From Salman Rushdie, one of the great writers of our time, comes a spellbinding novel that blends history, mythology, and a timeless love story. A lush modern fairytale in which our world has been plunged into an age of unreason, Two Years Eight Months and Twenty-Eight Nights is a breathtaking achievement and an enduring testament to the power of storytelling.

In these nine stories, Salman Rushdie looks at what happens when East meets West, at the forces that pull his characters first in one direction, then the other. Fantasy and realism collide as a rickshaw driver writes letters describing his film star career in Bombay; a mispronunciation leads to romance and an unusual courtship in sixties London; two childhood friends turned diplomats live out in a violent world fantasies hatched by Star Trek; and Christopher Columbus dreams of consummating his relationship with Queen Isabella. The stories in East, West show the extraordinary range and power of Salman Rushdie's writing.

From the author of The Satanic Verses and Midnight's Children, which was awarded the Best of the Booker Prize in 1993, comes an unflinchingly honest and fiercely funny account of a life turned upside-down. On Valentine's Day, 1989, Salman Rushdie received a telephone call from a BBC journalist that would change his life forever: Ayatollah Khomeini, a leading Muslim scholar, had issued him with a death sentence. This is his own account of how he was forced to live in hiding for over a decade; at once intimate and explosive, this is the personal tale behind the international story. How does a man live with the constant threat of murder? How does he continue to work when deprived of his freedom? How does he sustain friendships, or fall in and out of love? How does he fight back? For over a decade, Salman Rushdie dwelt in a world of secrecy and disguise, a world of security guards and armoured cars, of aliases and code names. In Joseph Anton, Rushdie tells the remarkable story of one of the crucial battles, in our time, for freedom of speech. It is shortlisted for the James Tait Black Biography Prize.

You've reached the age at which people in this family cross the border into the magical world. It's your turn for an adventure — yes, it's finally here! So says Haroun to his younger brother, twelve-year-old Luka, in Salman Rushdie's thrilling, delightful, lyrically crafted fable for the young and young at heart. The adventure begins one beautiful starry night in the land of Alifbay, where a terrible thing happens: Luka's father, Rashid, the legendary storyteller of Kahani, falls suddenly and inexplicably into a sleep so deep that nothing and no one can rouse him. To save him from slipping away entirely, Luka must embark on a journey through the world of magic with his loyal companions, Bear the dog and Dog the bear, as they encounter a slew of fantastical creatures, strange allies, and challenging obstacles along the way — all in the hopes of stealing the Fire of Life, a seemingly impossible and exceedingly treacherous task. Filled with frolicking wordplay and unexpected twists, and fueled by the power of words and the imagination, this is Salman Rushdie at his best.

A tall, yellow-haired young European traveler calling himself 'Mogor dell 'Amore', the Mughal of Love, arrives at the court of the real Grand Mughal, the Emperor Akbar, with a tale to tell that begins to obsess the whole imperial capital. The stranger claims to be the child of a lost Mughal princess, the youngest sister of Akbar's grandfather Babar: Qara Koz, 'Lady Black Eyes', a great beauty believed to possess powers of enchantment and sorcery, who is taken captive first by an Uzbek warlord, then by the Shah of Persia, and finally becomes the lover of a certain Argalia, a Florentine soldier of fortune, commander of the armies of the Ottoman Sultan. When Argalia returns home with his Mughal mistress the city is mesmerized by her presence, and much trouble ensues. The Enchantress of Florence is the story of a woman attempting to command her own destiny in a man's world. It brings together two cities that barely know each other — the hedonistic Mughal capital, in which the brilliant emperor wrestles daily with questions of belief, desire and the treachery of sons, and the equally sensual Florentine world of powerful courtesans, humanist philosophy and inhuman torture, where Argalia's boyhood friend 'il Machia' — Niccolo Machiavelli — is learning, the hard way, about the true brutality of power. These two worlds, so far apart, turn out to be uncannily alike, and the enchantments of women hold sway over them both. But is Mogor's story true? And if so, then what happened to the lost princess? And if he's a liar, must he die?

Booker Prize-winning author Salman Rushdie combines a ferociously witty family saga with a surreally imagined and sometimes blasphemous chronicle of modern India and flavors the mixture with peppery soliloquies on art, ethnicity, religious fanaticism, and the terrifying power of love. Moraes Moor Zogoiby, the last surviving scion of a dynasty of Cochinese spice merchants and crime lords, is also a compulsive storyteller and an exile. As he travels a route that takes him from India to Spain, he leaves behind a tale of mad passions and volcanic family hatreds, of titanic matriarchs and their mesmerized offspring, of premature deaths and curses that strike beyond the grave.

Set in an exotic Eastern landscape peopled by magicians and fantastic talking animals, Salman Rushdie's classic children's novel Haroun and the Sea of Stories inhabits the same imaginative space as Gulliver's Travels, Alice in Wonderland, and The Wizard of Oz. In this captivating adaptation for the stage, Haroun sets out on an adventure to restore the poisoned source of the sea of stories. On the way, he encounters many foes, all intent on draining the sea of all its storytelling powers.

In this brilliant collection — his first major work of fiction since The Satanic Verses — one of the great writers in the world today gives us nine stories that together reveal the intricate intimacies and unbridgeable distances between the East and the West. A rickshaw driver dreams of being a Bombay movie star while, in a futuristic Western dystopia, legendary Hollywood icons acquire magic powers. Indian diplomats who as childhood friends hatched Star Trek fantasies must boldly go into a hidden universe of conspiracy and violence; and Hamlet's jester, too, is caught up in murderous intrigues. In Rushdie's hybrid world, an Indian guru can be a red-headed Welshman, while Christopher Columbus is an immigrant, dreaming of Western glory. A young Pakistani woman faces a journey to England to meet the husband she does not know; an elderly Indian lady in London must choose between love and home. With profound sensitivity, Rushdie allows himself, like his characters, to be pulled now in one direction, now in another. Yet throughout this collection he remains, really, a writer who insists on our cultural complexity; who confidently rises beyond ideology, refusing to choose between East and West.

On 14 February 1989, Valentine's Day, Salman Rushdie was telephoned by a BBC journalist and told that he had been 'sentenced to death' by the Ayatollah Khomeini. For the first time he heard the word fatwa. His crime? To have written a novel called The Satanic Verses, which was accused of being 'against Islam, the Prophet and the Quran'. So begins the extraordinary story of how a writer was forced underground, moving from house to house, with the constant presence of an armed police protection team. He was asked to choose an alias that the police could call him by. He thought of writers he loved and combinations of their names; then it came to him: Conrad and Chekhov — Joseph Anton. How do a writer and his family live with the threat of murder for over nine years? How does he go on working? How does he fall in and out of love? How does despair shape his thoughts and actions, how and why does he stumble, how does he learn to fight back? In this remarkable memoir Rushdie tells that story for the first time; the story of one of the crucial battles, in our time, for freedom of speech. He talks about the sometimes grim, sometimes comic realities of living with armed policemen, and of the close bonds he formed with his protectors; of his struggle for support and understanding from governments, intelligence chiefs, publishers, journalists, and fellow writers; and of how he regained his freedom. It is a book of exceptional frankness and honesty, compelling, provocative, moving, and of vital importance. Because what happened to Salman Rushdie was the first act of a drama that is still unfolding somewhere in the world every day.