This generously annotated updated edition of Coriolanus provides a thorough reconsideration of Shakespeare's remarkable, and probably his last, tragedy. A substantial introduction situates the play within its contemporary social and political contexts — dearth, riots, the struggle over authority between James I and his first parliament, the travails of Essex and Ralegh — and pays particular attention to Shakespeare's shaping of his primary source in Plutarch's Lives. It presents a fresh account of how the protagonist's personal tragedy evolves within Shakespeare's most searching exploration of the political life of a community. The edition is alert throughout to the play's theatrical potential, while the stage history also attends to the politics of performance from the 1680s onwards, including European productions following the Second World War. A new introductory section by Bridget Escolme covers recent productions of Coriolanus, and criticism of the last ten years, with particular focus on gender and the play's politics.

This new edition of Shakespeare's The Merry Wives of Windsor focuses on a theatrical understanding of the play. While emphasising the liveliness of the play in stage terms, David Crane also claims that this citizen comedy needs to be taken much more seriously than in the past, as an expression of Shakespeare's fundamental understanding of human life, conveyed centrally in the character of Falstaff. In the process he also examines Shakespeare's free and vigorous use of different linguistic worlds within the play. The revision of this edition includes a response to some current arguments about the dating of Merry Wives, and also considers how recent productions bear upon the critical and theatrical account Crane gives of the play.

Kate, Mike and Carlos go on another trip to Bodega Bay near San Francisco, where more than a year ago they found a pirate's old treasure map. An incredibly exciting and dangerous adventure awaits them as they follow a mysterious clue and go on a treasure hunt to find a lost treasure from centuries ago. The GREEN APPLE series is composed of illustrated graded readers. The readers are graded into three levels — Starter, Step 1 and Step 2 — according to structural and lexical criteria, as well as by choice of subject matter.

Pour mener à bien sa vengeance sans éveiller les soupçons, Hamlet feint la folie. Lorsque le fantôme de son père lui révèle que Claudius, souverain actuel et frère du défunt roi, est le meurtrier de celui-ci, on s'attend à une stratégie ingénieuse, d'autant que le prince semble plein de courage, d'insolence et d'esprit. Or, durant quatre actes, il ne commet qu'un seul meurtre, conséquence d'une erreur de perception. À la fin de la pièce, il venge son père, mais in extremis. Hamlet est une tragédie intérieure, presque intime, dont le rythme est motivé par les hésitations du héros qui donnent lieu à des scènes superbes de grandeur pathétique, car elles disent l'aspiration de l'homme à la liberté et au repos, malgré l'enfermement obsessionnel auquel l'existence le condamne. Tragédie du doute, voyage dans un esprit qui ne rêve que d'immatérialité mais ne parvient pas à prendre son envol, Hamlet, pièce mélancolique, nous invite à un saut existentiel.

A Midsummer Night's Dream is perhaps Shakespeare's most popular play, particularly as a first introduction to Shakespeare for children--filled as it is with a marvelous mixture of aristocrats, workers, and fairies. For this edition, Peter Holland's introduction looks at dreams and dreamers, tracing the materials out of which Shakespeare constructs his world of night and shadows.

«Usually classified as a «problem comedy», All's Well that Ends Well is a psychologically disturbing presentation of an aggressive, designing woman and a reluctant husband wooed by trickery. In her introduction Susan Snyder makes the play's clashing ideologies of class and gender newly accessible, and offers a fully reconsidered, annotated text for both readers and actors.»

Perhaps the most brilliant political play ever written, Coriolanus is a gripping psychological study of the relationship between personality and politics, and its Roman hero one of the most memorable Shakespeare ever created. The introduction to this new edition offers the first full stage history and analysis of the original production of Coriolanus at the Blackfriars theater, and also examines Shakespeare's adaptation of his historical material while emphasizing the wide range of interpretations that are possible in performance.

Love's Labour's Lost, the first work to bear Shakespeare's name on its title page, differs greatly from his other early plays both for its highly unorthodox ending and its extraordinary use of language. This new edition presents a highly readable, modernised text of the play, freshly edited from the first quarto published in 1598. A thorough but concise scholarly and critical commentary provides exciting new perspectives on Love's Labour's Lost, and a comprehensive introduction discusses the significant elements of the play and its place in theatrical history. New critical trends are reflected in the special attention paid to the play's performance history since 1950, including films and adaptations, with illustrations of several productions. Engaging and illuminating, this will be an invaluable guide for seasoned scholars as well as students approaching the play for the first time.

Shakespeare's As You Like It can appear bright or sombre in performance: a feast of language and a delight for comic actors; or a risk-taking exploration of gender roles. This updated edition, containing a brand new Introduction, provides an account of what makes this popular play both innocent and dangerous. There is a section on recent critical, stage and film interpretations of the play, an updated reading list and a new appendix on an early court performance of As You Like It in 1599. Mapping the complexities of the play's setting — a no man's land related to both France and England, the edition also includes detailed commentary on its language and an analytical account of performance.

King Richard III is one of Shakespeare's most popular and frequently performed plays. Janis Lull's introduction to this new edition, based on the First Folio, emphasises the play's tragic themes — individual identity, determinism and choice — and stresses the importance of women's roles in the play. It also underscores the special relationship between Richard III and Macbeth, demonstrating that the later tragedy re-examines issues raised in the earlier one. A thorough performance history of stage and film versions of Richard III shows how the text has been cut, rewritten and reshaped by directors and actors to enhance the role of Richard at the expense of other parts, especially those of the women. This updated edition contains a new introductory section covering recent criticism and performances — including the RSC cycles of the history plays — of this perennially popular play. The notes define the play's language in terms easily accessible to contemporary readers.

A dark, rainy day in Scotland, long ago. Returning from battle, Macbeth and his friend Banquo meet three witches. 'Macbeth, the king!' they say, but Macbeth is not a king, he is just a simple soldier. Macbeth and Banquo cannot forget the witches' words. Soon Macbeth is king, but his wife walks in her sleep at night, and dreams of blood. What lies in the future for Banquo? And how many people must die before Scotland finds peace once more?

Classic / British English Bassanio wants to get married, but he has no money and a lot of debts. He asks his friend Antonio for a loan, but Antonio is waiting for his ships to return. Until then, he has nothing to lend. To help Bassanio, he borrows money from a money-lender and agrees to an unusual condition. If Antonio cannot repay the loan in three months, the money-lender will cut a pound of flesh from his body. Will Antonio be able to repay the loan? Or will he die?

«Memorable historical drama concerns rebellion against King Henry led by Harry Percy («Hotspur») and other nobles, complicated by the king's difficulties with his wayward son, Prince Hal. Superb blend of courtly intrigue, battlefield action, and low comedy featuring Sir John Falstaff, all expressed in fine blank verse and stirring prose.»

Running an emotional gamut from betrayal and broken hearts to romance and reconciliation, this 1611 tragicomedy begins with the tyrannical actions of a jealous king, whose baseless suspicions destroy his own family. The play's second half takes place 16 years later, when the lively plot takes a lighthearted turn, abounding in song and dance.

Samurai warriors have reclaimed a future post-nuclear world of mutants in the original manga version of Shakespeare's tale of skulduggery. The series keeps true to Shakespeare's original text, but is specially abridged for use in the manga, which makes it ideal for students to use as a primer and a way of getting to grips with the themes in Shakespeare's plays. A fusion of classic Shakespeare with manga visuals, these are cutting-edge books that will intrigue and grip readers.

This manga recreation of Shakespeare's text transfers the action from Ancient Rome to a future Iraq, once again facing dictatorship after its prolonged struggles to establish a democracy. Part of the successful Manga Shakespeare series, a fusion of classic Shakespeare with manga visuals. The titles available in the series so far are Romeo and Juliet, Hamlet, Richard III, The Tempest, A Midsummer Night's Dream and Macbeth. Features b/w illustrations with a 9-page colour section.

Shakespeare's enduring characters are set adrift in present-day Athens, but a present with a massive difference — an alternative history. Rigid class systems and 'god given' monarchies of the past have not been lost. Modern technologies meet ancient tradition; and the citizens of Athens are frustrated by continuing restrictions and hierarchies. Only the forest, home to the fairies and fey spirits can offer the illicit lovers what they seek.

This is the most extensively annotated edition of Macbeth currently available, offering a thorough reconsideration of one of Shakespeare's most popular plays. A full and accessible updated introduction studies the immediate theatrical and political contexts of Macbeth's composition, especially the Gunpowder Plot and the contemporary account of an early performance at the Globe. It treats such issues as whether the Witches compel Macbeth to murder; whether Lady Macbeth is herself in some sense a witch; whether Banquo is Macbeth's accomplice in crime; and what criticism is levelled against Macduff. Several possible new sources are suggested, and the presence of Thomas Middleton's writing in the play is proposed. An extensive, well-illustrated account of the play in performance examines several cinematic versions, such as those by Kurosawa and Roman Polanski, and a brand new introductory section on recent performances and adaptations brings the edition completely up-to-date.

Representing the full richness of Shakespeare's writing, the World's Classics offer the best value critical editions of his plays. Authoritative and up to date, they are 'not simply a better text but a new conception of Shakespeare'.