The automobile has shaped the appearance of our streets for 100 years now. At the same building types have been created to serve it. Parking garages and gas stations as new species of architecture and showrooms whose exhibition spaces and display windows are markedly different from the usual businesses have decisively changed the cities. This book is dedicated to this type of architecture, showing esthetic and technical solutions of the past few years. Not a few architects have been unmistakable car freaks (Frank Lloyd Wright), or been occupied with the automobile (Le Corbusier: Maison Citrohan), or have actually designed cars (Walter Gropius for Adler). This fascination of the profession can also be seen in the architecture built for the automobile today.

This inspiring book chronicles the most influential ideas that have shaped architecture. Entertainingly written by an expert on architecture, it provides a concise history of the subject, and offers a fascinating resource to dip into for the general reader. Starting with the basic building 'components' of door, window, column and beam and the Classical orders, it then goes on to explore historical movements such as the Picturesque and Beaux-Arts, innovative materials such as steel and reinforced concrete, technical innovations, such as the lift and electric lighting, through to modern movements such as Universal Design and Deconstruction. Arranged in a broadly chronological order, the ideas are presented through fascinating text and arresting visuals, 100 Ideas that Changed Architecture explores when each idea first evolved and the subsequent impact it has had up to the present day.

The Fashion Design Reader is a comprehensive guide to fashion design. Through a series of critical and informative chapters covering historical and contemporary theory, The Fashion Design Reader explores the multi-faceted nature of fashion design and its associated contexts, processes and methodologies. It takes a practical look at more advanced approaches to fashion drawing, working with colour media, CAD for fashion, research processes, working with sketchbooks to develop and evaluate creative ideas and building collections. Pattern making and manufacturing processes are also considered in relation to formulating and creating prototype samples in the design studio.

An introduction to the basic principles of pattern cutting, this practical book shows students how to interpret the human form and look at clothing through the eyes of a designer rather than a consumer. As well as explaining the proportions of human anatomy, the book introduces key tools and then takes the reader from simple pattern-cutting ideas to more advanced creative methods. Step-by-step illustrations show how to create basic bodice, sleeve, skirt, dress and trouser blocks, before demonstrating how to adapt these to create patterns for original designs. There is also a chapter dedicated to digital technology and how this is increasingly being used in both colleges and industry. The book also examines a selection of the author's own creative designs, encouraging experimentation with the potential of pattern cutting.

This miscellany of mysterious objects celebrates the beauty of simple, useful things. If you have ever thatched a roof, measured a skull, stuffed a rabbit or walked on a whale, you may well recognize some of these tools. If you haven't, but admire the work of, say, Miro, Duchamp and Cornell, you will appreciate these accidental masterpieces of the everyday. These are the tools of life, some developed according to our basic human needs, some for less obvious ends, still others from vanishing trades, yet all display a beauty and meaning beyond their function. There is something in these objects that will touch the designer, artist, inventor or collector in us all.

A childhood encounter with a crow at a zoo led to a lifetime fascination with avian life for the American artist Jim Dine. This encounter with the bird was perceived by the young Dine with a mixture of fear, fascination and a deeper understanding of his unconscious world, and from it grew a mythic personal symbolism, which he explores in Birds, a series of remarkable black-and-white photographs. Here, an everyday, unspectacular bird might appear to the beholder as a character of mythology, as a jester at a Medieval court, or as a strange messenger from a world behind the scenes. These are rich, intimate, darkly detailed images imbued with symbolism and meaning. They are also beautiful and compelling, particularly as published in this spectacular volume, which, with 36 images printed using a technique called heliogravure, and with a Japanese binding, is a truly beautiful object in itself, and reveals a new aspect of Dine's work.

In 1994, suffering from aching knees and painfully concerned about it, Lee Friedlander decided to prepare himself for a sedentary life. He began to pursue the still life as a possibility and maybe a way of photographic life a dramatic shift for a man who has spent his life photographing on the street, in the woods, on the road, at parties, anywhere but sitting down. He tried a variety of subjects with a few good results, but nothing stood out until he began to look at the fresh flowers that his wife Maria placed around their home in cut-glass vases. But never mind the flowers. True to Friedlander's style, he very quickly found himself most interested in the stems. During the months of February, May, June and December of 1994, he focused his lens on wild arrays of stems and the optical splendor produced by light refracting through the glass vases that contained them. In 1998, Friedlander had both of his knees surgically replaced. Three months of recovery time passed during which he took no pictures, the only gap in almost 50 years of working. The next year, successfully rehabilitated and walking without pain, Friedlander decided to re-apply himself to the stems and finish them off as a subject. Published in a lush, oversize volume, printed with a special drytrap process, Stems is the result of this unusual saga in the photographer's career. Lee Friedlander and his camera have now returned to the street.

Japanese contemporary artists have mined some distinctive territory in the past decade or two--from the Superflat movement, to the referencing of traditional art objects like scrolls or contemporary pop phenomena like manga. Within these conventions, certain themes continually surface--nature in conflict with the manmade world, costuming and the search for personal identity and the child as cultural icon. Heavy Light identifies these themes as they are evidenced in recent Japanese photo-based art, and examines how they are reshaping Japanese tradition. This volume is published in conjunction with the major Spring 2008 exhibition at New York's International Center of Photography, which includes a diverse selection of artists: Makoto Aida, Naoya Hatakeyama, Naoki Kajitani, Hiroh Kikai, Midori Komatsubara, Yukio Nakagawa, Asako Narahashi, Tsuyoshi Ozawa, Tomoko Sawada, Risaku Suzuki, Miwa Yanagi, Kenji Yanobe and Masayuki Yoshinaga. Also featured in this volume are extensive interviews with the artists, offering accounts of their working methods and their thoughts on the influence of contemporary art on Japanese culture during the last several decades of rapid change. In addition, art historian Linda Nochlin and writer Akiko Otake provide invaluable essays.

This much acclaimed book, newly available in paperback, is the definitive retrospective of the most popular serious artist in the world today, covering all media over almost fifty years. Presented thematically to show the evolution and diversity of Hockney's prolific paintings, drawings, watercolours, prints and photography, it also features quotes from the artist himself that illuminate the passionate thinking behind the works produced. Its huge international success confirms Hockney's position as the world's most popular living artist.

Part of a new series built on the authority of Rob Thompsons highly acclaimed Manufacturing Processes for Design Professionals, this book features new content selected specifically for the needs of students who create prototypes, designs for low-volume production runs, and designs that utilize craft. With some 450 specially commissioned photographs and technical illustrations, it describes more than 30 manufacturing processes, from the traditional and established to emerging technologies.

David Bailey flew to Afghanistan earlier this year to take photographs for auction to raise money for Help for Heroes, a charity that aims to help wounded servicemen and women returning from Afghanistan. The result is his latest book of photographs, a fitting celebration of Britains fighting heroes, showing life inside both inside Camp Bastion and also outside the perimeter, where real danger is ever-present. Dylan Jones, editor of GQ, who accompanied Bailey on the trip, provides a well informed and engaging foreword on life in the camp. All sales of this book will benefit Help for Heroes.

World English, except France, Belgium, Switzerland and Austria For over thirty years, The New York Times Magazine has presented the myriad possibilities and applications of photography. Aperture is pleased to present the upcoming publication and exhibition. The New York Times Magazine Photographs, which reflects upon and interrogates the very nature of both photography and print magazines at this pivotal moment in their history and evolution. Edited by Kathy Ryan, long-time photo editor of the magazine, and with a preface by former editorial director Gerald Marzorati, this volume presents some of the finest commissioned photographs worldwide in four sections: reportage, portraiture, style, and conceptual photography, including photo illustration. Diverse in content and sensibility, and consistent in virtuosity, the photographs are accompanied by reproduced tear sheets to allow for the examination of sequencing and the interplay between text and image, simultaneously presenting the work while illuminating its distillation to magazine form. This process is explored further through texts offering behind-the-scenes perspective and anecdotes by the many photographers, writers, editors, and other collaborators whose voices have been a part of the magazine over the years. David Campany contributes a critical essay that provides an in-depth history of the magazines relationship to photography, contextualizing its contributions within the larger world of magazine work. Also addressed are issues of documentary photography in relation to more conceptual photography; the efficacy of story-telling; and what makes an image evidentiary, objective, subjective, truthful, or a tool for advocacy; as well as thoughts on whether these matters are currently moot, or more critical than ever. As such, The New York Times Magazine Photographs aims to serve as a springboard for a rigorous, necessary, and revitalized examination of photography as presented within a modern journalistic context.

The skull is one of the most recognizable symbols of todays contemporary visual culture. Since its 1970s renaissance in the iconic album designs of bands such as the Grateful Dead, the skull has found its way into the visual vocabulary of urban life, adorning T-Shirts, badges and rock memorabilia as the ultimate symbol of anarchy and rebellion. Repurposed and recast by artists, illustrators and designers, it has become one of the most iconic cultural symbols of our time. In response to this cultural phenomenon, The Book of Skulls presents a cool visual guide to the skull, charting its rebirth through music and street fashion to become todays ultimate anti-establishment icon. From Black Sabbath to Cypress Hill, skater punk graffiti to Gothic tattoos, from high-couture to Hello Kitty and Dali to Damien Hirst, this book is the ultimate collection of cool and iconic skull motifs. Drawing together artwork from music, fashion, street art and graphic design The Book of Skulls is a celebration of one of todays most iconic cultural symbols.

Textile design has a very exciting future. New fibres, fabrics and applications are constantly appearing and designers now have a wealth of avenues to explore. In this book, Simon Clarke offers students a basic grounding in the three main pathways of textile design: printed, woven and mixed media textile design, including embroidered and manipulated materials discussing both traditional and contemporary developments in design and production. Using a wealth of imagery and case studies from designers and studios at work today, the book also looks at the basic principles of design and the stages of creating a textile collection, giving students all the tools they need to develop their own work. Finally, the role of the textile designer is explored in a selection of market sectors giving students an insight into the industry and possible career paths they may wish to follow. Designed for students both at degree and foundation level, the book will also appeal to those wishing to enter a career in textile design.

Featuring a vivid selection of contemporary fashion photography, this volume is a visual odyssey through ideas of beauty, danger and seduction. Its exciting exploration of the confluence of art, fashion and fetish in the cult of high heels swooping down fashion show runways and city streets everywhere is an enticing mixture whimsy, allure and luxury. It will appeal to anyone with an interest in fashion or contemporary photography.

The urgency of global climate change has made the early twenty-first century one of the most productive periods in landscape and garden design. Clients corporate, civic, and private are committed to the creation of innovative outdoor spaces. Curated by one of the world s leading critics of contemporary landscape design, this collection profiles work by fifty design studios through texts, up-to-date projects, easy-to-read plans, and photographs. The practices have been chosen for their innovation and their unique contribution to current debates in landscape and garden design. The selection spans well-established names, such as Patrick Blanc (France), Fernando Caruncho (Spain), Dan Pearson (UK), and Stephen Stimson (US) to smaller, lesser-known studios, such as Ossart & Maurie res (France), Wette und Kunecke (Germany), and Landscape India (India). Five essays identify and explain the prevailing preoccupations and practices of today s designers with themes that range from the recent predilection for creating new landforms to the trend towards eco-expediency.

Rome Sketchbook transports the reader to the magnificent centre of ancient Europe, the home of breathtaking cityscapes and inspiring architecture such as those seen at the Trevi Fountain and St. Peter's Basilica. Inspired by this hub of art and historical heritage, Fabrice Moireau, the artist behind some of the other books in this series of cities such as Paris Sketchbook and Venice Sketchbook, presents a timeless collection of watercolour paintings and sketches that will prove equally delightful to those familiar with the city, or discovering it for the first time.

Long since regarded as an inessential object that simply adds to the beauty, convenience or effectiveness of an outfit, accessories are now considered key items in a fashion collection and as stand-alone pieces worthy of our attention. This book examines from concept to production four key items: the bag, footwear, jewellery and millinery.

This is a fully illustrated guide to the glorious riches of London's museums and galleries, drawing on the cream of the city's collections to create an easily navigable, narrative history of art. The guides unique approach allows you to locate your favourite artist or style of art in any museum and follow this throughout the museums of London. Do you like, say, the pre-Raphaelites? This book will show you where to find their works in London, from great masterpieces of the genre on show in world-famous institutions to hidden gems housed in galleries off the beaten track. Drink in the beauty of Burne-Joness stained glass in the Holy Trinity Church in Sloane Street, then move on to see Millaiss Ophelia in Tate Britain; jump on the tube to Walthamstow to the William Morris Gallery, which was once Morriss home and now displays a fine selection of pre-Raphaelite paintings. Featuring over 100 galleries, including the National Maritime Museum, the Institute of Archaeology, the National Gallery, Tate, the Saatchi Gallery and the Royal Academy of Arts, and works by such artists as Rossetti, Francis Bacon, Van Gogh and Velazquez, The Art Guide: London is the perfect guidebook for all art lovers who visit and live in the city.

Rarely has anyone photographed reality in such an unprettified way as Boris Mikhailov. He captures the unadorned and the natural; in pictures devoid of aesthetic exhaltation, he concentrates on people and their living conditions. On his journeys through Russia, Germany and his Ukrainian homeland, Mikhailov has equally observed the poor, the well-to-do, the outcasts and the homeless. Look at Me, I Look at Water was composed in 1999 at the suggestion of the Heiner Mller-Society when Boris Mikhailov's name was found in one of Heiner Mller's notebooks. With this book Mikhailov is continuing, thematically and conceptionally, what he began with his artist's book Unfinished Dissertation in 1985. The photographs are accompanied by handwritten Russian commentaries, which together give the impression of a private album which narrates stories from a chapter in the artist's life.