Fifteen men on the dead man's chest-Yo-ho-ho and a bottle of rum!' Treasure Island is a tale of pirates and villains, maps, treasure and shipwreck. When young Jim Hawkins finds a packet in Captain Flint's sea chest, he could not know that the map inside it would lead him to unimaginable treasure. Shipping as cabin boy on the Hispaniola, he sails with Squire Trelawney, Captain Smollett, Dr Livesey, the sinister Long John Silver and a frightening crew to Treasure Island. There, mutiny, murder and mayhem lead to a thrilling climax.

About this book: Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his 'appacitional' stories, or ghost stories in the strict sense of the term, and as such is the fullest collection currently available. The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends of the Friends', a strange story of uncanny love; and 'The Private Life', which finds high comedy in its ghostly theme. The volume also includes James's great novella 'The Turn of the Screw', perhaps the most ambiguous and disturbing ghost story ever written.

Полный, неадаптированный текст произведения. Jane Austen teased readers with the idea of a 'heroine whom no one but myself will much like', but Emma is irresistible. 'Handsome, clever, and rich', Emma is also an 'imaginist', 'on fire with speculation and foresight'. She sees the signs of romance all around her, but thinks she will never be married. Her matchmaking maps out relationships that Jane Austen ironically tweaks into a clearer perspective. Judgement and imagination are matched in games the reader too can enjoy, and the end is a triumph of understanding.

Wilde, glamorous and notorious, more famous as a playwright or prisoner than as a poet, invites readers of his verse to meet an unknown and intimate figure. The poetry of his formative years includes the haunting elegy to his young sister and the grieving lyric at the death of his father. The religious drama of his romance with Rome is captured here, as well as its resolution in his renewed love of ancient Greece. He explores forbidden sexual desires, pays homage to the great theatre stars and poets of his day, observes cityscapes with impressionist intensity. His final masterpiece, The Ballad of Reading Gaol, tells the painful story of his own prison experience and calls for universal compassion. This edition of Wilde's verse presents the full range of his achievement as a poet.

W. B. Yeats was Romantic and Modernist, mystical dreamer and leader of the Irish Literary Revival, Nobel prizewinner, dramatist and, above all, poet. He began writing with the intention of putting his ‘very self’ into his poems. T. S. Eliot, one of many who proclaimed the Irishman’s greatness, described him as ‘one of those few whose history is the history of their own time, who are part of the consciousness of an age which cannot be understood without them’. For anyone interested in the literature of the late nineteenth century and the twentieth century, Yeats’s work is essential. This volume gathers the full range of his published poetry, from the hauntingly beautiful early lyrics (by which he is still fondly remembered) to the magnificent later poems which put beyond question his status as major poet of modern times. Paradoxical, proud and passionate, Yeats speaks today as eloquently as ever.

On a poor farm near Starkfield in western Massachusetts, Ethan Frome struggles to wrest a living from the land, unassisted by his whining and hypochondriacal wife Zeena. When Zeena's young cousin Mattie Silver is left destitute, the only place she can go is Ethan's farm. An embittered man and an enchanting young woman meeting in such circumstances unleash predictable consequences as passions are aroused between the three protagonists, Edith Wharton's characterisation and deft handling of reversals of fortune are so accomplished that Ethan Frome has remained enduringly popular since its first publication in 1911 and is considered her greatest tragic story.

«Memoirs of a Woman of Pleasure», better known as «Fanny Hill», is one of the most notorious texts in English literature. As recently as 1963 an unexpurgated edition was the subject of a trial, yet in the eighteenth century John Cleland's open celebration of sexual enjoyment was a best selling novel. Fanny's story, as she falls into prostitution and then rises to respectability, takes the form of a confession that is vividly coloured by copious and explicit physiological details of her carnal adventures. The moral outrage that this has always provoked has only recently been countered by serious critical appraisal.»

«The Shakespeare comedies collected in this text are frequently known as «the romances». It is argued that they conclude in a spirit of hope as the main characters are reunited in an aura of reconciliation, wrongs are righted, and exiles returned to their homes.»

Henry James's last completed novel, The Golden Bowl, is the story of two flawed marriages. The lives and relationships of Maggie Verver and her widowed American millionaire father, Adam, are changed and challenged by the beautiful and charming Charlotte Stant, who is the former lover of Maggie's husband, the impoverished Italian, Prince Amerigo. The narrative is underpinned by complex symbolism. The gilded crystal bowl with its almost invisible flaw is the vehicle which James uses to reveal past misdemeanours and make his characters face their own defects in this classic tale of redemption.

Henry V is the most famous and influential of Shakespeare's history plays. Its powerful patriotic rhetoric has resounded down the ages, gaining eloquent expression in Laurence Olivier's renowned film. Henry himself, astute and charismatic, who led his 'band of brothers' to victory in the Battle of Agincourt, could indeed seem to be 'this star of England'. In recent decades the play has attracted increasing critical attention and is now highly controversial. Kenneth Branagh's film-production reflected the changing valuation. Does this play have a sceptical sub-text which subverts its patriotism? Is Henry's achievement beset by irony? Has current scepticism distorted a predominantly and proudly nationalistic drama?

The Merchant of Venice is one of Shakespeare's most popular comedies, but it remains deeply controversial. The text may well seem anti-Semitic; yet repeatedly, in performance, it has revealed a contrasting nature. Shylock, though vanquished in the law-court, often triumphs in the theatre. He is a character so intense that he can dominate the play, challenging abrasively its romantic and lyrical affirmations.

Dickens had already achieved renown with The Pickwick Papers. With Oliver Twist his reputation was enhanced and strengthened. The novel contains many classic Dickensian themes — grinding poverty, desperation, fear, temptation and the eventual triumph of good in the face of great adversity. Oliver Twist features some of the author's most enduring characters, such as Oliver himself (Who dares to ask for more), the tyrannical Bumble, the diabolical Fagin, the menacing Bill Sykes, Nancy and 'the Artful Dodger'.

The Peninsular War was a war of contrasts; a war fought in the icy passes of the high Pyrenees and on the burning wastes of the Sierra Morena; a war of infinite cruelty yet remarkable courtesy; a war in which debonair British officers fought alongside ragged Spanish partisans. It began in 1808 with Napoleon at the height of his power and ended with his attempted suicide in 1814. This narrative recaptures the horror, excitement and drudgery of history's first guerilla war.

The plays collected in this text provide the reader with a clear picture of Marlowe as a radical theatrical poet of great linguistic and dramatic daring, whose characters constantly strive to break out of the social, religious, and rhetorical binds within which they are confined.

William Blake was an engraver, painter and visionary mystic as well as one of the most revolutionary of the Romantic poets. His writing attracted the astonished admiration of authors as diverse as Wordsworth, Ruskin, W.B.Yeats, and more recently beat poet Allen Ginsberg and the 'flower power' generation. He is one of England's most original artists whose works aim to liberate imaginative energies and subvert 'the mind-forged manacles' of restriction. This volume contains many of his writings, including: Songs of Innocence, Songs of Experience, The Marriage of Heaven and Hell, and a generous selection from the Prophetic Books including Milton and Jerusalem.

«'I am writing to a rhythm and not to a plot', Virginia Woolf stated of her eighth novel, «The Waves». Widely regarded as one of her greatest and most original works, it conveys the rhythms of life in synchrony with the cycle of nature and the passage of time. Six children — Bernard, Susan, Rhoda, Neville, Jinny and Louis — meet in a garden close to the sea, their voices sounding over the constant echo of the waves that roll back and forth from the shore. The subsequent continuity of these six main characters, as they develop from childhood to maturity and follow different passions and ambitions, is interspersed with interludes from the timeless and unifying chorus of nature.In pure stream-of-consciousness style, Woolf presents a cross-section of multiple yet parallel lives, each marked by the disintegrating force of a mutual tragedy. «The Waves» is her searching exploration of individual and collective identity, and the observations and emotions of life, from the simplicity and surging optimism of youth to the vacancy and despair of middle-age.»

«The Well-Beloved» completes the cycle of Hardy's great novels, reiterating his favourite themes of man's eternal quest for perfection in both love and art, and the suffering that ensues. Jocelyn Pierston, celebrated sculptor, tries to create an image of his ideal woman — his imaginary «Well-Beloved» — in stone, just as he tries to find her in the flesh. Powerful symbolism marks this romantic fantasy that Hardy has grounded firmly in reality with a characteristically authentic rendering of location, the Isle of Slingers, or Portland as we know it. Overt exploration of the relationship between erotic fascination and creativity makes this novel a nineteenth-century landmark in the persistent debate about art, aesthetics and gender.»

Crime and Punishment is one of the greatest and most readable novels ever written. From the beginning we are locked into the frenzied consciousness of Raskolnikov who, against his better instincts, is inexorably drawn to commit a brutal double murder. From that moment on, we share his conflicting feelings of self-loathing and pride, of contempt for and need of others, and of terrible despair and hope of redemption: and, in a remarkable transformation of the detective novel, we follow his agonised efforts to probe and confront both his own motives for, and the consequences of, his crime. The result is a tragic novel built out of a series of supremely dramatic scenes that illuminate the eternal conflicts at the heart of human existence: most especially our desire for self-expression and self-fulfilment, as against the constraints of morality and human laws; and our agonised awareness of the world's harsh injustices and of our own mortality, as against the mysteries of divine justice and immortality.

Oscar Wilde took London by storm with his first comedy, Lady Windermere's Fan. The combination of dazzling wit, subtle social criticism, sumptuous settings and the theme of a guilty secret proved a winner, both here and in his next three plays, A Woman of No Importance, An Ideal Husband, and his undisputed masterpiece, The Importance of Being Earnest. This volume includes all Wilde's plays from his early tragedy Vera to the controversial Salome and the little known fragments, La Sainte Courtisane and A Florentine Tragedy. The edition affords a rare chance to see Wilde's best known work in the context of his entire dramatic output, and to appreciate plays which have hitherto received scant critical attention. Wilde's plays have never failed to delight audiences and are a lasting testimony to their author's supreme wit and theatrical genius.

Short Stories from the Nineteenth Century is a wonderful collection of classic stories specially selected and introduced by David Stuart Davies, featuring tales by Charles Dickens, Arthur Conan Doyle, RL Stevenson, Bram Stoker, Anthony Trollope and many others.