The celebrated designer s latest book, devoted to gleaning design inspiration from the personal scrapbooks and notebooks of great women of style including her own. Interior designer Charlotte Moss has spent years collecting as well as creating scrapbooks a pastime both meditative and instructive about her own ideas regarding design and style. In this unique book, Moss brings together her own scrapbooks along with those of notable women, both contemporary and historical, whose flair for style inspires us, including interior designer Elsie de Wolfe and society doyenne Gloria Vanderbilt all never before published. Organized by theme home, garden, travel, entertaining, and fashion each chapter includes examples of Moss s signature style mingled with excerpts from the scrapbooks of these great women. From the ambassador s wife and bon vivant Evangeline Bruce, we learn that she preferred accessorizing tabletops with simple florets of broccoli in biscuit tins. And from the iconic Jacqueline Kennedy Onassis, we see her notes and menus from the legendary White House dinners she threw. One piece (among many) of sage advice includes perfecting one extraordinary meal and serving it again and again, rather than experimenting endlessly.

Known for her understated elegance, Stephaniem Stokes explains how to maintain fantasy and functionality in home decor by focusing on the planning of comfortable and multipurpose spaces that include attractive storage. New York-based interior designer Stephanie Stokes has dealt with demanding spaces in apartments and houses worldwide. With consummate skill, she has delivered unparalleled efficiency of space without sacrificing style. This design primer is organized by room type from living rooms and kitchens to bedrooms and entryways. Her ingenious solutions to the challenges of creating a livable environment from clever and attractive storage units to libraries that convert gracefully to guest rooms and home offices are inspirational to all homeowners. With exacting precision, she plans every anticipated need and can turn the tiniest of spaces into a cornucopia of cabinetry and imaginative storage. Her secrets for using every cubic inch while creating atmospheric environments that work are illustrated in this attractive yet practical book.

«According to Gary Baseman himself, his art inhabits «that muddy spot where the line between genius and stupidity has been smudged beyond recognition.» This book, as well as the exhibition it accompanies, considers the artist's popular and pervasive work within the conceit of a home, illustrating the incredibly personal nature of the paintings, objects, and illustrations he has produced. The first book to trace the influences of his Jewish heritage, in keeping with the Skirball's mission to feature the work of American Jewish artists, and his upbringing in LA, it presents a local and contemporary context for his illustrious career. The «house tour» of Baseman's life takes the reader through his career as an illustrator in New York, his return to fine arts in LA, the success he found in animating the popular Disney cartoon and movie «Teacher's Pet» his synthesis of toy culture and fine art in character-based projects and game design such as Cranium, and his recent focus on fine art. The poignancy and charm of his work are effectively explored in this intimate set up, which brings together the most complete presentation of his work yet. Dark yet playful and childlike, Baseman has adhered to his idiosyncratic style despite collaborations with powerhouses such as Disney and Nike whose corporate vision might have overwhelmed his own. The mass appeal of his work attests not just to the skill with which he realizes his vision but to his vivid interior world, made real here for the first time.»

«A glimpse into the «quintessentially Greenwich» homes that are stately and elegant yet designed for the comforts of family life. Greenwich is one of the most desirable communities in the United States, with houses that epitomize the suburban tradition. With their handsome facades and elegant interiors, these homes provide inspiration to decorators and homeowners nationwide. More than almost any other community, Greenwich signifies a classic look, a way of living, and a state of mind. Cindy Rinfret s successful Classic Greenwich Style was the first book to celebrate the style of this classically American town and bring its renowned look to a nationwide audience. Now, the beloved designer returns with an all-new selection of interiors that will appeal to a new generation of homeowners seeking elegant yet comfortable design. Specially commissioned photographs showcase the designer s signature «young traditional» style: a warm blend of color, contemporary materials with traditional shapes, antiques with transitional pieces, English-style furnishings with family heirlooms, and spaces for entertaining and family life. In her own words, Rinfret offers an intimate look into these stunning interiors including Rinfret s own classically styled house, Laurel Hill and shows how people who covet the look and style of Greenwich can create it for themselves.»

«A look inside the homes of today s stylish new «heirloomists.» Proclaimed as «the New Antiquarians» in the New York Times, Hollister and Porter Hovey are proponents of an aesthetic that puts Ralph Lauren, the Royal Tennenbaums, and a whole lot of taxidermy into a tarnished silver cocktail shaker and mixes it all up. As the principles of Hovey Design, they work to integrate nostalgia, adventure, and history into the home. In this book, the sisters pull back the velvet drapes on the model ships, antique book collections, and vintage Vuitton trunks that fill the homes of today s chicest heirloomists and flea-market lovers, and give readers a visual taste of this eclectic, generation-hurdling aesthetic. This book opens up the homes of individuals and couples to show how they use décor to give their residences a sense of history and autobiography. The Hoveys venture into the apartments, cottages, and townhouses of artists, architects, designers, furniture makers, and landscape designers, who seamlessly integrate inherited keepsakes, tag sale curiosities, collections and memorabilia, and contemporary art. Inspiring in its eclecticism, this book introduces readers to a new kind of modern.»

This book accompanies Gagosian Gallery's exhibition of Henry Moore's large-scale sculptures. Moore's large-scale sculptures celebrated the beauty and power of organic forms at a time when traditional representation was largely eschewed by the vanguard art establishment. Their prodigious size and forceful presence have an overwhelming physicality that promotes a charged relation between sculpture, site, and viewer. In Two Piece Reclining Figure No. 2 (1960) the rough texture of the patinated dark surface infuses the large corpus with a certain brutalism, the stunted head and blocky limbs akin to arched geological formations, weathered from time immemorial. Reclining Figure: Hand (1979) is immediately identifiable as a human form despite its modulated stylization; the softly rounded, cloud-like body attests to Moore’s more exploratory impulses when compared to Large Four Piece Reclining Figure (1972–73) and Reclining Connected Forms (1969), where he alludes to body parts using the vocabulary of mechanical components. Large Two Forms (1966) and Large Spindle Piece (1974) evidence an interest in both natural and man-made objects. It was Moore’s intention that these large-scale forms be interacted with, viewed close-up, and even touched. In order that their heft and mass be perceived in myriad of settings, they were most commonly placed outdoors, subject to the effects of changing light, seasons, and terrain. Within the controlled white environment of the gallery space, the sheer volume and mammoth proportions of the sculptures are more keenly felt. Brimming with latent energy, their richly textured surfaces and sensual, rippling arcs and concavities can be seen to new effect. His large-scale sculptures have been placed in indoor and outdoor environments all over the world including Kenwood House, London; Dallas City Hall Plaza; Tiergarten, Berlin; the University of Chicago; Exchange Square, Hong Kong; UNESCO headquarters, Paris; Lincoln Center, New York; The National Gallery of Art, Washington DC; the United Nations Headquarters, New York; the Houses of Parliament, London; St Paul’s Cathedral, London; and the City Museum of Contemporary Art, Hiroshima.

Essential reading for both native New Yorkers and tourists alike, How to Read New York unveils the boundless diversity of Gotham’s architectural wonders. Covering every era of New York architecture—from what remains of the colonial days to the latest postmodern skyscraper — this unique guidebook illuminates the fascinating architectural and urban history of New York. Organized chronologically and by architectural style, the book covers key highlights of the built environment from the Battery to Inwood. Many of the skyline’s most iconic buildings are included, along with many lesser-known buildings that are architecturally interesting. Charmingly illustrated with 430 line drawings and vintage engravings that bring old New York to life, the book concludes with a map section that suggests themed walking tours.

Known for his oversize paintings of contemporary African-Americans in heroic poses inspired by the great history and portrait painters of the past, Kehinde Wiley’s clever and ironic “reversals” have provided rich commentary on the nature of race and power in our society. His work began primarily from photographs he took of young men on the street in Harlem that he remixed with a fusion of historic painting styles, including elements of the French rococo. As rich visually as it is conceptually, Wiley’s work has drawn attention since his earliest shows in 2001. In the last decade, he has become one of the most important artists of the moment, with work as relevant and resonant to the hip-hop generation as it is to high-end collectors and major museums. This volume — the only comprehensive monograph on Wiley’s work—offers an in-depth understanding of this important artist’s work. It chronicles both the earliest paintings and photographs and his recent forays into sculpture—bust portraits in bronze in the manner of Renaissance artists.

«The fourth volume in a series of monographs celebrating the innovative architectural designs of the highly esteemed international firm. KPF initially distinguished itself through its attention to the most characteristic American building type, the skyscraper. The evolution of the tall tower is a key part of a sustainable paradigm in which individual buildings form part of a larger system of vertical centers linked by horizontal networks of public transportation. These «vertical cities» represent a sustainable model for future development where public transport is encouraged, land is conserved, and energy and water uses are reduced. KPF leads the way, creating enduring architecture with contextual sensitivity, flexibility of use, and care for the environment. KPF has achieved international stature, becoming the first firm to be a member of the United Nations Global Compact. This, the fourth volume of their work, explores their recent buildings in detail. The projects include buildings that have transformed the urban fabric of their respective cities, such as the Roppongi Hills Tower complex in Tokyo and the Shanghai World Financial Center, the tallest skyscraper in Asia.»

«All the essential techniques, profusely illustrated with step-by-step photographs. How do you recognize a San Marzano tomato? How do you shape tortellini? How do you cut scallopine? Everyone loves Italian food, but the ingredients and techniques can be new territory and plain recipes can take you only so far. To make sense of it all, you need La Cucina Italiana. With more than 3,000 step-by-step photographs, this veritable encyclopedia guides you through all the essential building blocks of this cuisine. The images remove the guesswork from the more than 500 recipes included, allowing you to truly master the art of Italian cooking. Reflecting the philosophy of the cuisine itself, La Cucina Italiana puts ingredients first, explaining the different types and the best use of each. Then it supplies you with multiple methods for preparing those ingredients, ranging from simple to complex. Thus the book is suitable both for beginners and more advanced chefs who want to perfect their techniques. Sprinkled throughout are sidebars such as «The Right Tool,» «Chef’s Secrets,» and «Advice and Tips.» Perhaps the most user-friendly publication ever on Italian cooking, La Cucina Italiana is like a compact cooking school you can keep on your shelf.»

A groundbreaking and always controversial musician, M.I.A. is an influential artist and an important cultural figure of the last decade. Here is a documentation of her entire visual output and a telling of her story in collages, photos, and prints from her early years in art school at Central Saint Martins London through to her hugely successful three albums, mixtapes, and live performances at PS1 MoMA, Coachella, various exhibitions, installations, and music video shoots. The artwork is comprised of a wide variety of materials and media: video stills turned to stencils pieced back together to make animated installations; spray-painted canvasses scanned then made into digital collages; photographs videotaped, then run through bad computer connections to create graphic prints; artwork on nails, walls, prints for T-shirts, handmade stage costumes—anything she could find while she was touring. Also included are assorted lyrics and portions of an exclusive interview in which she discusses candidly the personal events and themes which informed her art and music at the time of each campaign. Includes foreword by Steve Loveridge, friend since her art school days and frequent creative collaborator with M.I.A.

«Gagosian Gallery is pleased to present sculptures and a large-scale installation by Mike Kelley in this fully illustrated catalogue documenting the 2011 Los Angeles and London exhibitions. The popular Superman story recounts the adventures of an alien being sent to Earth as a baby to escape the total destruction of his home planet Krypton. The «Kandors» series, which Kelley initiated in 1999, are sculptural depictions of Superman’s actual birthplace, Kandor. However, it turns out that Kandor was not, in fact, destroyed. Shrunk and bottled by a villain, the futuristic city was later rescued by Superman and protected under a bell jar in his sanctuary, the Fortress of Solitude. In these recent exhibitions, Kelley depicts Superman’s Fortress of Solitude as a sort of bunker in ruins. Mike Kelley was born in Detroit, Michigan in 1954. He lives and works in Los Angeles. He studied at the California Institute of the Arts and the University of Michigan. Recent major exhibitions include «Mike Kelley: Educational Complex Onwards: 1995-2008 « WIELS Centre d’Art Contemporain (2008); «Mike Kelley: Profondeurs Vertes « Musée du Louvre (2006); and «Mike Kelley: The Uncanny» Tate Liverpool.»

In the early 1960s, Robinson, an illustrator celebrated for his drawings of buildings, documented Paris in his signature style. More than forty years after its original publication, Paris, Line by Line returns to print. Page after page is filled with Robinson’s beautiful, precise drawings: be it an aerial view of the Right Bank, the hustle and bustle of the Champs-Élysées, or a show at the Moulin Rouge, Robinson’s meticulous re-creations perfectly capture what makes Paris such a beloved destination. From a Latin Quarter restaurant to the quays of the Seine; from a parade through the Arc de Triomphe to arrivals at the Gare du Nord; from strollers in the Tuileries to the crowds in Place Pigalle, Parisians and tourists alike will savor this panoramic souvenir, which uniquely celebrates the elegance, excitement, and spirit of the City of Light.

Redefining cool for a new generation, Pharrell Williams is a creative force, using music, fashion, and design to express his distinctive style. Originating at the crossroads of art, design, popular culture, and street savvy, Pharrell Williams’s output is unique. By playing off different disciplines—namely music, fashion, street art, and design—and using each as an element in the other, Pharrell has redefined the role of the contemporary recording artist, blazing a trail for other musicians and prominent cultural figures. Illustrated with lavish photography, this book also explores his musical career in depth, charting his many projects from his production team The Neptunes, to the band N.E.R.D., and his collaborations with friends Kanye West, Jay-Z, Snoop Dogg, and other hip-hop royalty. This unprecedented volume documents Pharrell’s prolific body of work and his contribution to contemporary culture. In his own unique graphic language, he details his extensive creative pursuits, including clothing lines, jewelry, and accessories designs for Louis Vuitton, furniture and other product design, limited-edition toys, graphic designs, skate graphics, and collaborations with Moncler, Marc Jacobs, the artist KAWS, and with architects Zaha Hadid and Masamichi Katayama/Wonderwall. The book includes ontributions from Buzz Aldrin, Toby Feltwell, Zaha Hadid, Shae Haley, Chad Hugo, Jay-Z, Masamichi Katayama, Ambra Medda, Takashi Murakami, NIGO ®, Loïc Villepontoux, Kanye West, Anna Wintour, Hans Zimmer, Ian Luna and Lauren A. Gould.

«The first book dedicated to the career of one of New York’s most successful and prolific yet forgotten architects. Ralph Walker shaped New York’s skyline during the Roaring Twenties, from the iconic Barclay-Vesey Telephone Building at 140 West Street to the luxurious Irving Trust bank tower at 1 Wall Street in the heart of the city’s financial district. Walker was a master of modern ornament, using his skills as a designer to «humanize» the skyscraper and the city itself. In 1957, a New York Times headline proclaimed Walker «architect of the century» an honor bestowed by his fellow architects celebrating his «brilliance» as a philosopher and a humanitarian. Walker shaped the Chicago and New York World’s Fairs of the 1930s and became an outspoken advocate for his vision of a humane American city. Across the fifty years of his practice, Walker remained dedicated to defining a modern architecture from the dramatic towers of the dense city to the serene landscapes of the suburbs. Ralph Walker: Architect of the Century is the first monograph to present this forgotten vision of twentieth-century architecture.»

A native of Hungary, Rita Ackermann moved to New York City in the mid-1990s. She arrived to find a culture (and art world) in transition: rave and zine culture was in full swing; collaborations between artists, musicians, and magazine and book publishers were pervasive; and the dawning of the Internet age was upon us. Within a few short months after settling in New York, the artist received widespread attention for her work, particularly a group of canvases populated with figures inspired by the cult German film We Children from Bahnhof Zoo about the heroin subculture of the 1970s. Her work forged a new visual language: paintings, drawings, and collages which telescoped between a virtuoso—and sometimes brutalistic—expressionism and taut, precise figurative drawing. Ackermann’s work explores the paradoxical relationship between fragility and violence, as she derives inspiration from literature, film, philosophy, and popular culture. This lavishly illustrated volume—created in close collaboration with the artist—chronicles the entirety of her career. Bonnie Clearwater connects the artist to Eastern European art historical precedents and examines the evolution in her practice over the last twenty years. Felix Ensslin thoughtfully examines Ackermann’s work through a panoply of European theorists’ writings, from Jacques Derrida to Jacques Lacan. Harmony Korine (famed writer of Kids) contributes an imagined conversation with the artist. John Kelsey explores the artist’s use of collage and its meaning in her body of work, and Josh Smith contributes a foreword, in the form of a personal letter.

For their tenth anniversary, the design studio Roman and Williams Buildings and Interiors presents projects that blend the spirit of our collective history with a modernist edge. Roman and Williams’s style honors craftsmanship, the use of natural materials, and the overlooked in unexpected ways. Their understated, glamorous sensibility is imparted in Manhattan’s Ace Hotel interiors and restaurant The Breslin, The Standard Hotel, with its iconic Boom Boom Room, and the Royalton lobby. For such popular restaurants as The Dutch, the duo created environments with textured backdrops that reference a rich past with a contemporary sensibility. Their innovative work has captured the attention of firms such as Facebook—they recently completed its campus food hall—and their residences for celebrities such as Ben Stiller and Gwyneth Paltrow are equally imaginative. This book surveys the firm’s prestige projects, presented with Alesch’s architectural hand drawings and sketches and detailed views. Also included is their loft and Montauk home, which serve as design laboratories, and a collection of furnishings and fixtures.

In 2002, two years after Ryan McGinley, then a student, staged his first exhibition of photographs in a SoHo gallery, he created inexpensive handmade books of a sampling of his work titled The Kids Are Alright. Those books eventually found their way to Sylvia Wolf, then curator of photography at the Whitney Museum of American Art in New York, who gave him a solo show a year later, making him the youngest artist to have a one-person exhibition at the museum. What critics, curators, and collectors would quickly discover was an artist who understood and chronicled his own generation as no other had. Compared early on to masters of photography and film, such as Nan Goldin and Larry Clark, McGinley’s early work documents the lives of his friends—the hedonistic exploits of youth culture but without the dark undertone of earlier artists who mined similar themes. As he evolved, he began to create scenarios where he could explore different ideas (aesthetic and otherwise), and this led to his infamous summer-long road trips, which he conducted for five years, capturing a myriad of twentysomethings enjoying each other and their surroundings. In addition to these seminal works, McGinley is known for his chronicling of the singer Morrissey’s sold-out tours around the world. This is the first major volume on this important and prolific artist, featuring the most comprehensive selection of his work.

My grandmother can make better photographs. Sergey Sapozhnikov s appearance on the Moscow art scene has been accompanied by the same kind of electricity that flows through his work. The dynamic whirlwinds of his photography radiate an energy that could not, it would seem, be of worldly provenance, but rather from some impossible power source. This book features the artist s major series photographs made in different places at different times. Among them are Withdrawal, Birthday, and My grandmother can make better photographs, and many others.Altogether these works testify to the evolution in Sapozhnikov s career, focusing on his very personal style and approach to reality.

«An interactive and imaginative way to experience the Star Trek universe using the magic of «Kling-on» pieces. Few television series have had as big an impact on popular culture as Gene Roddenberry s Star Trek. Now Trekkies and fans of all ages can set their phasers to fun as they reenact their favorite scenes from the original Star Trek universe or create new, uncharted scenarios! Stuck on Star Trek features ten original and instantly recognizable scenes including the Enterprises s bridge, sick bay, the cantina, the transporter and engine rooms, private quarters, as well as alien environments, which set the stage for more than thirty reusable «Kling-on» stickers featuring everyone s favorite Starfleet crew: Captain Kirk, Mr. Spock, Bones, Uhura, Sulu, Scotty, Chekov, Nurse Chapel, their Klingon and Romulan adversaries, the always-doomed Generic Red Shirt Guy, as well as phasers, communicators, universal translators, ships, speech and thought bubbles, costumes, and Tribbles. Lots of Tribbles. With wire-o pages and a foldout stand for easy display, and play, in a cubicle or on any surface, fans can reenact Kirk and Uhura s groundbreaking kiss, Spock s use of the Vulcan Death Grip, or beam the crew (except for Generic Red Shirt Guy) up from a hostile and unfriendly planet. Fun, interactive, and portable, Stuck on Star Trek allows every fan to boldly go where no man has gone before.»