Laura and her father live quietly in a castle in the middle of a thick forest, but their lives change when beautiful, strange Carmilla becomes their guest. People start dying, and Laura also becomes ill. Laura's father is worried. Will his daughter die too? Or can the deaths be stopped?

«I thought I saw a human face, about the most terrible my fancy could have called up, looking fixedly into the room. The face gazed towards the bed, and in the imperfect light looked like a livid mask, with chalky eyes’. Master of the ghost story genre M.R. James commented that the, ‘final terrific murder-scene and escape can hardly be forgotten’ by those who have read «Uncle Silas». Neither does the opening disappoint. As the November winds wail in ivied chimneys we are drawn into a Victorian Gothic atmosphere of menacing, sombre gloom and ebony shadows. Sheridan Le Fanu leaves us in no doubt that we are in for a feast of exciting drama, luring us into the intensely claustrophobic world of the nineteenth century sensational novel. Le Fanu is amongst the top-notch exponents of the creepy, the criminal and the oppressive. In this tale of the orphaned teenage heiress Maud Ruthyn, fearing for her life at the hands of her sinister uncle, he has created a rattling good plot with the depth of a social novel and the power of high romance.»

«This title is edited by M.R. James. In 1888 Henry James wrote 'There was the customary novel by Mr Le Fanu for the bedside; the ideal reading in a country house for the hours after midnight'. «Madam Crowl's Ghost and Other Stories» are tales selected from Le Fanu's stories which mostly appeared in «The Dublin University» Magazine and other periodicals, and their haunting, sinister qualities still have an enormous appeal for the modern reader. The great M.R. James, who collected and introduces the stories in this book, considered that Le Fanu 'stands absolutely in the first rank as a writer of ghost stories.'»

«Joseph Sheridan Le Fanu (1814 – 1873) was one of the great masters of Victorian of mystery and horror fiction, and can be regarded as the father of the modern ghost story. «In a Glass Darkly» (1872), one of his most celebrated volumes, purports to be the casebook of Dr Hesselius, a pioneer psychologist. These five tales represent some of Le Fanu’s most accomplished work, which rises above the staid conventions of the age. Although drawing on Gothic conventions – the book features both ghosts and vampires – Le Fanu redefined the parameters of supernatural fiction. He had little interest in the crude depiction of other worldly phenomena in order to provide the reader with a pleasurable frisson of fear. Le Fanu concern rather lay in the examination of the results of supernatural experience on the psyche of his protagonist, in this he paved the way for the work of Henry James and M. R. James. This volume is an indispensable cornerstone of modern horror and remains one of the finest collections of unsettling fiction in the language.»

This remarkable collection of stories, first published in 1872, includes Green Tea, The Familiar, Mr. Justice Harbottle, The Room in the Dragon Volant, and Carmilla. The five stories are purported to be cases by Dr. Hesselius, a 'metaphysical' doctor, who is willing to consider the ghosts both as real and as hallucinatory obsessions. The reader's doubtful anxiety mimics that of the protagonist, and each story thus creates that atmosphere of mystery which is the supernatural experience. This new annotated edition includes an introduction, notes on the text, and explanatory notes.