The Zombie War came unthinkably close to eradicating humanity. Max Brooks, driven by the urgency of preserving the acid-etched first-hand experiences of the survivors from those apocalyptic years, traveled across the United States of America and throughout the world, from decimated cities that once teemed with upwards of thirty million souls to the most remote and inhospitable areas of the planet. He recorded the testimony of men, women, and sometimes children who came face-to-face with the living, or at least the undead, hell of that dreadful time. World War Z is the result. Never before have we had access to a document that so powerfully conveys the depth of fear and horror, and also the ineradicable spirit of resistance, that gripped human society through the plague years. Ranging from the now infamous village of New Dachang in the United Federation of China, where the epidemiological trail began with the twelve-year-old Patient Zero, to the unnamed northern forests where untold numbers sought a terrible and temporary refuge in the cold, to the United States of Southern Africa, where the Redeker Plan provided hope for humanity at an unspeakable price, to the west-of-the-Rockies redoubt where the North American tide finally started to turn, this invaluable chronicle reflects the full scope and duration of the Zombie War. Most of all, the book captures with haunting immediacy the human dimension of this epochal event. Facing the often raw and vivid nature of these personal accounts requires a degree of courage on the part of the reader, but the effort is invaluable because, as Mr. Brooks says in his introduction, By excluding the human factor, aren't we risking the kind of personal detachment from history that may, heaven forbid, lead us one day to repeat it? And in the end, isn't the human factor the only true difference between us and the enemy we now refer to as 'the living dead'?

«Fodor's Arizona & the Grand Canyon offers savvy advice and recommendations from local writers to help travelers make the most of their time. Fodor's Choice designates our best picks, from hotels to nightlife. «Word of Mouth» quotes from fellow travelers provide valuable insights.»

Rome is more than ever bursting at the seams with newly unleashed vitality. Just in time for 2012’s 2 million American visitors is all-color, photo-packed Fodor’s Rome, revealing the festa romana that is the pulse of the Eternal City. If proof were needed that Romans are switching into the fast lane, just check out Fodor’s “new Rome” wrap-up. Expanded Coverage: Look for expanded write-ups of the hot and hip neighborhoods of Pigneto and San Lorenzo, the latest architectural landmarks (the Casa della Ballo and Casa del Cinema), and more avant-garde sites. Discerning Recommendations: Fodor’s Rome offers savvy advice and recommendations from local writers to help travelers make the most of their time. Fodor’s Choice designates our best picks, from hotels to nightlife. “Word of Mouth” quotes from fellow travelers provide valuable insights.

«This edition offers savvy advice and recommendations from local writers to help travellers make the most of their time. Fodor's Choice designates our «best picks,» from hotels to night life and beyond. «Word of Mouth» quotes provide valuable insights from fellow travellers.»

The world's bestselling guide to negotiation. Getting to Yes has been in print for over thirty years, and in that time has helped millions of people secure win-win agreements both at work and in their private lives. Including principles such as: Don't bargain over positions. Separate the people from the problem and. Insist on objective criteria. Getting to Yes simplifies the whole negotation process, offering a highly effective framework that will ensure success.

In the stunning finale of the epic Fate of the Jedi series, Jedi and Sith face off—with Coruscant as their battlefield. For the Sith, it’s the chance to restore their dominance over the galaxy that forgot them for so long. For Abeloth, it’s a giant step in her quest to conquer all life everywhere. For Luke Skywalker, it’s a call to arms to eradicate the Sith and their monstrous new master once and for all. In a planetwide strike, teams of Jedi Knights take the Sith infiltrators by swift and lethal surprise. But victory against the cunning and savage Abeloth, and the terrifying endgame she has planned, is anything but certain. And as Luke, Ben, Han, Leia, Jaina, Jag, and their allies close in, the devastating truth about the dark side incarnate will be exposed—and send shock waves through the Jedi Order, the galaxy, and the Force itself.

It was a case that haunts Bobby Dodge to this day—the case that nearly killed him and changed his life forever. Now, in an underground chamber on the grounds of an abandoned Massachusetts mental hospital, the gruesome discovery of six mummified corpses resurrects his worst nightmare: the return of a killer he thought dead and buried. There’s no place to run. . . . Bobby’ s only lead is wrapped around a dead woman’s neck. Annabelle Granger has been in hiding for as long as she can remember. Her childhood was a blur of new cities and assumed identities. But what—or who—her family was running from, she never knew. Now a body is unearthed from a grave, wearing a necklace bearing Annabelle’s name, and the danger is too close to escape. This time, she’s not going to run. You know he will find you. . . . The new threat could be the dead psychopath’s copycat, his protégé—or something far more terrifying. Dodge knows the only way to find him is to solve the mystery of Annabelle Granger, and to do that he must team up with his former lover, partner, and friend D. D. Warren from the Boston P.D. But the trail leads back to a woman from Bobby’s past who may be every bit as dangerous as the new killer—a beautiful survivor-turned-avenger with an eerie link to Annabelle. From its tense opening pages to its shocking climax, Hide is a thriller that delves into our deepest, darkest fears. Where there is no one to trust. Where there is no place left to hide.

Seventy-five years after he came to life, Superman remains one of America’s most adored and enduring heroes. Now Larry Tye, the prize-winning journalist and New York Times bestselling author of Satchel, has written the first full-fledged history not just of the Man of Steel but of the creators, designers, owners, and performers who made him the icon he is today. Legions of fans from Boston to Buenos Aires can recite the story of the child born Kal-El, scion of the doomed planet Krypton, who was rocketed to Earth as an infant, raised by humble Kansas farmers, and rechristened Clark Kent. Known to law-abiders and evildoers alike as Superman, he was destined to become the invincible champion of all that is good and just—and a star in every medium from comic books and comic strips to radio, TV, and film. But behind the high-flying legend lies a true-to-life saga every bit as compelling, one that begins not in the far reaches of outer space but in the middle of America’s heartland. During the depths of the Great Depression, Jerry Siegel was a shy, awkward teenager in Cleveland. Raised on adventure tales and robbed of his father at a young age, Jerry dreamed of a hero for a boy and a world that desperately needed one. Together with neighborhood chum and kindred spirit Joe Shuster, young Siegel conjured a human-sized god who was everything his creators yearned to be: handsome, stalwart, and brave, able to protect the innocent, punish the wicked, save the day, and win the girl. It was on Superman’s muscle-bound back that the comic book and the very idea of the superhero took flight. Tye chronicles the adventures of the men and women who kept Siegel and Shuster’s “Man of Tomorrow” aloft and vitally alive through seven decades and counting. Here are the savvy publishers and visionary writers and artists of comics’ Golden Age who ushered the red-and-blue-clad titan through changing eras and evolving incarnations; and the actors—including George Reeves and Christopher Reeve—who brought the Man of Steel to life on screen, only to succumb themselves to all-too-human tragedy in the mortal world. Here too is the poignant and compelling history of Siegel and Shuster’s lifelong struggle for the recognition and rewards rightly due to the architects of a genuine cultural phenomenon. From two-fisted crimebuster to über-patriot, social crusader to spiritual savior, Superman—perhaps like no other mythical character before or since—has evolved in a way that offers a Rorschach test of his times and our aspirations. In this deftly realized appreciation, Larry Tye reveals a portrait of America over seventy years through the lens of that otherworldly hero who continues to embody our best selves.

What happens when a performing actor leaves behind his lines, staging, sets, and lighting, and steps beyond the fourth wall? For three years, Amy Arbus has been exploring this question in a series of dramatic portraits of celebrated actors, both on and off Broadway. Fully costumed but stripped of their context, Arbus's actors remain in character as they step outside the fiction of theater into the reality of the world beyond. Staged in anonymous public spaces--in theater lobbies, on city streets, in parks, and in stage door alleys--Arbus's images achieve an unexpected blend of spectacle and high art; formality and sontaneity; vulnerability and pretense. Collected in The Fourth Wall are some of the modern stage's most gifted actors, including Alan Cumming in Cabaret, John Malkovitch in Lost Land, Liev Schreiber in Talk Radio, Ed Harris in Wrecks, Cherry Jones in Doubt, Christine Ebersol in Grey Gardens, and Ethan Hawke and Martha Plimpton in The Coast of Utopia. Actors are included from such successful and ambitioud productions as Wicked, The Light in the Piazza, Hedwig and the Angry Inch, Chitty Chitty Bang Bang, and The Color Purple, to name but a few. Portraits are accompanied by synopses of the plays as well as quotes from a number of the actors portrayed. In 2006's critically acclaimed book On the Street, Arbus focused her lens on those who dressed to express themselves--now she turns her attention to those who dress to become someone else. The result is a collection of potent photographs that pay remarkable tribute to contemporary theater and the performers who bring fantasy to life.

In a future less than fifty years away, the world is still as we know it. Time continues to tick by. The truth is that it is ticking away. A powerful few know what lies ahead. They are preparing for it. They are trying to protect us. They are setting us on a path from which we can never return. A path that will lead to destruction; a path that will take us below ground. The history of the silo is about to be written. Our future is about to begin.

At Myrtle House, the twin beds have never been so busy... The irrepressible Russell 'Buffy' Buffery has upped sticks from London and moved to a decrepit B&B in rural Wales. He needs to fill the beds, and what better way than with 'Courses for Divorces', his new money-making wheeze. Those checking in include: Harold, whose wife has run off with a younger woman; Amy, who's been unexpectedly dumped by her (not-so) weedy boyfriend and Andy, the hypochondriac postman whose girlfriend is much too much for him to handle. Under Buffy's tutelage, these casualties of the marriage-go-round find themselves re-learning all those skills never thought they'd need again, and a whole lot more besides...

An FBI trainee A psychopath locked up for unspeakable crimes And a serial killer getting ever closer to his latest victim... FBI rookie Clarice Starling turns to Dr. Hannibal Lecter, monster cannibal held in a hospital for the criminally insane, for insight into the deadly madman she must find. As Dr. Lecter invites her into the darkest chambers of his mind, he forces her to confront her own childhood demons as the price of understanding, an unspeakable tuition he exacts to teach her how the monster thinks. And time is running out...

From the author of The Satanic Verses and Midnight's Children, which was awarded the Best of the Booker Prize in 1993, comes an unflinchingly honest and fiercely funny account of a life turned upside-down. On Valentine's Day, 1989, Salman Rushdie received a telephone call from a BBC journalist that would change his life forever: Ayatollah Khomeini, a leading Muslim scholar, had issued him with a death sentence. This is his own account of how he was forced to live in hiding for over a decade; at once intimate and explosive, this is the personal tale behind the international story. How does a man live with the constant threat of murder? How does he continue to work when deprived of his freedom? How does he sustain friendships, or fall in and out of love? How does he fight back? For over a decade, Salman Rushdie dwelt in a world of secrecy and disguise, a world of security guards and armoured cars, of aliases and code names. In Joseph Anton, Rushdie tells the remarkable story of one of the crucial battles, in our time, for freedom of speech. It is shortlisted for the James Tait Black Biography Prize.

Struck by a bolt of lightning and doused in chemicals, Central City Police scientist Barry Allen was transformed into the fastest man alive. Tapping into the energy field called The Speed Force, he applies a tenacious sense of justice to protect an serve the world as The Flash! The Fastest Man Alive returns to his own monthly series as part of the DC Comics — The New 52 event with the writer/artist team of Francis Manapul and Brian Buccellato. The Flash knows he can't be everywhere at once, but he has seemingly met his match when he faces DC Comic' hottest new Super Villain, Mob Rule, who really can be everywhere at once! As Mob Rule wages a campaign of crime across Central City, including an electromagnetic blast that plunges the city into darkness, The Flash learns the the only way he can capture Mob Rule and save Central City is to learn how to make his brain function even faster than before — but as much as it helps him, it also comes with a steep price. This volume collects issues 1-8 of the monthly series.

This National Book Award Finalist is soon to be a major motion picture — one of the most buzzed-about films at Sundance 2013, starring Shailene Woodley and Miles Teller. SUTTER KEELY. HE'S the guy you want at your party. He'll get everyone dancing. He' ll get everyone in your parents' pool. Okay, so he's not exactly a shining academic star. He has no plans for college and will probably end up folding men's shirts for a living. But there are plenty of ladies in town, and with the help of Dean Martin and Seagram's V.O., life's pretty fabuloso, actually. Until the morning he wakes up on a random front lawn, and he meets Aimee. Aimee's clueless. Aimee is a social disaster. Aimee needs help, and it's up to the Sutterman to show Aimee a splendiferous time and then let her go forth and prosper. But Aimee's not like other girls, and before long he's in way over his head. For the first time in his life, he has the power to make a difference in someone else's life — or ruin it forever.

Who can afford not to understand the USA? Many facets of American life have been embraced around the world, yet the sense of just like in the movies familiarity that first-time visitors often feel can be misleading. Underneath the gleaming smile of American popular culture lies a rich and complex society that brims with contrasts and contradictions. It is a culture of rugged individualism, of go-getters, of high-tech high achievers. At the same time it is a deeply religious country with a quiet devotion to church and charitable works. This updated new edition of Culture Smart! USA also reveals a society in transition. The USA responded to the 9/11 attacks by embarking on two overseas wars, while at home the subprime mortgage crisis rippled through the economy, bringing the first African-American president to power during the biggest recession since the 1920s. In an increasingly polarized political and cultural climate, and with an ever widening gap between the haves and the have-nots, the rise of the social media has given more Americans a voice, from the Tea Party on the right to the Occupy Wall Street movement on the left. As Americans wake up to a changing world where their global economic dominance is no longer assured, attitudes and behavior are being challenged and reassessed across the land. Culture Smart! USA takes you on a tour of the core influences and ideals that have shaped this great country and have driven the behavior and attitudes found on Main Street and in the workplace. It looks at Americans at work, at home, and at play, and provides the visitor with an up-to-date cultural road map of this dynamic, multifaceted society.

In a half-built mansion in Los Angeles, a watchman stumbles onto the bodies of a young couple—murdered and left in a gruesome postmortem embrace. Veteran homicide cop Milo Sturgis is shocked at the sight: a twisted crime that only Milo and psychologist Alex Delaware can hope to solve. While the female victim’s identity remains in question, her companion is ID’d as eco-friendly architect Desmond Backer, notorious for his power to seduce women. The deeper Milo and Alex dig for clues, the longer the list of suspects grows. But when the investigation veers suddenly in a startling direction, it’s the investigators who may wind up on the wrong end of a cornered predator’s final fury.

When Helen Fielding first wrote Bridget Jones' Diary, charting the life of a 30-something singleton in London in the 1990s, she introduced readers to one of the most beloved characters in modern literature. The book was published in 40 countries, sold more than 15 million copies worldwide, and spawned a best-selling sequel, Bridget Jones: The Edge of Reason. The two books were turned into major blockbuster films starring Renee Zellweger, Hugh Grant and Colin Firth. With her hotly anticipated third instalment, Bridget Jones: Mad About the Boy, Fielding introduces us to a whole new enticing phase of Bridget's life set in contemporary London, including the challenges of maintaining sex appeal as the years roll by and the nightmare of drunken texting, the skinny jean, the disastrous email cc, total lack of twitter followers, and TVs that need 90 buttons and three remotes to simply turn on. An uproariously funny novel of modern life, Bridget Jones: Mad About the Boy is a triumphant return of our favourite Everywoman.

Meet Raymond Gunt. A decent chap who does the right thing. Or, to put it another way, the worst person ever: a foul-mouthed, misanthropic cameraman, trailing creditors, ex-wives and homeless people in his wake. Men dislike him, women flee from him. Worst. Person. Ever. is a deeply unworthy book about a dreadful human being with absolutely no redeeming social value. Gunt, in the words of the author, is a living, walking, talking, hot steaming pile of pure id. He's a B-unit cameraman who enters an amusing downward failure spiral that takes him from London to Los Angeles and then on to an obscure island in the Pacific where a major American TV network is shooting a Survivor-style reality show. Along the way, Gunt suffers multiple comas and unjust imprisonment, is forced to re-enact the 'Angry Dance' from the movie Billy Elliot and finds himself at the centre of a nuclear war. We also meet Raymond's upwardly failing sidekick, Neal, as well as Raymond's ex-wife, Fiona, herself 'an atomic bomb of pain'. Even though he really puts the 'anti' in anti-hero, you may find Raymond Gunt an oddly likeable character.

'I'm the Doctor. I'm a Time Lord. I'm from the planet Gallifrey in the constellation of Kasterborous. And I'm the man who's going to save your life.' He's made a mark on almost every era of history, and he's touched millions of lives across space and time. In these pages you'll find just some of the stories behind those brief encounters, each of them addressing the question that must never, ever be answered: 'Doctor Who?' This is the story of an impossible life — of a man who borrowed a spaceship, travelled through time and continually saved the universe — as told by the Doctor's friends, by his enemies, and by the man himself. Letters, journals, trial records, secret government files and the occasional bit of tabloid journalism reveal the never-before-told story of Gallifrey's last Time Lord.