From its first publication in 1816 Rob Roy has been recognised as containing some of Scotts finest writing and most engaging, fully realised characters. The outlaw Rob Roy MacGregor was already a legendary, disputed figure by the time Scott wrote a heroic Scottish Robin Hood to some, an over-glamorised, unprincipled predator to others. Scott approaches Rob Roy indirectly, through the adventures of his fictional hero, Frank Osbaldistone, amid the political turmoil of England and Scotland in 1715. With characteristic care Scott reconstructs the period and settings so as to place Rob Roy and the Scotland he inhabits amid conflicting moral, economic and historical forces. This edition features, besides a new critical introduction and extensive explanatory notes, an essay outlining clearly the novels historical context and a glossary of Scottish words and phrases used by Scotts colourful, vernacular characters.

Rights of Man is a classic statement of the belief in humanity's potential to change the world for the better. Published as a reply to Burke's Reflections on the Revolution in France, it differs from that great work in every relevant respect. Where Burke uses the language of the governing classes, Paine writes with the vigour of a self-taught mast-maker and exciseman. With passionate and rapier wit, Paine challenges Burke's assertion that society cannot be judged by rational standards and found wanting. Rights of Man contains a fully-costed budget, advocating measures such as free education, old age pensions, welfare benefits and child allowance over 100 years before these things were introduced in Britain. It remains a compelling manifesto for social change.

Charles Darwin's travels around the world as an independent naturalist on HMS Beagle between 1831 and 1836 impressed upon him a sense of the natural world's beauty and sublimity which language could barely capture. Words, he said, were inadequate to convey to those who have not visited the inter-tropical regions, the sensation of delight which the mind experiences'. Yet in a travel journal which takes the reader from the coasts and interiors of South America to South Sea Islands, Darwin's descriptive powers are constantly challenged, but never once overcome. In addition, The Voyage of the Beagle displays Darwin's powerful, speculative mind at work, posing searching questions about the complex relation between the Earth's structure, animal forms, anthropology and the origins of life itself.

In Symposium, a group of Anthenian aristocrats attend a party held by Agathon to celebrate his victory in the drama festival of the Dionysia. They talk about love until the drunken Alcibiades bursts in, and decides to talk about Socrates instead. Symposium gives a picture of the sparkling society that was Athens at the height of her empire. The other three dialogues in this collection — Apology, Crito and Phaedo — are more sombre. The Athenians, catastrophically defeated in war, have lost their self-confidence and their ability to tolerate what they do not understand. Socrates is put on trial for impiety, found guilty and put to death. Apology is Socrates's speech in his own defence at his trial. Crito explains his refusal to escape when escape could be easily arranged. Phaedo gives an account of Socrates's last day. He and his friends discuss the nature and immortality of the soul until the sun sets and Socrates drinks the hemlock which has been prepared for him.

An immediate best-seller on publication, Ben Hur remains a dazzling achievement by any standards. A thoroughly exhilarating tale of betrayal, revenge and salvation, it is the only novel that ranks with Uncle Tom's Cabin as a genuine American folk possession. Wallace writes with a freshness and immediacy that brings every action-packed scene to life and illuminates the geography, ethnology and customs of the ancient world.

Lewis Carroll (Charles Lutwidge Dodgson) is famed for his magical stories, Alice in Wonderland and Through the Looking-Glass, here illustrated throughout the inner pages by Sir John Tenniel's much loved drawings. However, inspired by the insatiable Victorian appetite for party games, tricks and conundrums, this eccentric and polymathical Englishman also wrote many other works of a humorous, witty, whimsical and nonsensical nature such as the mock-heroic nonsense verse The Hunting of the Snark, as well as dozens of other verses, stories, acrostics and puzzles, all of which are included in this volume. Oxford scholar, Church of England Deacon, University Lecturer in Mathematics and Logic, academic author of learned theses, gifted pioneer of portrait photography, colourful writer of imaginative genius and yet a shy and pedantic man, Lewis Carroll stands pre-eminent in the pantheon of inventive literary geniuses.

«William Shakespeare (1564-1616) is acknowledged as the greatest dramatist of all time. He excels in plot, poetry and wit, and his talent encompasses the great tragedies of «Hamlet», «King Lear», «Othello» and «Macbeth» as well as the moving history plays and the comedies such as «A Midsummer Night's Dream», «The Taming of the Shrew» and «As You Like It» with their magical combination of humour, ribaldry and tenderness. This volume is a reprint of the Shakespeare Head Press edition, and it presents all the plays in chronological order in which they were written. It also includes Shakespeare's Sonnets, as well as his longer poems «Venus and Adonis» and «The Rape of Lucrece».»

«George Eliot's final novel, «Daniel Deronda» (1876), follows the intertwining lives of the beautiful but spoiled and selfish Gwendolene Harleth and the selfless yet alienated Daniel Deronda, as they search for personal and vocational fulfilment and sympathetic relationship. Set largely in the degenerate English aristocratic society of the 1860s, «Daniel Deronda» charts their search for meaningful lives against a background of imperialism, the oppression of women, and racial and religious prejudice. Gwendolen's attempts to escape a sadistic relationship and atone for past actions catalyse her friendship with Deronda, while his search for origins leads him, via Judaism, to a quest for moral growth. Eliot's radical dual narrative constantly challenges all solutions and ensures that the novel is as controversial now, as when it first appeared.»

Fathers and Sons is one of the greatest nineteenth century Russian novels, and has long been acclaimed as Turgenev's finest work. It is a political novel set in a domestic context, with a universal theme, the generational divide between fathers and sons. Set in 1859 at the moment when the Russian autocratic state began to move hesitantly towards social and political reform, the novel explores the conflict between the liberal-minded fathers of Russian reformist sympathies and their free-thinking intellectual sons whose revolutionary ideology threatened the stability of the state. At its centre is Evgeny Bazorov, a strong-willed antagonist of all forms of social orthodoxy who proclaims himself a nihilist and believes in the need to overthrow all the institutions of the state. As the novel develops Bazarov's political ambitions become fatally meshed with emotional and private concerns, and his end is a tragic failure. The novel caused a bitter furore on its publication in 1862, and this, a year later, drove Turgenev from Russia.

Herodotus (c480-c425) is 'The Father of History' and his Histories are the first piece of Western historical writing. They are also the most entertaining. Why did Pheidippides run the 26 miles and 385 yards (or 42.195 kilometres) from Marathon to Athens? And what did he do when he got there? Was the Battle of Salamis fought between sausage-sellers? Which is the oldest language in the world? Why did Leonidas and his 300 Spartans spend the morning before the battle of Thermopylae combing their hair? Why did every Babylonian woman have to sit in the Temple of Aphrodite until a man threw a coin into her lap, and how long was she likely to sit there? And what is the best way to kill a crocodile? This wide-ranging history provides the answers to all these fascinating questions as well as providing many fascinating insights into the Ancient World.

Prince Myshkin returns to Russia from an asylum in Switzerland. As he becomes embroiled in the frantic amatory and financial intrigues which centre around a cast of brilliantly realised characters and which ultimately lead to tragedy, he emerges as a unique combination of the Christian ideal of perfection and Dostoevsky's own views, afflictions and manners. His serene selflessness is contrasted with the worldly qualities of every other character in the novel. Dostoevsky supplies a harsh indictment of the Russian ruling class of his day who have created a world which cannot accomodate the goodness of this idiot.

Jules Verne's third science fiction novel describes the discovery and exploration of a secret tunnel which leads through a volcano to the centre of the Earth. The leader of the expedition, together with his ward and joined by his nephew and an Icelandic guide commence the journey.

The proverbial phrase ‘life’s little ironies’ was coined by Hardy for his third volume of short stories. These tales and sketches possess all the power of his novels: the wealth of description, the realistic portrayal of the quaint lore of Wessex, the ‘Chaucerian’ humour and characterisation, the shrewd and critical psychology, the poignant estimate of human nature and the brooding sense of wonder at the essential mystery of life. The tales which make up Life's Little Ironies tenderly re-create a rapidly vanishing rural world and scrutinise the repressions of fin-de-siecle bourgeois life. They share the many concerns of Hardy's last great novels, such as the failure of modern marriage and the insidious effects of social ambition on the family and community life. Ranging widely in length and complexity, they are unified by Hardy's quintessential irony, which embraces both the farcical and the tragic aspects of human existence.

It is more than a century since the ascetic, gaunt and enigmatic detective, Sherlock Holmes, made his first appearance in A Study in Scarlet. From 1891, beginning with The Adventures of Sherlock Holmes, the now legendary and pioneering Strand Magazine began serialising Arthur Conan Doyle's matchless tales of detection, featuring the incomparable sleuth patiently assisted by his doggedly loyal and lovably pedantic friend and companion, Dr Watson. The stories are illustrated by the remarkable Sydney Paget from whom our images of Sherlock Holmes and his world derive and who first equipped Holmes with his famous deerstalker hat. The literary cult of Sherlock Holmes shows no sign of fading with time as each new generation comes to love and revere the penetrating mind and ruthless logic which were the undoing of so many Victorian master criminals.

Anton Chekhov is widely regarded as one of the greatest writers of short stories. He constructs stories where action and drama are implied rather than described openly, and which leave much to the reader's imagination. This collection contains some of the most important of his earliest and shortest comic sketches, as well as examples of his great, mature works. Throughout, the doctor-turned-writer displays compassion for human suffering and misfortune, but is always able to see the comical, even farcical aspects of the human condition.

The Tenant of Wildfell Hall is a powerful and sometimes violent novel of expectation, love, oppression, sin, religion and betrayal. It portrays the disintegration of the marriage of Helen Huntingdon, the mysterious ‘tenant’ of the title, and her dissolute, alcoholic husband. Defying convention, Helen leaves her husband to protect their young son from his father's influence, and earns her own living as an artist. Whilst in hiding at Wildfell Hall, she encounters Gilbert Markham, who falls in love with her. On its first publication in 1848, Anne Brontë's second novel was criticised for being 'coarse' and 'brutal'. The Tenant of Wildfell Hall challenges the social conventions of the early nineteenth century in a strong defence of women's rights in the face of psychological abuse from their husbands. Anne Brontë's style is bold, naturalistic and passionate, and this novel, which her sister Charlotte considered 'an entire mistake', has earned her a position in English Literature in her own right.

«Laurence Sterne's «The Life and Opinions of Tristram Shandy, Gentleman» is a huge literary paradox, for it is both a novel and an anti-novel. As a comic novel replete with bawdy humour and generous sentiments, it introduces us to a vivid group of memorable characters, variously eccentric, farcical and endearing. As an anti-novel, it is a deliberately tantalising and exuberantly egoistic work, ostentatiously digressive, involving the reader in the labyrinthine creation of a purported autobiography. This mercurial eighteenth-century text thus anticipates modernism and postmodernism. Vibrant and bizarre, «Tristram Shandy» provides an unforgettable experience. We may see why Nietzsche termed Sterne 'the most liberated spirit of all time'.»

Educated beyond her station, Grace Melbury returns to the woodland village of little Hintock and cannot marry her intended, Giles Winterborne. Her alternative choice proves disastrous, and in a moving tale that has vibrant characters, many humorous moments and genuine pathos coupled with tragic irony, Hardy eschews a happy ending. With characteristic derision, he exposes the cruel indifference of the archaic legal system off his day, and shows the tragic consequences of untimely adherence to futile social and religious proprieties.

Nostromo is the only man capable of the decisive action needed to save the silver of the San Tome mine and secure independence for Sulaco, Occidental province of the Latin American state of Costaguana. Is his integrity as unassailable as everyone believes, or will his ideals, like those which have inspired the struggling state itself, buckle under economic and political pressures? Nostromo is an extraordinary illustration of the impact of foreign commercial exploits on a young developing nation, and the problems of reconciling individual identity with a social role.

Virginia Woolf's singular technique in Mrs Dalloway heralds a break with the traditional novel form and reflects a genuine humanity and a concern with the experiences that both enrich and stultify existence. Society hostess, Clarissa Dalloway is giving a party. Her thoughts and sensations on that one day, and the interior monologues of others whose lives are interwoven with hers gradually reveal the characters of the central protagonists. Clarissa's life is touched by tragedy as the events in her day run parallel to those of Septimus Warren Smith, whose madness escalates as his life draws toward inevitable suicide.