«This work tells the story of man's fascination with butterflies, as symbols, as objects of beauty, and of obsession — in the tradition of Susan Orlean's «The Orchid Thief». From Hindu mythology to Aztec sacrifices, butterflies have served as a metaphor for resurrection and transformation. Even during World War II, children in a Polish death camp scratched hundreds of butterflies onto the wall of their barracks. But as Sharman Apt Russell points out in this rich and lyrical meditation, butterflies have above all been objects of obsession. From the beastly horned caterpillar whose blood helps it count time, to the peacock butterfly with wings that hiss like a snake, Russell traces butterflies through their life cycles, exploring the creatures' own obsessions with eating, mating, and migrating. She reveals the logic behind our endless fascination with butterflies as well as the driving passion of such legendary collectors as the tragic Eleanor Glanville, whose children declared her mad because of her compulsive butterfly collecting, and the brilliant Henry Walter Bates, whose collections from the Amazon in 1858 helped develop his theory of mimicry in nature. Russell also takes us inside some of the world's most prestigious natural history museums, where scientists painstakingly catalogue and categorize new species of Lepidoptera, hoping to shed light on insect genetics and evolution. «An Obsession with Butterflies» is a luminous journey through an exotic world of strange beauty; a book to be treasured by anyone who's ever watched a butterfly mid-flight.»

Set in Reformation Europe, Q begins with Luther's nailing of his 95 theses on the door of the cathedral church in Wittenberg and traces the adventures and conflicts of two central characters, an Anabaptist, a member of the most radical of the Protestant sects, the anarchists of the Reformation, and a Catholic spy and informer, as they travel across Germany, Italy and the Netherlands. The four young writers who shelter behind the pseudonym Luther Blissett have created a world of intrigue, violence and intense political and religious passion. Far from the traditional historical novel, Q is the stuff of which cults are made.

«Death stalks the city of angels...Jimmy Gage, a reporter for «SLAP» magazine, stumbles on an explosive story while interviewing Garrett Walsh, an Oscar-winning Hollywood director who has just finished serving time for the murder of a teenage actress. Walsh swears he's not guilty and tells Gage he's written a movie about what really happened — «The Most Dangerous Screenplay in Hollywood». Gage is sceptical, but when Walsh turns up dead — and the screenplay missing — he goes to work to find out the truth.»

For Ned, 1978 seems a blissful year. Handsome, popular, responsible, and a fine cricketer, life if progressing smoothly, if not effortlessly. When he meets Partia Fendeman his personal jigsaw appears complete. What if her left-wing parent despise his Tory MP father? Doesn't that just make them star-crossed lovers? And surely, in the end, won't the Fendemans be won over by their happiness? But of course, one person's happiness is another's jealous spite. And spite is about to change Ned's life forever. A promise made to a dying teacher and a vile trick played by fellow pupils rocket Ned from cricket captain to solitary confinement, from Head Boy to political prisoner. More than twenty years later, Ned returns to London, a very different man from the boy seized outside a Knights bridge language college. A man implacably focused on revenge, revenge is a dish he plans to savour and serve to those who conspired against him, and those who forgot him.

In Miami, 1992, a tropical garden of a city where corruption pulses beneath the lush surface is the perfect city for a vampire. Yet Lestat — hero, rock star, incorrigible seducer and the most powerful and sensual vampire of them all — prowls this savage garden in desperate misery. Restlessly pursuing the mystery of his dark existence, Lestat yearns to think, breathe and feel as a man, free of his nightmare immortality. When, stalked in his turn by the only creature able to grant his desire, Lestat rashly seizes the chance. While the Body Thief, cloaked in Lestat's immortal powers, lays a trail of carnage across America and the Caribbean, Lestat himself is abandoned to the fragility of human life, and discovers that a mortal body is no fit receptacle for a vampire's soul. Rejected by the other vampires, a tormented and appallingly vulnerable Lestat is forced to seek human help to recover his vampire self; help he abuses unforgivably when, in a mesmerizing climax, he succumbs to the basest urge in any nature.

«In this, the second of Tom Sharpe's chronicles about Henry Wilt, our hero is no longer the victim of his own uncontrolled fantasies. As Head of a reconstituted Liberal Studies Department, he has assumed power without authority at the Fenland College of Arts and Technology and the fantasies he now confronts are those of political bigots and reactionary bureaucrats — in addition to his wife's enthusiasm for every Organic Alternative under the compost heap and the insistence of his quadruplets on looking at every problem with a foreign student and the hostility of medical services unwilling to attend to his most urgent needs. But it is only when Wilt becomes the unintentional participant in a terrorist siege that he is forced to find an answer to the problems of power, which have corrupted greater men than he. With a mental ingenuity born of his innate cowardice, Wilt fights for those liberal values which are threatened by the sophisticated methods of police anti-terrorist agents. In the confusion that follows, Wilt resumes his dialogue with the unflagging Inspector Flint and is himself subjected to the indignity of a psycho-political profile. Bitingly funny and brilliantly written, «The Wilt Alternative» exposes the farcical anomalies, which have become the social norma of our time.»

Wilt is still teaching at the Fenland Tech, attempting to drill English into plasterers, dozing through tedious committee meetings and occasionally getting mildly plastered in 'The Pig in a Poke' with one of his few bearable colleagues. But the even tenor of his days is rudely interrupted when the shadow of drug dealing flickers across the Tech. Suddenly Wilt becomes the target of suspicion. His colleagues believe him to be responsible for triggering a departmental inquiry, and his old adversary Inspector Flint, knowing that he's guilty of something, sees a chance to settle a number of scores. What his wife thinks is...well, what all wives think. But what none of them have reckoned with is Wilt's talent for making new enemies. What starts with an accusation of voyeurism in the staff lavatory (of the wrong gender to boot) leads, more or less directly, to a massive confrontation at a nearby US airbase with the forces of law and order on both sides and Wilt in his usual place — in the middle.

On the verandah of a great New Orleans house, now faded, a mute and fragile woman sits rocking. And the witching hour begins...Demonstrating once again her gift for spellbinding storytelling and the creation of legend, Anne Rice makes real for us a great dynasty of witches — a family given to poetry and incest, to murder and philosophy, a family that over the ages is itself haunted by a powerful, dangerous, and seductive being. A hypnotic novel of witchcraft and the occult across four centuries, The Witching Hour could only have been written by the spellbinding bestselling author of The Vampire Chronicles.

One of the best-loved of Nabokov's novels, Pnin features his funniest and most heart-rending character. Professor Timofey Pnin is a haplessly disoriented Russian emigre precariously employed on an American college campus in the 1950s. Pnin struggles to maintain his dignity through a series of comic and sad misunderstandings, all the while falling victim both to subtle academic conspiracies and to the manipulations of a deliberately unreliable narrator. Initially an almost grotesquely comic figure, Pnin gradually grows in stature by contrast with those who laugh at him. Whether taking the wrong train to deliver a lecture in a language he has not mastered or throwing a faculty party during which he learns he is losing his job, the gently preposterous hero of this enchanting novel evokes the reader's deepest protective instinct.

One windy spring day in the Chilterns Joe Rose's calm, organized life is shattered by a ballooning accident. The afternoon, Rose reflects, could have ended in mere tragedy, but for his brief meeting with Jed Parry. Unknown to Rose, something passes between them — something that gives birth in Parry to an obsession so powerful that it will test to the limits Rose's beloved scientific rationalism, threaten the love of his wife Clarissa and drive him to the brink of murder and madness.

In The Master of Petersburg J. M. Coetzee dares to imagine the life of Dostoevsky. Set in 1869, when Dostoevsky was summoned from Germany to St Petersburg by the sudden death of his stepson, this novel is at once a compelling mystery steeped in the atmosphere of pre-revolutionary Russia and a brilliant and courageous meditation on authority and rebellion, art and imagination. Dostoevsky is seen obsessively following his stepson's ghost, trying to ascertain whether he was a suicide or a murder victim and whether he loved or despised his stepfather.

«Хитроумный идальго Дон Кихот Ламанчский» — величайший роман эпохи Возрождения, переведенный почти на сотню языков и волнующий умы вот уже более четырех веков. Трагикомическая эпопея Мигеля де Сервантеса о безумном рыцаре, не боявшемся показаться смешным в своем утопическом стремлении сделать мир лучше, о надежде и отчаянии, мудрости и сумасбродстве, величии и убожестве на сегодняшний день является самой публикуемой книгой после Библии.»

«In the stunning continuation of the epic adventure begun in «Hyperion», Simmons returns us to a far future resplendent with drama and invention. On the world of Hyperion, the mysterious Time Tombs are opening. And the secrets they contain mean that nothing — nothing anywhere in the universe — will ever be the same.»

The first girl had a bite mark on her neck. When the tabloids got hold of the story, they immediately called the killer 'The Rottweiler', and the name stuck. The latest body was discovered very near Inez Ferry's antique shop in Marylebone. Someone spotted a shadowy figure running away past the station, but couldn't say for sure if it was a man or a woman. There were only two other clues. The murderer seemed to have a preference for strangling his victims and then removing something personal — like a cigarette lighter or a necklace... Since her actor husband died, too early into their marriage, Inez supplemented her modest income by taking in tenants above the shop. The unpredictably obsessive activities of 'The Rottweiler' would exert a profound influence on this heterogeneous little community, especially when the suspicion began to emerge that one of them might be a homicidal maniac.

«Beginning with the classic «Dragonriders of Pern», Anne McCaffrey has created a complex, endlessly fascinating world uniting humans and great telepathic dragons. Millions of devoted readers have soared on the glittering wings of Anne’s imagination, following book by book the evolution of one of science fiction’s most beloved and honored series. Now, for the first time, Anne has invited another writer to join her in the skies of Pern, a writer with an intimate knowledge of Pern and its history: her son, Todd. DRAGON’S KIN Young Kindan has no expectations other than joining his father in the mines of Camp Natalon, a coal mining settlement struggling to turn a profit far from the great Holds where the presence of dragons and their riders means safety and civilization. Mining is fraught with danger. Fortunately, the camp has a watch-wher, a creature distantly related to dragons and uniquely suited to specialized work in the dark, cold mineshafts. Kindan’s father is the watch-wher’s handler, and his son sometimes helps him out. But even that important job promises no opportunity outside the mine. Then disaster strikes. In one terrible instant, Kindan loses his family and the camp loses its watch-wher. Fathers are replaced by sons in the mine–except for Kindan, who is taken in by the camp’s new Harper. Grieving, Kindan finds a measure of solace in a burgeoning musical talent... and in a new friendship with Nuella, a mysterious girl no one seems to know exists. It is Nuella who assists Kindan when he is selected to hatch and train a new watch-wher, a job that forces him to give up his dream of becoming a Harper; and it is Nuella who helps him give new meaning to his life. Meanwhile, sparked by the tragedy, long-simmering tensions are dividing the camp. Far below the surface, a group of resentful miners hides a deadly secret. As warring factions threaten to explode, Nuella and Kindan begin to discover unknown talents in the misunderstood watch-wher–talents that could very well save an entire Hold. During their time teaching the watch-wher, the two learn some things themselves: that even a seemingly impossible dream is never completely out of reach... and that light can be found even in darkness.»

This new edition combines Tolstoy’s most famous short tale, “The Death of Ivan Ilyich”, with a less well known but equally brilliant gem, “Master and Man”, both newly translated by Ann Pasternak Slater. Both stories confront death and the process of dying: In “Ivan Ilyich”, a bureaucrat looks back over his life, which suddenly seems meaningless and wasteful, while in Master and Man, a landowner and servant must each confront the value of the other as they brave a devastating snowstorm. The quintessential Tolstoyan themes of mortality, spiritual redemption, and life’s meaning are nowhere more movingly and deftly explored than in these two tales. This unique edition also includes a critical Introduction and extensive notes by Ann Pasternak Slater, a Fellow at St. Anne’s College, Oxford.

«The latest «New York Times» bestseller by «America's most popular suspense novelist» («Rolling Stone») is the story of Hollywood's most dazzling star whose perfectly ordered life is under siege by an insidious killer.»

«Equally at home in satirical novels and biting critical essays, wickedly funny short stories and intimate autobiography, Martin Amis is widely regarded as one of the most influential yet inimitable voices in contemporary fiction, a writer whose prose captures the warp-speed rush of modernity. «Vintage Amis» displays this versatility in an excerpt from the author’s award-winning memoir, «Experience»; the “Horrorday” chapter from «London Fields»; a vignette from his novel «Money»; the stories “State of England”, “Insight at Flam Lake” and “Coincidence of the Arts”; and the essays “Visiting Mrs. Nabokov”, “Phantom of the Opera”. Also included, for the first time in book form, the short story “Porno’s Last Summer”.»