«Featuring several mass-murdering authors, two fraternal writers at the head of a football-hooligan ring and a poet who crafts his lines in the air with sky writing, «Nazi Literature in the Americas» details the lives of a rich cast of characters from one of the most extraordinarily fecund imaginations in world literature. Written with acerbic wit and virtuosic flair, this encyclopaediccavlacade of fictional pan-American authors is the terrifyingly humorous and remarkably inventive masterpiece which made Bolano famous throughout the Spanish-speaking world. 'One of the most exhilarating, intense and dangerous voices to emerge from South America... «Nazi Literature in the Americas» is a parade of delusional, mediocre, vicious and pitiable poetasters, a scabrous parlour game that reveals much about literature, power and complicity. Very funny indeed' — «Scotland on Sunday». 'The triumphant posthumous entrance of Roberto Bolano into the English-language literary firmament has been one of the sensations of the decade' — «Sunday Times». 'The best and weirdest kind of literary game... This artful alternate history of modern literature, stitched together from loose ends, half-told stories and deft episodes of pastiche, is a strangely profound place to get lost' — «Financial Times».»

'Roberto Bolano redefined the form of the novel in his masterpiece 2666; with the hallucinatory narrative of Amulet, he reimagines what literature can become' New Statesman Auxilio Lacouture is trapped. For twelve days she hides alone in a lavatory on the fourth floor of the university. Staring at the floor, she begins a heartfelt and feverish tale: she is the Mother of Mexican poetry. This highly charged first-person semi-hallucinatory novel is a potent stream of consciousness through which the poets of Mexico rage and swirl. Filled with wild, dark literary prophecies, heroic poets, mad poets, artists 'choked by the brilliance of youth', Auxilio's passionate narration both heart-breaking and lyrical is suffused with the essence of Bolano's art. 'A short, original, engaged and engaging novel; a good introduction to the longer works of this writer.' Times Literary Supplement 'Encapsulates the violence and tragedy of recent Latin American history... spare but beautifully compacted' The Times 'His work is the crossroads where Marquez meets Burroughs and Borges meets Mailer, resulting in a riotous dust-up' John Banville, Guardian 'A curtain-raising taster to the epic of his landmark works' Boyd Tonkin, Independent.

«New Year's Eve, 1975: Arturo Belano and Ulises Lima, poets and leaders of a movement they call visceral realism, leave Mexico City in a borrowed white Impala. Their mission: to track down the poet Cesarea Tinajero, who disappeared into the Sonora desert — and obscurity — decades before. But the detectives are themselves hunted men, and their search for the past will end in violence, flight, and permanent exile. In this dazzling novel, Roberto Bolano tells the story of two modern-day Quixotes on a twenty-year, multi-continent, tragicomic quest through a darkening universe. 'A unique voice asserting the importance and exuberance of literature...Bolano writes with such elegance, verve and style and is so immensely readable. He makes you feel changed for having read him; he adjusts your angle of view on the world' — «Guardian». 'Part road movie, part joyful, nostalgic confession. A masterpiece' — «Daily Telegraph». 'Extraordinary ...A portrait of people for whom literature is bread and water, sex and death. The abiding message to be taken from Bolano's novel, and maybe from his fraught life, too: books matter' — «GQ».»