Everything is over for Simon Axler. One of the leading American stage actors of his generation, now in his sixties, he has lost his magic, his talent and his assurance. When he goes on stage he feels like a lunatic and looks like an idiot. His wife has gone, his audience has left him, his agent can't persuade him to make a comeback. In this long days journey into night, told with Roths inimitable urgency, bravura and gravity, all our lifes performances talent, love, sex, hope, energy, reputation are stripped bare. Following the dark meditations on mortality and endings in Everyman and Exit Ghost, and the bitterly ironic retrospect on youth and chance in Indignation, Roth has written another in his haunting group of late novels.

«The final installment of the Zuckerman series, from Pulitzer Prize winning author Philip Roth. Alone in New England, Nathan Zukerman had been nothing but a writer: no voices, no media, no terrorist threats, and no women. Now, back in New York City, he quickly makes three connections that explode his carefully protected solitude. Suddenly involved, as he never wanted or intended to be involved again, with love, mourning, desire and animosity, Zukerman plays out an interior drama of vivid and poignant possibilities. «Exit Ghost» is an amazing leap into yet another phase in this great writer's insatiable commitment to fiction.»

It is 1951 in America, the second year of the Korean War. A studious, law-abiding, intense youngster from Newark, New Jersey, Marcus Messner is beginning his sophomore year on the pastoral, conservative campus of Ohio's Winesburg College. And why is he here and not at a local college in Newark where he originally enrolled?

David Kepesh is white-haired and over sixty, an eminent TV culture critic and star lecturer at a New York college, when he meets Consuela Castillo, a decorous, well-mannered student of twenty-four, the daughter of wealthy Cuban exiles, who promptly puts his life into erotic disorder. Since the sexual revolution of the 1960s, when he left his wife and child, Kepesh has experimented with living what he calls an 'emancipated manhood', beyond the reach of family or a mate. Over the years, he has refined that exuberant decade of protest and licence into an orderly way of life in which he is both unimpeded in the world of Eros and studiously devoted to his aesthetic purists. But the youth and beauty of Consuela undo him completely. His worldliness, his confidence, his reason desert him, and a maddening sexual possessiveness transports him to the depths of deforming jealousy.

Philip Roth's new novel is a candidly intimate yet universal story of loss, regret, and stoicism. The best-selling author of The Plot Against America now turns his attention from one family's harrowing encounter with history (New York Times) to one man's lifelong skirmish with mortality. The fate of Roth's everyman is traced from his first shocking confrontation with death on the idyllic beaches of his childhood summers, through the family trials and professional achievements of his vigorous adulthood, and into his old age, when he is rended by observing the deterioration of his contemporaries and stalked by his own physical woes. A successful commercial artist with a New York ad agency, he is the father of two sons from a first marriage who despise him and a daughter from a second marriage who adores him. He is the beloved brother of a good man whose physical well-being comes to arouse his bitter envy, and he is the lonely ex-husband of three very different women with whom he's made a mess of marriage. In the end he is a man who has become what he does not want to be. The terrain of this powerful novel — Roth's twenty-seventh book and the fifth to be published in the twenty-first century — is the human body. Its subject is the common experience that terrifies us all. Everyman takes its title from an anonymous fifteenth-century allegorical play, a classic of early English drama, whose theme is the summoning of the living to death.

Radio actor Iron Rinn is a big Newark roughneck lighted by a brutal personal secret from which he is perpetually in flight. An idealistic Communist, an uneducated ditchdigger turned popular performer, a six-foot, six-inch Abe Lincoln look-alike, he emerges from serving in WW2 passionately committed to making the world a better place and winds up instead blacklisted and unemployable, his life in ruins. I Married a Communist is the story of Iron Rinn's denunciation and disgrace. It is also a story of cruelty, humiliation, betrayal and revenge — an American tragedy as only Philip Roth can conceive one — fierce and funny, eloquently rendered and deadly accurate.

In this alternate history, Pulitzer Prize winner Roth considers what it would be like for his Newark family — and for a million such families all over the country — during the menacing years of a Charles Lindbergh presidency, when American citizens who happened to be Jews would have every reason to expect the worst.

The famous confession of Alexander Portnoy who is thrust through life by his unappeasable sexuality, yet held back at the same time by the iron grip of his unforgettable childhood.