frame and glass curtain walls, it was the first large building to crystallize the Modern Movement's conception of form and space.

History of the Poster, co-written by Josef and Shizuko Muller-Brockmann, is a landmark account of one of the most prolific visual traditions of our culture. Originally published in 1971, this seminal study is clearly written and richly illustrated. Now reprinted by Phaidon Press, History of the Poster is an essential read for anyone intrigued by this most modern medium. The book presents an exhaustive collection of posters, ranging from the end of the nineteenth century until the early seventies, when the book was published for the first time. Conceived, written and designed by one of the best and most influential poster designers of the twentieth century, the book defines the nature of a poster and indicates the laws of designing it. Muller-Brockmann defines and describes four fundamental conceptions of the poster, approaching the function-type of each and presenting an array of methods used to capture the attention of the viewer. The author employs sure aesthetic judgement in his selection of images as he guides us through the formation and evolution of style, emphasis and connotation in poster design. This reprint has not tampered with the original edition's design or layout and stays true to Muller-Brockmann's original concept.

«Eugene Delacroix (1798-1863) was one of the greatest French painters of the Romantic period. Passionately opposed to the sterile conventions of David and the other academic artists, he took up again the broken threads of the great Baroque style and created a long run of masterpieces. But even if he had never put brush to canvas, he would still live as a famous diarist. «Delacroix's Journal» is one of the great documents in art history, a work of literature as well as a vital documentary source for scholars and students. In it the artist discusses his own paintings, his life, his sorrows and hopes; the paintings and sculptures of Rubens, Michelangelo, Constable, Bonington and others; old and new literature and the music of Mozart, Beethoven, Rossini and his close friend Chopin; the events of his tune; the beauties of nature; life in foreign countries. Throughout he never loses his grip on the reader, though it seems that he wrote for himself only and never thought of being read. The resulting unselfconscious spontaneity and freshness give the work its unique quality, both as literature and as a source of insight into the mind of a great artist. The complete text of the journal is immensely long, and the selection of this volume, edited by Hubert Wellington and translated by Lucy Norton, comprises about half of the original. The 80 illustrations complement the text by reproducing relevant portraits, works in progress at certain dates, and pictures by Rubens and others which are commented on in the journal or form important sources of influence.»

American photographer Larry Fink (b.1941) is the Jack Kerouac of photography. This accessible monograph reviews his 40-year career as a photographer, during which he celebrated the expressiveness of the human body and its colourful and energetic sensuality. A strong supporter of social values and grassroots activism, Fink has never shied away from political and cultural critiques in his imagery. The genius of Fink lies in the way he melds social commentary with exquisite pictorial composition of his subjects.

«Boarding House» shows an imaginary space of transient residence, of coming and goings, of people without homes, sheltering in an abode that they are using for their immediate survival. The structure is basic and fundamental and it is furnished with objects that are necessarily for an elementary existence. Remnants function here as physical symbols of events that have occurred in this space; broken pieces of a functional reality exist as the leftovers of scenarios that were played out here.The altered sense of place of this temporary abode for by-passers who play out their sense of alienation on the stage gives the work depth of significance as both a psychological and aesthetic statement. Having evolved from and developed out of Roger Ballen's previous work, «Boarding House» differs significantly in that the work has become even more formally sophisticated and more focused on the drawing and sculptural elements of the photographs, and the sense of collaboration between the artist and his subjects increasingly evident. In his introductory essay, veteran photography curator David Travis addresses this new body of work in an accessible way, looking at these new images in the wider context of Ballen's career.»

Egon Schiele was an Austrian Expressionist painter and is widely recognised as a major figure in the history of modem art. In this revised edition Simon Wilson explores the influences which helped shape his art. The Austrian painter Egon Schiele is now recognised as a major figure in the history of modern art and in the development of the Expressionist movement. He was only 28 when he died in 1918, yet in his short life he produced a remarkable series of intense and powerful images, and although dogged by unfounded accusations of pornography he pursued his vocation as an artist with uncompromising intensity, giving expression to his most powerful feelings with an anguished honesty. In this recently revised book, Simon Wilson explores Schiele's obsession with sex, life and death, which gave rise to his famous female nudes and nude self-portraits, and examines his vision of the artist in society, and his work as a landscape and portrait painter.

Ever since his brief but stunning performance as a thief in Thelma and Louise, Brad Pitt was destined to become one of Hollywood's major stars of the 1990s. Following the huge success of his roles in Legends Of The Fall and Interview With The Vampire, this status has been confirmed by the controversial films Seven, Sleepers and The Devil's Own. It is not only as an actor that Brad Pitt is hugely in demand: his good looks have been compared to those of Robert Redford, and People Magazine voted him 'The Sexiest Man Alive'. This intimate biography looks behind Pitt's glamorous image and discovers the truth behind his strict upbringing, his relationships and how Pitt himself has come to terms with his sudden rise to fame. It has been updated to examine the scandal and revelations surrounding his breakup with Gwyneth Paltrow just months after they had been dubbed Hollywood's 'golden couple'. Brad Pitt also details the acting career of a man who has starred in roles as diverse as the scene-stealing stoner in Tarantino's True Romance, the undead Louis in Interview With The Vampire, the romantic lead in Legends Of The Fall, an idealistic rookie cop in the blockbuster Seven, and the disturbed son of a scientist in the Oscar-nominated Twelve Monkeys. Brian Robb, a film journalist and writer from Edinburgh, is author of the highly acclaimed River Phoenix: A Short Life, Johnny Depp: A Modern Rebel, and The Leonardo DiCaprio Album, all published by Plexus.

Born in Bombay and based in London since the 1970s, Anish Kapoor (b. 1954) has been a vital force in contemporary art for over three decades. His sculptures are hermetic but unmistakable, both for their striking abstract forms and for their distinctive use of materials, from the traditional (marble, bronze) to the high-tech (stainless steel, fibreglass). His work, in its pursuit of the sublime and the spiritual, updates an artistic lineage that spans from Abstract Expressionism to German Romantic painting and beyond. At the same time, his sustained exploration of the uncanny, centred on the morphology of the human body, gives his work its unique and timeless psychological depth. This is the most complete monograph ever published on the artist, covering more than thirty years of work and illustrated with hundreds of full-colour images, including sketches and technical diagrams from his most ambitious projects. It also features an extensive chronology covering the artist's life in detail and illustrated with snapshots, sketches and ephemera, some never before published. Kapoor has received numerous awards and distinctions, including the Turner Prize in 1991 and a CBE in 2003. His work has been featured in solo exhibitions at major museums around the world, including Haus der Kunst in Munich, Musee des Beaux-Arts in Nantes and Tate Modern in London, as well as important international exhibitions, such as Documenta 9 in Kassel, Expo '92 in Seville and the 44th Venice Biennale, where he represented Great Britain. He is also responsible for some of the world's best known public sculptures, including Taratantara (1999, Gateshead and Naples), Sky Mirror (2001, Nottingham, and 2006, New York) and Cloud Gate (2004, Chicago).

Arata Isozaki is one of the most important and influential Japanese architects working today. Born in Oita, Japan, in 1931 he attended Tokyo University and later worked and studied under Kenzo Tange. In 1963, he opened his own practice and since then has realized a large number of buildings in Japan, Europe and the United States. Through his work, both as an architect and as a theorist, Isozaki has acted as a bridge between the East and the West, exporting Japanese architecture into the Western world and importing outside trends and movements into Japan. Arata Isozaki has conceived this book in collaboration with Ken Tadashi Oshima. It presents a unique, monographic tour through his architecture from the first visionary urban projects of the 1960s to his latest buildings, realized all over the world. The projects featured in the book have been carefully selected from Isozaki's vast portfolio. They are not presented in chronological order but are grouped in chapters titled and arranged in accordance with Isozaki's instructive categorizations of his own work. Each of the six chapters contains conceptual texts by Isozaki (many previously untranslated or unpublished); critical analysis by Oshima; a main case study project (extensively illustrated and explored); and a survey of related projects. Emulating one of Isozaki's central tenets that 'the city, architecture, and various social systems are nothing more than processes', there is an emphasis on process throughout the book — from conception, through construction, to use. We are introduced to projects through drawings and images of models, led through plans and ultimately presented with photographs of the final construction, as each is newly born and then matured in its existence and function.

«The title of this book is a phrase that Steve McCurry uses a lot when talking about his work — he is always trying to capture those 'unguarded moments' when people are at their most unselfconscious and natural. McCurry takes photographs all over the world, for National Geographic magazine and his own projects, so this book includes the places, colours and forms of Yemen, Mali, Niger, Chad, India, Afghanistan, Sri Lanka, Cambodia, Myanmar (Burma), France and the former Yugoslavia, among others. «The Unguarded Moment» is the same size as South Southeast, but apart from the wider range of countries and continents covered, another key difference between the two titles is that all the images in this new book are landscape format. In «The Unguarded Moment», people go about their everyday business in extraordinary circumstances and settings, like the young tea vendor wading through the waist-deep monsoon waters in India, the fishermen casting their nets in the Niger river in Mali's Sahel Desert and the boy working in a candy factory in Kabul, Afghanistan. This book includes striking portraits of a Tuareg woman in Mali, an intense you ng gypsy boy in Marseille, France and pro-democracy activist Aung San Suu Kyi in Burma. There are children paying close attention to their teachers in school rooms in Sri Lanka and Afghanistan, as well as five young monks happily playing with computer games at a monastery in India, just like any other boys their age would.»