This is a stunning international thriller of psychology and conspiracy, espionage and prophecy, history and suspense. After someone he has under surveillance is slaughtered — literally — CIA agent Jack Dunphy is ordered to leave London immediately and return to the US, where he is dumped into a tedious desk job that seems calculated to make him quit. Determined to learn why, Dunphy uses all his CIA tradecraft on the agency that has turned against him — and discovers the fragments of a story that seems too wild to be true, providing him with evidence of a conspiracy that goes back to the time of Christ, a conspiracy so vast and deep and old that the CIA itself is but a cover for it. Embroiled in a plot far more elaborate than he ever could have imagined, with players too powerful and consequences too deadly, Dunphy must uncover the shocking truth — or die trying...

For Arthur Rowe the charity fete was a trip back to childhood, to innocence, a welcome chance to escape the terror of the Blitz, to forget twenty years of his past and a murder. Then he guesses the weight of the cake, and from that moment on he's a hunted man, the target of shadowy killers, on the run and struggling to remember and to find the truth.

«Yambo, a sixty-ish rare book dealer who lives in Milan has suffered a loss of memory; not the kind of memory neurologists call 'semantic' (Yambo remembers all about Julius Caesar and can recite every poem he has ever read), but rather his 'autobiographical' memory: he no longer knows his own name, doesn't recognize his wife or his daughters, doesn't remember anything about his parents or his childhood. His wife, who is at his side as he slowly begins to recover, convinces him to return to his family home in the hills somewhere between Milan and Turin. Yambo promptly retreats to the sprawling attic, cluttered with boxes of newspapers, comics, records, photo albums and adolescent diaries. There, he relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Cyrano de Bergerac. As he recovers his memory, two voids remain shrouded in fog: a terrible event he experienced during the resistance, and the vague image of a girl whom he loved at sixteen, then lost.But a relapse occurs. Now in a coma, his memories run wild, and life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to find at last the face of the girl he loves: she descends the stairs of their high school and morphs into a Dante-esque promise (or threat) of the afterlife, as he struggles harder to capture her simple, innocent, real-life image — the schoolgirl he never forgot. Copiously illustrated throughout with images from comics, book jackets, record sleeves and other printed ephemera, «The Mysterious Flame» is a fascinating and hugely entertaining new novel from the incomparable Umberto Eco.»

Peter Ackroyd's marvellous biography is a living attempt to reach into the heart of Shakespeare. He creates an intimate and immediate connection with his subject, so that the book reads like the work of a contemporary — meeting Shakespeare afresh on his own ground. Written with intuition and imagination unique to Peter Ackroyd, this is a book by a writer about a writer, and a fascinating and detailed depiction of the world Shakespeare inhabited.

Los Angeles, 1991. Maximilian Ophuls, one of the makers of the modern world, is knifed to death in broad daylight on the doorstep of his illegitimate daughter India, slaughtered by his Kashmiri driver, a mysterious figure who calls himself Shalimar the Clown. The dead man is a World War II Resistance hero, a man of formidable intellectual ability and much erotic appeal, a former United States ambassador to India, and subsequently America's counter-terrorism chief. The murder looks at first like a political assassination but turns out to be passionately personal. This is the story of Max, his killer, and his daughter — and of a fourth character, the woman who links them, whose story explains them all. The story of a deep love gone fatally wrong, destroyed by a shallow affair, it is an epic narrative that moves from California to France, England, and above all, Kashmir. At its heart is the tale of that earthly paradise of peach orchards and honey bees, of mountains and lakes, of green-eyed women and murderous men: a ruined paradise, not so much lost as smashed. Lives are uprooted, names keep changing — nothing is permanent, yet everything is connected. Spanning the globe and darting through history, Salman Rushdie's majestic narrative captures the heart of the reader and the spirit of a troubled age.

«An old man wearing a brown robe is found wandering disoriented in the Arizona desert. He is miles from any human habitation and has no memory of how he got to be there, or who he is. The only clue to his identity is the plan of a medieval monastery in his pocket. So begins the mystery of «Timeline», a mystery that will catapult a group of young scientists back to the Middle Ages and into the heart of the Hundred Years' War. Imagine the risks of such a journey. Imagine the impossible.»

Artistic genius, political activist, painter and decorator, mythic legend or notorious graffiti artist? The work of Banksy is unmistakable, except maybe when it's squatting in the Tate or New York's Metropolitan Museum. Banksy is responsible for decorating the streets, walls, bridges and zoos of towns and cites throughout the world. Witty and subversive, his stencils show monkeys with weapons of mass destruction, policeman with smiley faces, rats with drills and umbrellas. If you look hard enough, you'll find your own. His statements, incitements, ironies and epigrams are by turns intelligent and cheeky comments on everything from the monarchy and capitalism to the war in Iraq and farm animals. His identity remains unknown, but his work is prolific. Here's the best of his work in a fully illustrated colour volume — including brand material.

«Set in Kiev during the Russian revolution, «White Guard» tells a story about the war's effect on a middle-class family and was turned into a hugely successful play on publication. It brought the author overnight success and became 'a new Seagull' for the new generation, although it also received hostile reviews for the sympathetic portrayal of White officers. Paradoxically, «The White Guard» was one of Stalin's favorite plays. It was banned in 1929, reinstated in 1932, but published only in 1955.»

Vasily Grossman's masterpiece Life and Fate is rated by many as the greatest Russian novel of the twentieth century. Among its admirers is Antony Beevor, the bestselling author of Stalingrad and Berlin. A Writer at War is based on the notebooks in which Grossman gathered his raw material. It depicts as never before the crushing conditions on the Eastern Front and the lives and deaths of infantrymen, tank drivers, pilots, snipers and civilians alike. Deemed unfit for service when the Germans invaded in 1941, Grossman became a special correspondent for Red Star, the Red Army newspaper. Remarkably, he spent three of the following four years at the front observing with a writer's eye the most pitiless fighting ever known. Grossman witnessed almost all the major events on the Eastern Front: the appalling defeats and desperate retreats of 1941, the defence of Moscow and fighting in the Ukraine. In August 1942 he was posted to Stalingrad where he remained during four months of brutal street-fighting. He was present at the battle of Kursk, the largest tank engagement in history, and, as the Red Army advanced, he reached Berdichev where his worst fears for his mother and other relations were confirmed. A Jew himself, he undertook the faithful recording of Holocaust atrocities as their extent dawned. His supremely powerful report 'The Hell of Treblinka' was used in evidence at the Nuremberg tribunal. A Writer at War offers the one outstanding eye-witness account of the war on the Eastern Front and perhaps the best descriptions ever of what Grossman called 'the ruthless truth of war'.

«From her appearance in a small magazine in 1906 to her death in 1965, Anna Akhmatova was a dominant presence in Russian literary life. But this friend of Pasternak and Mandelstam was a poet in a country where poetry was literally a matter of life and death, as she found when Mandelstam and her own husband, Gumilyev, were executed, and her son imprisoned for many years in the Gulag. Akhmatova's first collection, «Evening», appeared in 1912. «Rosary» (1914) made her a household name. After the Revolution she went in and out of favour with the authorities, who sometimes allowed her to publish, sometimes banned her work. She is now most celebrated in the West for «Poem Without A Hero and Requiem», a sequence mourning the victims of Stalin's Terror which was only published (and then outside Russia) in 1963.»

Wer Wladimir Kaminers Geschichten kennt, kennt auch seine Familie: seine Frau Olga, seine beiden Kinder und natürlich seine Eltern. Egal ob Erziehungsfragen, sexuelle Aufklärungsarbeit, deutscher Behördendschungel, sportliche Extravaganzen, Mysterien des Religionsunterrichts, Urlaubskatastrophen oder die Invasion der Playmobilfiguren – das Leben mit seiner Familie stellt Wladimir Kaminer unablässig vor neue Herausforderungen und beschert ihm immer wieder äußerst kuriose Erfahrungen. Und wer könnte hinreißender von ihnen erzählen als er selbst?

The Gulf War is imminent and there’s something mighty strange going on in the Agriculture Department of East Iowa University. When an Arab student turns up drunk – and dead – in the lake, redneck Deputy County Sheriff Clyde Banks gets a feeling he’s on to something big. It’s a suspicion shared by low-ranking CIA agent Betsy Vandeventer. But before two great minds yell conspiracy theory, in steps top US policy-maker James Millikan. Here’s a man well used to dictating the Middle East’s future – from a comfortable seat at a top Paris restaurant. While shenanigans in the Midwest might not be exactly his style, there’s a technique that serves America well in all matters of national security. It’s called the ‘Cobweb’, and it backfires every time...

A father's worst nightmare. It's first light and George Marshalson's daughter hasn't returned home. He doesn't yet know that she never will — that her body lies prone just yards from the family house. Or that he will himself make the shocking discovery. Chief Inspector Wexford has never known a case of a father finding the murdered body of his daughter. He has daughters of his own but can barely imagine himself in Mr Marshalson's position. Tasked with picking through the pieces of a shattered family, Wexford unearths some surprising secrets about the dead teenager's lifestyle. And when a second girl is found murdered — a victim unquestionably linked to the first — Wexford has to put his own family problems aside to tackle what will become of the most disturbing and emotional case of his career.

Iris Murdoch's first novel is a gem — solid and sparkling. Set in a part of London, where struggling writers rub shoulders with successful bookies, and film starlets with frantic philosophers. Its hero, Jake Donaghue, is a drifting, clever, likeable young man who makes a living out of translation work and sponging on his friends. Meeting again, after some years, an old flame, Anna, he is led into a series of fantastic adventures. Iris Murdoch has wit, great power of invention and a knack for producing absurd incidents with a serious undertone and tender episodes with an edge of satire. Robust, full of flavour and panache, here is one of those rare novels which equally make one laugh and make one think.

Gotham’s never been so scorching, the Joker’s never been more despicable, and Batman’s never been in such grave danger. With more than thirty fires raging out of control across the city, Gotham is indeed a hell on earth. But torching the population is small potatoes for the arsonist extraordinaire known as Enfer. The pyromaniac’s mad masterpiece is Arkham Asylum, blazing like a Roman candle and engineered to provide the perfect escape for Arkham’s most infamous inmate, the Joker. But the dire situation goes from bad to beyond monstrous when the archvillain’s path to freedom leads directly to the Dark Knight’s cave. The Joker believes in striking while the iron is hot… and now it’s never been hotter. After all, the diabolical villain has devised the ultimate joke: launch the mother of all crime waves, masquerading as the Caped Crusader himself! With Gotham erupting in flames and its #1 crime fighter fast becoming its #1 enemy, the burning question is: Who’s going to get the last laugh?

«In this unforgettable chronicle of perhaps the most famous moment in American military history, James Bradley has captured the glory, the triumph, the heartbreak, and the legacy of the six men who raised the flag at Iwo Jima. Here is the true story behind the immortal photograph that has come to symbolize the courage and indomitable will of America. In February 1945, American Marines plunged into the surf at Iwo Jima — and into history. Through a hail of machine-gun and mortar fire that left the beaches strewn with comrades, they battled to the island's highest peak. And after climbing through a landscape of hell itself, they raised a flag. Now the son of one of the flagraisers has written a powerful account of six very different young men who came together in a moment that will live forever. To his family, John Bradley never spoke of the photograph or the war. But after his death at age seventy, his family discovered closed boxes of letters and photos. In «Flags of Our Fathers», James Bradley draws on those documents to retrace the lives of his father and the men of Easy Company. Following these men's paths to Iwo Jima, James Bradley has written a classic story of the heroic battle for the Pacific's most crucial island — an island riddled with Japanese tunnels and 22,000 fanatic defenders who would fight to the last man. But perhaps the most interesting part of the story is what happened after the victory. The men in the photo — three were killed during the battle — were proclaimed heroes and flown home, to become reluctant symbols. For two of them, the adulation was shattering. Only James Bradley's father truly survived, displaying no copy of the famous photograph in his home, telling his son only: «The real heroes of Iwo Jima were the guys who didn't come back». Few books ever have captured the complexity and furor of war and its aftermath as well as «Flags of Our Fathers». A penetrating, epic look at a generation at war, this is history told with keen insight, enormous honesty, and the passion of a son paying homage to his father. It is the story of the difference between truth and myth, the meaning of being a hero, and the essence of the human experience of war.»

Empress Catherine II brought Europe to Russia, and Russia to Europe, during her long and eventful reign (1762-96). She fostered the culture of the Enlightenment and greatly expanded the immense empire created by Czar Ivan the Terrible, shifting the balance of power in Europe eastward. Famous for her will to power and for her dozen lovers, Catherine was also a prolific and gifted writer. Fluent in French, Russian, and German, Catherine published political theory, journalism, comedies, operas, and history, while writing thousands of letters as she corresponded with Voltaire and other public figures. The Memoirs of Catherine the Great provides an unparalleled window into eighteenth-century Russia and the mind of an absolute ruler. With insight, humor, and candor, Catherine presents her eyewitness account of history, from her whirlwind entry into the Russian court in 1744 at age fourteen as the intended bride of Empress Elizabeth I’s nephew, the eccentric drunkard and future Peter III, to her unhappy marriage; from her two children, several miscarriages, and her and Peter’s numerous affairs to the political maneuvering that enabled Catherine to seize the throne from him in 1762. Catherine’s eye for telling details makes for compelling reading as she describes the dramatic fall and rise of her political fortunes. This definitive new translation from the French is scrupulously faithful to her words and is the first for which translators have consulted original manuscripts written in Catherine’s own hand. It is an indispensable work for anyone interested in Catherine the Great, Russian history, or the eighteenth century.

An automobile breakdown strands Nero Wolfe and Archie in the middle of a private pasture — and a family feud over a prize bull. A restaurateur's plan to buy the stud and barbecue it as a publicity stunt may be in poor taste, but it isn't a crime... until Hickory Casear Grindon, the soon-to-be-beefsteak bull, is found pawing the remains of a family scion. Wolfe is sure the idea that Caesar is the murderer is, well, pure bull. Now the great detective is on the horns of a dilemma as a veritable stampede of suspects — including a young lady Archie has his eye on — conceals a special breed of killer who wins a blue ribbon for sheer audacity.

Henry Pulling, a retired bank manager, meets his septuagenarian Aunt Augusta for the first time in over fifty years at what he supposes to be his mother's funeral. Soon after, she persuades Henry to abandon Southwood, his dahlias and the Major next door to travel her way, Brighton, Paris, Istanbul, Paraguay. Through Aunt Augusta, a veteran of Europe's hotel bedrooms, Henry joins a shiftless, twilight society: mixing with hippies, war criminals, CIA men; smoking pot, breaking all the currency regulations and eventually coming alive after a dull suburban life. In Travels with my Aunt Graham Greene not only gives us intoxicating entertainment but also confronts us with some of the most perplexing of human dilemmas.

David Kepesh is white-haired and over sixty, an eminent TV culture critic and star lecturer at a New York college, when he meets Consuela Castillo, a decorous, well-mannered student of twenty-four, the daughter of wealthy Cuban exiles, who promptly puts his life into erotic disorder. Since the sexual revolution of the 1960s, when he left his wife and child, Kepesh has experimented with living what he calls an 'emancipated manhood', beyond the reach of family or a mate. Over the years, he has refined that exuberant decade of protest and licence into an orderly way of life in which he is both unimpeded in the world of Eros and studiously devoted to his aesthetic purists. But the youth and beauty of Consuela undo him completely. His worldliness, his confidence, his reason desert him, and a maddening sexual possessiveness transports him to the depths of deforming jealousy.