Tom Jones is widely regarded as one of the first and most influential English novels. It is certainly the funniest. Tom Jones, the hero of the book, is introduced to the reader as the ward of a liberal Somerset squire. Tom is a generous but slightly wild and feckless country boy with a weakness for young women. Misfortune, followed by many spirited adventures as he travels to London to seek his fortune, teach him a sort of wisdom to go with his essential good-heartedness.

A historical romance, The Three Musketeers tells the story of the early adventures of the young Gascon gentleman, D'Artagnan and his three friends from the regiment of the King's Musketeers — Athos, Porthos and Aramis. Under the watchful eye of their patron M. de Treville, the four defend the honour of the regiment against the guards of Cardinal Richelieu, and the honour of the queen against the machinations of the Cardinal himself as the power struggles of seventeenth century France are vividly played out in the background. But their most dangerous encounter is with the Cardinal's spy, Milady, one of literature's most memorable female villains, and Dumas employs all his fast-paced narrative skills to bring this enthralling novel to a breathtakingly gripping and dramatic conclusion.

Living overseas but writing, always, about his native city, Joyce made Dublin unforgettable. The stories in Dubliners show us truants, seducers, gossips, rally-drivers, generous hostesses, corrupt politicians, failing priests, amateur theologians, struggling musicians, moony adolescents, victims of domestic brutishness, sentimental aunts and poets, patriots earnest or cynical, and people striving to get by. In every sense an international figure, Joyce was faithful to his own country by seeing it unflinchingly and challenging every precedent and piety in Irish literature.

Lawrence's finest, most mature novel initially met with disgust and incomprehension. In the love affairs of two sisters, Ursula with Rupert, and Gudrun with Gerald, critics could only see a sorry tale of sexual depravity and philosophical obscurity. Women in Love is, however, a profound response to a whole cultural crisis. The 'progress' of the modern industrialised world had led to the carnage of the First World War. What, then, did it mean to call ourselves 'human'? On what grounds could we place ourselves above and beyond the animal world? What are the definitive forms of our relationships — love, marriage, family, friendship — really worth? And how might they be otherwise? Without directly referring to the war, Women in Love explores these questions with restless energy. As a sequel to The Rainbow, the novel develops experimental techniques which made Lawrence one of the most important writers of the Modernist movement.

This novel traces the private lives of a group of people caught up in the cataclysm of the French Revolution and the Terror. Dickens based his historical detail on Carlyle's The French Revolution, and his own observations and investigations during his numerous visits to Paris.

A Portrait of the Artist as a Young Man represents the transitional stage between the realism of Joyce's Dubliners and the symbolism of Ulysses, and is essential to the understanding of the later work. This novel is a highly autobiographical account of the adolescence of Stephen Dedalus, who reappears in Ulysses, and who comes to realize that before he can become a true artist, he must rid himself of the stultifying effects of the religion, politics and essential bigotry of his background in late 19'th century Ireland.

The Moonstone, a priceless Indian diamond which had been brought to England as spoils of war, is given to Rachel Verrinder on her eighteenth birthday. That very night, the stone is stolen. Suspicion then falls on a hunchbacked housemaid, on Rachel's cousin Franklin Blake, on a troupe of mysterious Indian jugglers, and on Rachel herself. The phlegmatic Sergeant Cuff is called in, and with the help of Betteredge, the Robinson Crusoe-reading loquacious steward, the mystery of the missing stone is ingeniously solved.

Jonathan Swift's classic satirical narrative was first published in 1726, seven years after Defoe's Robinson Crusoe (one of its few rivals in fame and breadth of appeal). As a parody travel-memoir it reports on extraordinary lands and societies, whose names have entered the English language: notably the minute inhabitants of Lilliput, the giants of Brobdingnag, and the Yahoos in Houyhnhnmland, where talking horses are the dominant species. It spares no vested interest from its irreverent wit, and its attack on political and financial corruption, as well as abuses in science, continue to resonate in our own times.

Shakespeare's Macbeth is one of the greatest tragic dramas the world has known. Macbeth himself, a brave warrior, is fatally impelled by supernatural forces, by his proud wife, and by his own burgeoning ambition. As he embarks on his murderous course to gain and retain the crown of Scotland, we see the appalling emotional and psychological effects on both Lady Macbeth and himself. The cruel ironies of their destiny are conveyed in poetry of unsurpassed power. In the theatre, this tragedy remains perennially engrossing. This volume is part of the new Wordsworth Classics Shakespeare Series, in which each text has been freshly edited by Professor Cedric Watts.

Father Brown, one of the most quirkily genial and lovable characters to emerge from English detective fiction, first made his appearance in The Innocence of Father Brown in 1911. That first collection of stories established G.R. Chesterton's kindly cleric in the front rank of eccentric sleuths. This complete collection contains all the favourite Father Brown stories. They represent the quiet wit and compassion which is so different from his moody and caustic predecessor, Conan Doyle's Sherlock Holmes. Father Brown solves his mysteries by a mixture of intuition and sympathetic worldliness in a totally believable manner.

The late Victorians had an insatiable appetite for the macabre and sensational: stories of murder and suspense, ghosts, the supernatural and the inexplicable were the stuff of life to them. The two writers in this volume well represent the last decade of the nineteenth century, and are of interest in themselves as well as for their contribution to the chilling of the Victorian spine. Mrs. Alfred Baldwin attempted as a child to contact her dead sister through a séance, and took to writing when stricken by a mysterious illness six weeks after marriage. She was also the mother of the Prime Minister, Stanley Baldwin. Lettice Galbraith is herself no less mysterious than the stories she wrote. She appeared on the literary scene in 1893, published a novel and two collections of stories in that year, a further story ( The Blue Room ) in 1897, and then nothing more. Readers of 'The Empty Picture Frame', 'The Case of Sir Nigel Otterburne', 'The Trainer's Ghost' and 'The Seance Room' will recognise the Victorian spirit at its finest.

With An Introduction by Anthony Lejeune. Why did the solitary girl leave her rented house on the French Riviera only for short walks at night? Why was she so frightened? Why did animals shrink away from her? The girl herself didn't know, and was certainly not aware of the terrible appointment which had been made for her long ago and was now drawing close. Molly Fountain, the tough-minded Englishwoman living next door, was determined to find the answer. She sent for a wartime secret service colleague to come and help. What they discovered was horrifying beyond anything they could have imagined. Dennis Wheatley returned in this book to his black magic theme which he had made so much his own with his famous best seller The Devil Rides Out. In the cumulative shock of its revelations, the use of arcane knowledge, the mounting suspense and acceleration to a fearful climax, he out-does even that earlier achievement. This is, by any standards, a terrific story.