Ben Mears has returned to Jerusalem's Lot in the hopes that living in an old mansion, long the subject of town lore, will help him cast out his own devils and provide inspiration for his new book. But when two young boys venture into the woods and only one comes out alive, Mears begins to realize that there may be something sinister at work and that his hometown is under siege by forces of darkness far beyond his control.

«Pilgrimage» took Annie Leibovitz to places that she could explore with no agenda. She wasn't on assignment. She chose the subjects simply because they meant something to her. The first place was Emily Dickinson's house in Amherst, Massachusetts, which Leibovitz visited with a small digital camera. A few months later, she went with her three young children to Niagara Falls. «That's when I started making lists», she says. She added the houses of Virginia Woolf and Charles Darwin in the English countryside and Sigmund Freud's final home, in London, but most of the places on the lists were American. The work became more ambitious as Leibovitz discovered that she wanted to photograph objects as well as rooms and landscapes. She began to use more sophisticated cameras and a tripod and to travel with an assistant, but the project remained personal. Leibovitz went to Concord to photograph the site of Thoreau's cabin at Walden Pond. Once she got there, she was drawn into the wider world of the Concord writers. Ralph Waldo Emerson's home and Orchard House, where Louisa May Alcott and her family lived and worked, became subjects. The Massachusetts studio of the Beaux Arts sculptor Daniel Chester French, who made the seated statue in the Lincoln Memorial, became the touchstone for trips to Gettysburg and to the archives where the glass negatives of Lincoln's portraits have been saved. Lincoln's portraitists — principally Alexander Gardner and the photographers in Mathew Brady's studio — were also the men whose work at the Gettysburg battlefield established the foundation for war photography. At almost exactly the same time, in a remote, primitive studio on the Isle of Wight, Julia Margaret Cameron was developing her own ultimately influential style of portraiture. Leibovitz made two trips to the Isle of Wight and, in an homage to the other photographer on her list, Ansel Adams, she explored the trails above the Yosemite Valley, where Adams worked for fifty years. The final list of subjects is perhaps a bit eccentric. Georgia O'Keeffe and Eleanor Roosevelt but also Elvis Presley and Annie Oakley, among others. Figurative imagery gives way to the abstractions of Old Faithful and Robert Smithson's Spiral Jetty. «Pilgrimage» was a restorative project for Leibovitz, and the arc of the narrative is her own. «From the beginning, when I was watching my children stand mesmerized over Niagara Falls, it was an exercise in renewal», she says. «It taught me to see again».»

Despite their initial hesitation, living with Anne has softened the flock, so Max is keenly aware that it's time to leave. With Thanksgiving so near, though, all of them want to stay, at least until they've had their first ever Thanksgiving turkey! But danger is on the horizon as Jeb's plan advances, and while the flock's new school seems normal and safe, secrets are hidden beneath its prestigious facade...

Anne Rice's extraordinary new novel summons up for us the world of fifteenth-century Rome: of Michelangelo and Raphael, of the Holy Inquisition and of Leo X, second son of a Medici, holding forth on the papal throne... a city of domes and rooftop gardens and rising towers. And into this time, into this century, Toby O'Dare, former government assassin is summoned, by the angel Malchiah, to solve a terrible crime of poisoning and to search out the truth about a haunting by an earthbound restless spirit — a diabolical dybbuk. In the fullness of the high Italian Renaissance, Toby is plunged into this rich age as a lutenist sent to charm and calm this troublesome spiri... He soon discovers himself in the midst of dark plots and counter-plots surrounded by a darker and more dangerous threat as the veil of ecclesiastical terror closes in around him. As Toby once again embarks on a powerful journey of atonement, he is reconnected with his own past, with matters light and dark, fierce and tender, with the promise of salvation and with a deeper and richer vision of love.

Between these pages you will find things that lurk, things that scurry in the walls, things that move unseen, things that have learnt to walk that ought to crawl, unfathomable blackness, unconquerable evil, inhuman impulses, abnormal bodies, ancient rites, nameless lands best left undiscovered, thoughts best left unspoken, doors best left closed, names best forgotten. You have been warned.

Another day. Another death. Death du Jour. My God, how many such days would there be?' On a bitterly cold March night in Montreal, forensic anthropologist Dr. Temperance Brennan is exhuming the remains of a nun proposed for sainthood in the grounds of an old church. Just hours later, Tempe is called to the scene of a horrific arson. A young family has perished, and there seems to be no witness, no motive, no explanation. From the charred remains of the inferno, to a trail of sinister cult activity and a terrifying showdown during an ice storm, Tempe faces a nerve-shattering test of both her forensic expertise and her instinct for survival.

The meticulously dismembered body of a woman is discovered in the grounds of an abandoned monastery. 'Too decomposed for standard autopsy. Request anthropologic expertise.' Enter Dr Temperance Brennan, Director of Forensic Anthropology for the province of Quebec, who has been researching recent disappearances in the city. Despite the deep cynicism of Detective Claudel who heads the investigation, Brennan is convinced that a serial killer is at work. Her forensic expertise finally convinces Claudel, but only after the body count has risen... Tempe takes matters into her own hands, but her determined probing places those closest to her in mortal danger. Can Tempe make her crucial breakthrough before the killer strikes again?

The Terraphiles are a group obsessed with Earth's past and dedicated to re-enacting ancient sporting events. The Doctor and Amy join them on a trip to Miggea, a star on the very edge of reality, and venue for a competition to win the fabled Arrow of Law. But the Terraphiles' grasp of Earth history and customs is dubious to say the least, and just getting to Miggea is going to prove tricky. For reality is falling apart, ships are disappearing, and Captain Cornelius and his pirates are looking for easy pickings. And the Doctor and Amy have to find out who is so desperate to get the Arrow of Law that they will kill for it.

A plane crashes high in the mountains of North Carolina. But a severed foot is discovered a good distance from the crash site... Forensic anthropologist Dr Temperence Brennan is first on the scene. The task that confronts her is a sad and sickening one, and her investigation seems to be throwing up more questions than answers. But when Tempe makes a discovery that raises dangerous questions, her professional standing is threatened. Convinced that another corpse lies in the woods, Tempe pits herself against a conspiracy of silence, and uncovers a shocking tale of deceit and depravity...

In the searing heat of Guatemala, Dr. Temperance Brennan excavates the remains of a two-year-old child from a site that is said to contain the bodies of twenty-three women and children. Shaken by the discovery, Tempe tries to harden herself against the horrors that she finds. And then four young girls go missing from Guatemala City... When a skeleton is found in a septic tank at the back of a rundown hotel, only someone with Tempe's expertise can deduce who the victim was and how they died. But her path is blocked at every turn. It would seem that some people would prefer that Guatemala's 'disappeared' stay buried. And others want the missing girls kept the same way...

Winner of the Man Booker Prize for Fiction 2011. From the hairdessing salon where an old man measures out his life in haircuts, to the concert hall where a music lover carries out an obsessive campaign against those who cough in concerts; from the woman reads elaborate recipes to her sick husband as a substitute for sex, to the woman 'incarcerated' in an old people's home beginning a correspondence with an author that enriches both their lives — all Barnes' characters, in their different ways, square up to death and rage against the dying light.

From the end of the last Ice Age (10,000 years ago) to the death of Winston Churchill in 1965, Adrian Sykes narrates the history and achievements of these islands, their inhabitants and their origins, through the stories of some 3000+ men and women who have shaped not just our history but the modern world. The story is interspersed with countless inventions, deeds of daring do and wickednesses, as well as the origins of innumerable words and phrases, often surprisingly early, from Nosey Parker — Elizabeth I of her Archbishop of Canterbury, to mayonnaise — the battle of Mahon, which the victorious French admiral celebrated by inventing mayonnaise and after which we hanged Admiral Byng who lost it to encourage the others, as Voltaire put it. Sykes astonishes on every page, whether with the origin of everyday phrases or nursery rhymes or the countless inventions of the British, from the lead pencil (1568), the tin can, the bicycle, screw propeller and jet engine to DNA, LCD crystals, cement, the electric kettle, the vacuum cleaner and Marmite. Beautifully illustrated and with maps of exceptional clarity, this is a book hard to put down in which you learn something very surprising on every page.

The English, Peter Ackroyd tells us in this fascinating collection, see more ghosts than any other nation. Each region has its own particular spirits, from the Celtic ghosts of Cornwall to the dobies and boggarts of the north. Some speak and some are silent, some smell of old leather, others of fragrant thyme. From medieval times to today, stories have been told and apparitions seen — ghosts who avenge injustice, souls who long for peace, spooks who just want to have fun. The English Ghost is a treasury of such sightings — which we can believe or not, as we will. The accounts, packed with eerie detail, range from the door-slamming, shrieking ghost of Hinton Manor in the 1760s and the moaning child that terrified Wordsworth's nephew at Cambridge, to the headless bear of Kidderminster, the violent daemon of Devon who tried to strangle a man with his cravat and the modern-day hitchhikers on Blue Bell Hill. Comical and scary, like all good ghost stories, these curious incidents also plumb the depths of the English psyche in its yearnings for justice, freedom and love.

This is an immortal love story. Have you ever loved someone so much that you'd do anything for them? When Dr Luke Findley turns up to his hospital shift in the small town of St Andrews, Maine, he's expecting just another evening of minor injuries and domestic disputes. But instead, Lanore McIlvrae walks into his life — and changes it forever. For Lanny is a woman with a past... Lanny McIlvrae is unlike anyone Luke has ever met. Hers is a story of love and betrayal that defies time and transcends mortality — but this tale cannot end until Lanny's demons are finally put to rest. Her two hundred years on this earth have seen her seduced by both decadence and brutality — yet through it all she has only ever had one true love in her life. Until now. An unforgettable novel about the power of unrequited love to elevate and sustain, but also to blind and ultimately destroy, The Taker is an immortal love story on an epic scale...

One of the world's most celebrated scholars, Stephen Greenblatt has crafted both an innovative work of history and a thrilling story of discovery, in which one manuscript, plucked from a thousand years of neglect, changed the course of human thought and made possible the world as we know it. Nearly six hundred years ago, a short, genial, cannily alert man in his late 30s took a very old manuscript off a library shelf, saw with excitement what he had discovered, and ordered that it be copied. The book was the last surviving manuscript of an ancient Roman philosophical epic, On the Nature of Things, by Lucretius — a thrillingly beautiful poem of the most dangerous ideas: that the universe functioned without the aid of gods, that religious fear was damaging to human life, and that matter was made up of very small particles in eternal motion. The copying and translation of this ancient book, the greatest discovery of the greatest book-hunter of his age, fueled the Renaissance, inspiring artists such as Botticelli and thinkers such as Giordano Bruno; shaped the thought of Galileo and Freud, Darwin and Einstein; and, had revolutionary influence on writers from Montaigne to Thomas Jefferson.

The year is 1895, Jeff. Salah Rajani, a troubled Muslim boy living in a dilapidated mansion surrounded by orange groves, suffers from peculiar visions about a disaster which is set to befall his people. His life is changed by the arrival of a handsome young man, a dynamic Jewish settler, new to the city, by the name of Isaac Luminsky. Luminsky covets both the fertile lands of the Rajani estate and Salah's beautiful mother Afifa, and his friendship with the boy is destined to lead to violence and tragedy. This rich and colourful novel is made up of the two opposing journals of Hilu's intriguing and extraordinary protagonists as they negotiate love, honour and betrayal in the changing world of nineteenth-century Palestine.

In 1982, the oil rig Ocean Ranger sank off the coast of Newfoundland during a Valentine's night storm. In the early hours of the next morning, all 84 men aboard died. Helen O'Mara is one of those left behind when her husband, Cal, drowns. Her story starts years after the Ranger disaster, but she is compelled to travel back to the 'February' that persists in her mind, and to that moment in 1982 when, expecting a fourth child, she received the call informing her that Cal was lost at sea. A quarter of a century on, late one winter's night, Helen is woken by another phone call. It is her wayward son John, in another time zone, on his way home. He has made a girl pregnant and he needs his mother to decide what he should do. As John grapples with what it might mean to be a father, Helen realises that she must shake off her decades of mourning in order to help. With grace and precision, and a shocking ability to render the precise details of her characters' physical and emotional worlds, Lisa Moore reveals the whole story to us. And just as, finally, we watch the oil rig go down, we see Helen emerging from her grief to greet a new life.

Sebastian and Oskar have been friends since their days studying physics at university, when both were considered future Nobel Prize candidates. But their lives took divergent paths, as did their scientific views. Whenever Oskar comes to visit from his prestigious research post in Geneva, there is tension in the air, and it doesn't help their friendship that he feels Sebastian has not lived up to his intellectual capacities, having chosen marriage and fatherhood as an exit strategy. A few days after a particularly heated argument between the two men, Sebastian leaves his son sleeping in the back seat while he goes into a service station. When he returns, the car has disappeared without trace. His phone rings and a voice informs him that in order to get his son back he must kill a man. As Sebastian's life unravels, the only person he can safely reach out to is Oskar. Then Detective Schilf comes on the scene, with a most unorthodox method of uncovering the truth. With intelligence, wit, precision, and grace, Juli Zeh crafts a philosophical thriller which uses the clash of the ideal and the material worlds, the bending of reality, and the search for a definition of time to explore the ideas of guilt and innocence and the infinite configurations of love.