Speak Out — цветной иллюстрированный журнал для изучающих и преподающих английский язык. На его страницах — информация об англоязычных странах, новости музыкальной жизни, короткие рассказы, сценарии пьес для постановки в школьных театрах, поэтические конкурсы, тексты популярных песен, кроссворды и чайнворды, психологические тесты, логические задачи, а также такие серьезные вещи, как образцы заданий, предлагаемых абитуриентам на вступительных экзаменах.

Speak Out — цветной иллюстрированный журнал для изучающих и преподающих английский язык. На его страницах — информация об англоязычных странах, новости музыкальной жизни, короткие рассказы, сценарии пьес для постановки в школьных театрах, поэтические конкурсы, тексты популярных песен, кроссворды и чайнворды, психологические тесты, логические задачи, а также такие серьезные вещи, как образцы заданий, предлагаемых абитуриентам на вступительных экзаменах.

Speak Out — цветной иллюстрированный журнал для изучающих и преподающих английский язык. На его страницах — информация об англоязычных странах, новости музыкальной жизни, короткие рассказы, сценарии пьес для постановки в школьных театрах, поэтические конкурсы, тексты популярных песен, кроссворды и чайнворды, психологические тесты, логические задачи, а также такие серьезные вещи, как образцы заданий, предлагаемых абитуриентам на вступительных экзаменах.

Pyörätien laidalla makaa ruhjottu mies. Joku on pahoinpidellyt henkihieveriin Petri Ilveskiven, huonekalusuunnittelijan ja Espoon vihreiden kaupunginvaltuutetun. Teräväkielinen ja julkisuudessakin hyvin tunnettu Ilveskivi on ehtinyt suututtaa yhden jos toisenkin ihmisen sekä yksityiselämässä että politiikassa. Onko pahoinpitelyssä kyse henkilökohtaisesta kaunasta vai onko kyseessä satunnainen väkivallanteko?

Although the Czech photographer Josef Sudek was mildly reclusive by temperament, and although his photography is commonly characterized as un-peopled (in favor of what he termed the inanimate life of objects), a sizeable portion of his oeuvre is given over to portraits. In fact, the beginnings of Sudek's work are in portraiture, in his images of fellow patients at the veteran's hospital where he spent three years after the First World War. (It was here that Sudek's right arm was amputated after a battlefield injury, a misfortune which did not prevent him from using heavy, large-format cameras in the future.) Decades later, after he had co-founded the Czech Photographic Society in 1924 and established his signature neo-Romantic preoccupation with architectural Prague, he returned to the genre. Throughout the 1940s and 50s, Sudek photographed close friends, among them the poet and Nobel Laureate Jaroslav Seifert, many painters and writers, but also scientists, doctors, politicians, architects, actors and other important public figures in Czechoslovakia. Portraits, the second volume of Sudek's collected photographs, gathers this body of work. In addition to a chronology of Sudek's life, it includes a complete bibliography and list of his exhibitions, as well as an interview with Jan Rezac, Sudek's colleague and an expert on his work.

В памятке вы найдет ответы на следующие вопросы: 1. К чему приводит незащищенный секс? 2. Какие инфекции передаются половым путем? 3. По каким симптомам можно определить ИППП? 4. Как защитить себя от ИППП? 5. Методы контрацепции — это способы защиты от ИППП? 6. Что делать если стыдно идти к врачу?

Konzeptbeschreibung — ausführliches Unterrichtsraster mit Tipps zu Methodik, Landeskunde uvm. — zusätzliche Kopiervorlagen zu den Lektionen — Transkriptionen der Hörtexte — Lösungen zum Kurs- und Arbeitsbuch.

As a parent you are a key person for helping your child to become a good reader. It starts with simply enjoying books with your child on your lap. This clearly written guide is full of useful advice for all the steps along the way. And with special downloadable activity sheets available on almost every page this is a parent's guide and several activity books in one — all for GBP3.99!

«Воспитатель ДОУ» — журнал для педагогов дошкольных образовательных учреждений, студентов педагогических дошкольных факультетов колледжей и вузов. Цель журнала: пропагандировать опыт и творческие находки талантливых педагогов из разных регионов страны, аккумулировать лучшие практические материалы и методические рекомендации. Структура журнала построена в соответствии с логикой дня воспитателя детского сада и ребёнка.

Rivstart ar en ensprakig nyborjarkurs i svenska som frammande sprak och vander sig till sprakinlarare i och utanfor Sverige. Kursen har en relativt snabb progression och ar tankt for deltagare som kan forvantas ha en snabb inlarningstakt. Rivstart uppmuntrar deltagarna att sjalva lista ut sprakliga monster och grammatiska regler. De lockas att bli aktiva sprakinlarare ocksa utanfor klassrummet. I Rivstart anvands nya tempusbeteckningar som ar klara och intuitiva for bade larare och elever. Nu-systemets tempus heter presens perfekt (har talat), presens (talar) och presens futurum (ska tala). Da-systemets tempus heter preteritum perfekt (hade talat), preteritum (talade) och preteritum futurum (skulle tala). Pa detta satt blir det tydligt att svenska har tva tempussystem och namnen indikerar ocksa hur de bildas. Systemet ar hamtat fran Svenska Akademiens grammatik dar det dock inte implementerats. Rivstart ar det forsta laromedel dar dessa tempusbeteckningar anvands. Teman och sprakfunktioner bygger pa nivabeskrivningarna i Europaradets nivaskala (CEFR). Del 1 tacker niva A1+A2. Del 2 kommer att omfatta niva B1.

Rivstart ar en ensprakig nyborjarkurs i svenska som frammande sprak och vander sig till sprakinlarare i och utanfor Sverige. Kursen har en relativt snabb progression och ar tankt for deltagare som kan forvantas ha en snabb inlarningstakt. Rivstart uppmuntrar deltagarna att sjalva lista ut sprakliga monster och grammatiska regler. De lockas att bli aktiva sprakinlarare ocksa utanfor klassrummet. I Rivstart anvands nya tempusbeteckningar som ar klara och intuitiva for bade larare och elever. Nu-systemets tempus heter presens perfekt (har talat), presens (talar) och presens futurum (ska tala). Da-systemets tempus heter preteritum perfekt (hade talat), preteritum (talade) och preteritum futurum (skulle tala). Pa detta satt blir det tydligt att svenska har tva tempussystem och namnen indikerar ocksa hur de bildas. Systemet ar hamtat fran Svenska Akademiens grammatik dar det dock inte implementerats. Rivstart ar det forsta laromedel dar dessa tempusbeteckningar anvands. Teman och sprakfunktioner bygger pa nivabeskrivningarna i Europaradets nivaskala (CEFR). Del 1 tacker niva A1+A2. Del 2 kommer att omfatta niva B1.

Norstedts ryska fickordbok ar en efterlangtad nykomling i den populara fickordboksserien. Kontakterna mellan Sverige och Ryssland har okat de senaste aren och behovet av en liten ordbok mellan svenska och ryska ar stort. Norstedts ryska fickordbok innehaller en rysk-svensk del och en svensk-rysk. Tillsammans innehaller de ca 34 000 ord och fraser. Det ar en aktuell och informativ liten ordbok som passar perfekt for resan och som forsta ordbok for alla som lar sig ryska. Den innehaller ocksa en minigrammatik.

Based on the actual writing and speaking styles of leading business executives worldwide, this book features easy-to-follow instructions and techniques for preparing polished written documents and writing and speaking in an articulate manner. Focusing on how leading business professionals really communicate, the basics of writing and speaking, including traditional grammar and speaking dos and don'ts, are covered. Examined are the particular styles in which business professionals communicate with each other and how to develop a personal professional style. Featured are special sections on writing memos, offer letters, e-mails, and other business documents that business professionals need to master.

No other movement has had as great an impact on art in the last 200 years, nor been as popular with museumgoers, as the Impressionists. This breathtaking volume—filled with fabulous facsimile artifacts, including letters, reviews, posters, preliminary sketches, palette lists, and more—looks at the journey these great painters endured to establish themselves in the art world. It places the art in its historical context, analyzes the predominant techniques, focuses on the major painters and on the female Impressionists, explains how their work influenced later generations, and even reveals the artists' loves and personal battles.

Познавательная книжка для маленьких читателей расскажет о том, кто где живет, а также о разнообразии мира животных. Можно играть с героями прямо на мягких страничках книжки. Картонная книга с фланелевыми страничками.

The twentieth century in Russia has been a cataclysm of rare proportions, as war, revolution, famine, and massive political terror tested the limits of human endurance. The results of this assault on Russian culture are particularly evident in ruined architectural monuments, some of which are little known even within Russia itself. Over the past four decades William Craft Brumfield, noted historian and photographer of Russian architecture, has traveled throughout Russia and photographed many of these neglected, lost buildings, poignant and haunting in their ruin. Lost Russia provides a unique view of Brumfield’s acclaimed work, which illuminates Russian culture as reflected in these remnants of its distinctive architectural traditions. Capturing the quiet, ineffable beauty that graces these buildings, these photographs are accompanied by a text that provides not only a brief historical background for Russian architecture, but also Brumfield’s personal impressions, thoughts, and insights on the structures he views. Churches and monasteries from the fifteenth to the twentieth century as well as abandoned, ruined manor houses are shown—ravaged by time, willful neglect, and cultural vandalism. Brumfield also illustrates examples of recent local initiatives to preserve cultural landmarks from steady decline and destruction. Concluding with photographs of the remarkable log architecture found in Russia’s far north, Lost Russia is a book for all those concerned with the nation’s cultural legacy, history, and architecture, and with historic and cultural preservation generally. It will also interest those who appreciate the fine art of exceptional photography.

Konstantin Melnikov (1890–1974) is unquestionably one of the outstanding architects of the 20th century—in spite of the fact that he fell silent early, leaving behind only limited work that was insufficiently publicized, and restricted almost exclusively to Moscow, the city of his birth in which he spent nearly his entire life and which did not appreciate him. He was raised in humble circumstances, but enjoyed an excellent education. Beginning in the mid-1920s, after the turmoil that followed the war, revolution and civil war, his career soared at almost meteoric speed as he took the lead in the young Soviet architecture movement with completely autonomous, highly artistic buildings that were free from dogmatism of any kind. Even more rapid than his rise to fame was his downfall: Treated with general hostility, he was unable to defend himself against the accusation of formalism when Stalin put an end to architectural ventures and experiments around the mid-1930s. He was expelled from the architects' association and was banned from practicing as an architect for the remaining four decades of his life. In the late 1920s, at the peak of his career, he had the opportunity to build a house for himself and his family in Moscow, in which he was then able to live until the end of his life. This house, a memorable symbiosis of almost peasantlike simplicity and extreme radicalness, is one of the most impressive, surprising and probably most enigmatic works produced by 20th-century architecture. Its simplicity is only outward; in reality this is a highly complex work which links together the elements of architecture explicitly and inextricably, which takes a clear and completely autonomous stand and which, in a way that little else has done, raises the question as to the nature of genuinely architectonic thinking. In essayistic form the book attempts to follow the paths laid out in the architect’s work from the perspective of an architect.