Antony and Cleopatra is one of Shakespeare's greatest tragedies: a spectacular, widely-ranging drama of love and war, passion and politics. Antony is divided between the responsibilities of imperial power and the intensities of his sexual relationship with Cleopatra. She, variously generous and ruthless, loving and jealous, petulant and majestic, emerges as Shakespeare's most complex depiction of a woman: 'Age cannot wither her, nor custom stale / Her infinite variety.'

As You Like It is one of Shakespeare's finest romantic comedies, variously lyrical, melancholy, satiric, comic and absurd. Its highly implausible plot generates a profusion of love-lorn men, a resourceful heroine in disguise, sexual ambiguity, melancholy philosophising and finally a multiplicity of marriages. The ironic medley of pastoral artifice, romantic ardour and quizzical reflection has helped to make As You Like It perennially popular in the theatre.

Black Beauty had a fine, soft black coat, one white foot and a silver star on his forehead. This tale tells of the horse's adventures and the disappointments and joys that surround him.

Bleak House is one of Dickens' finest achievements, establishing his reputation as a serious and mature novelist, as well as a brilliant comic writer. It is at once a complex mystery story that fully engages the reader in the work of detection, and an unforgettable indictment of an indifferent society. Its representations of a great city's underworld, and of the law's corruption and delay, draw upon the author's personal knowledge and experience. But it is his symbolic art that projects these things in a vision that embraces black comedy, cosmic farce, and tragic ruin. In a unique creative experiment, Dickens divides the narrative between his heroine, Esther Summerson, who is psychologically interesting in her own right, and an unnamed narrator whose perspective both complements and challenges hers.

This volume completes the canon of the illustrated Sherlock Holmes stories, reprinted from The Strand Magazine. It contains the short story series “Reminiscences of Sherlock Holmes, The Valley of Fear” — a sinister novella which appeared in 1914-15 – “His Last Bow: The War Service of Sherlock Holmes” and the last 12 stories “The Case-Book of Sherlock Holmes”.

Cavalier and Roundhead battle it out in the turbulent setting of the English Civil war and provide the background for this classic tale of four orphans as they face adversity, survival in the forest, reconciliation and eventual forgiveness. This is the first enduring historical novel for children, which conjures up as much magic today as it did on first publication. The freedom from adult constraint allied with the necessary disciplines to survive in a hostile world make for a gripping read.

Ebenezer Scrooge is a miserly old skinflint. He hates everyone, especially children. But at Christmas three ghosts come to visit him, scare him into mending his ways, and he finds, as he celebrates with Bob Cratchit, Tiny Tim and their family, that geniality brings its own reward.

«Saki (H.H. Munro) stands alongside Anton Chekhov and O Henry as a master of the short story. His extraordinary stories are a mixture of humorous satire, irony and the macabre, in which the stupidities and hypocrisy of conventional society are viciously pilloried. This collection includes «Sredni Vastor» and «The Unrest Cure».»

«In seeking to discover his inner self, the brilliant Dr Jekyll discovers a monster. First published to critical acclaim in 1886, this mesmerising thriller is a terrifying study of the duality of man's nature. This volume also includes Stevenson's 1887 collection of short stories, «The Merry Men» and Other Tales and Fables. «The Merry Men» is a gripping Highland tale of shipwrecks and madness; «Markheim», the sinister study of the mind of a murderer; «Thrawn Janet», a spine-chilling tale of demonic possession; «Olalla», a study of degeneration and incipient vampirism in the Spanish mountains; «Will O'the Mill», a thought-provoking fable about a mountain inn-keeper; and «The Treasure of Franchard», a study of French bourgeois life.»

'There he lay looking as if youth had been half-renewed, for the white hair and moustache were changed to dark iron-grey, the cheeks were fuller, and the white skin seemed ruby-red underneath; the mouth was redder than ever, for on the lips were gouts of fresh blood, which trickled from the corners of the mouth and ran over the chin and neck. Even the deep, burning eyes seemed set amongst the swollen flesh, for the lids and pouches underneath were bloated. It seemed as if the whole awful creature were simply gorged with blood; he lay like a filthy leech, exhausted with his repletion.'

«Far from the Madding Crowd» is perhaps the most pastoral of Hardy's Wessex novels. It tells the story of the young farmer Gabriel Oak and his love for and pursuit of the elusive Bathsheba Everdene, whose wayward nature leads her to both tragedy and true love. It tells of the dashing Sergeant Troy whose rakish philosophy of life was '...the past was yesterday; never, the day after'. And lastly, of the introverted and reclusive gentleman farmer, Mr Boldwood, whose love fills him with '...a fearful sense of exposure', when he first sets eyes on Bathsheba. The background of this tale is the Wessex countryside in all its moods.»

'It' was the Psammead, the grumpy sand-fairy that could, if in the mood, grant a wish a day. When the five children befriend him they find that each wish granted often has a sting in its tail. Golden guineas are too difficult to spend, wings let them down in a most inconvenient way, and when they wish for Red Indians, the children forget that they can sometimes be a little warlike.

The Brothers Grimm rediscovered a host of fairy tales, telling of princes and princesses in their castles, witches in their towers and forests, of giants and dwarfs, of fabulous animals and dark deeds. This selection of their folk tales was made and translated by Lucy Crane, and includes firm favourites such as Rapunzel, The Goose Girl, Sleeping Beauty, Hansel and Gretel and Snow White. It is illustrated throughout by Walter Crane's charming line drawings.

«The «Jungle Book» introduces Mowgli, the human foundling adopted by a family of wolves. It tells of the enmity between him and the tiger Shere Khan, who killed Mowgli's parents, and of the friendship between the man-cub and Bagheera, the black panther, and Baloo, the sleepy brown bear, who instructs Mowgli in the Laws of the Jungle. «The Second Jungle Book» contains some of the most thrilling of the Mowgli stories. It includes «Red Dog», in which Mowgli forms an unlikely alliance with the python Kaa, «How Fear Came» and «Letting in the Jungle» as well as «The Spring Running», which brings Mowgli to manhood and the realisation that he must leave Bagheera, Baloo and his other friends for the world of man.»

These witty stories were originally told by Rudyard Kipling to his own children. In them he gives fanciful accounts of how and why things came to be as they are. Generations of children have delighted to learn how the Leopard got his spots, how the Elephant's Child on the banks of the great grey-green Limpopo acquired his trunk with the help of the Crocodile, and the beginning of the Armadillos.

First published in 1900, Lord Jim established Conrad as one of the great storytellers of the twentieth century. Set in the Malay Archipelago, the novel not only provides a gripping account of maritime adventure and romance, but also an exotic tale of the East. Its themes also challenge the conventions of nineteenth-century adventure fiction, confirming Conrad’s place in literature as one of the first ‘modernists’ of English letters. Lord Jim explores the dilemmas of conscience, of moral isolation, of loyalty and betrayal confronting a sensitive individual whose romantic quest for an honourable ideal are tested to the limit.

«Lorna Doone», a Romance of Exmoor is an historical novel of high adventure set in the South West of England during the turbulent time of Monmouth's rebellion (1685). It is also a moving love story told through the life of the young farmer John Ridd, as he grows to manhood determined to right the wrongs in his land, and to win the heart and hand of the beautiful Lorna Doone.»

Castigated for offending against public decency, Madame Bovary has rarely failed to cause a storm. For Flaubert's contemporaries, the fascination came from the novelist's meticulous account of provincial matters. For the writer, subject matter was subordinate to his anguished quest for aesthetic perfection. For his twentieth-century successors the formal experiments that underpin Madame Bovary look forward to the innovations of contemporary fiction. Flaubert’s protagonist in particular has never ceased to fascinate. Romantic heroine or middle-class neurotic, flawed wife and mother or passionate protester against the conventions of bourgeois society, simultaneously the subject of Flaubert’s admiration and the butt of his irony — Emma Bovary remains one of the most enigmatic of fictional creations. Flaubert's meticulous approach to the craft of fiction, his portrayal of contemporary reality, his representation of an unforgettable cast of characters make Madame Bovary one of the major landmarks of modern fiction.

Middlemarch is a complex tale of idealism, disillusion, profligacy, loyalty and frustrated love. This penetrating analysis of the life of an English provincial town during the time of social unrest prior to the Reform Bill of 1832 is told through the lives of Dorothea Brooke and Dr Tertius Lydgate and includes a host of other paradigm characters who illuminate the condition of English life in the mid-nineteenth century.

Moll Flanders follows the life of its eponymous heroine through its many vicissitudes, which include her early seduction, careers in crime and prostitution, conviction for theft and transportation to the plantations of Virginia, and her ultimate redemption and prosperity in the new World.